|
Log in to post
|
Print Thread |
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
Howdy, folks... Amongst whatever comments and/or critiques anyone may have about this song, I would ask sincerely if any of you could direct me to documentation about how to mix tracks in a recording. The subject and practice is bewildering to me. In the sequencer, when I increase the instrument track volume, it "clips" the meter, which causes me to correct the volume by lowering it, and that makes the track hard to hear. So, I try techniques such as compression, which increases the volume until it "clips", so again I lower the volume and can't hear the track. I end up going 'round, and 'round, and 'round on that frustrating circuit. And then, I try panning the instruments, but they seem to lose "body" and volume as I pan to the left or right, until, finally, I admit I get irritable with the whole process and "take what I can get." Hah! Good thing I live alone, huh?! Can't throw things at myself!  So, anyone's help would be deeply appreciated. Any old way, here's the song info: Style is J!MANCNI.STY (Jazz-Mancni2 - Slow Pop Ballad) Style MIDI Instruments are : Acoustic Piano (1), Acoustic Guitar (26), Slow Strings (50), RealTracks in song: 398:Bass, Acoustic, Jazz Paul Sw 140 ('2' only) RealDrums in Song: JazzBrushes2FeelAtB: a: Brushes, Kick b: Brushes Soloist is #490, Sax, Alto, Jazz Ballad Sw 085, courtesy of Mr. P. J. Perry. I used a Miroslav Phlharmonik patch for the tremolo strings, Edirol Orchestral for the slow strings section; a steel guitar patch from Edirol Super Quartet and an upright piano patch from Kontakt 4/Vir2 Instruments. The melody was originally patched to a bandeneon from Edirol VSC to lend a "French" sound, or feel, to the song. The vocal track was provided by a singer named Courtney Grace who I found on the Web. I e-mailed to her an mp3 of the song, she recorded it herself...and "nailed it" the first time around. You can check out her songwriting and performance artistry at http://courtneygracemusic.com/Thank you for reading this and listening to the song! http://www.soundclick.com/bands/default.cfm?bandID=1321235&content=musicSincerely, "bluage" ------------------------------------------------------- VERSE ONE How do you know when someone loves you? How should the words sound when you hear them? And though you feel like falling It’s such a long way down… VERSE TWO Because he tells you that he needs you Is that what makes a friend, a lover? Things happen, oh, so, swiftly No time for answers to, questions you’ll never ask him… BRIDGE He sends you flowers He holds the door And when you’re dancing You own the floor Why break the spell? You know him well Yet, doubts still linger Is he enough? If times get tough Will romance fade? VERSE THREE How do you know when someone loves you? How should the words sound when you hear them? And though you feel like falling It’s such a long way down… VERSE FOUR Because he tells you that he needs you Is that what makes a friend, a lover? Things happen, oh, so swiftly No time for answers to, questions you’ll never ask him…
Last edited by bluage; 01/27/17 10:56 PM.
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 7,975
Veteran
|
|
Veteran
Joined: Dec 2011
Posts: 7,975 |
This was an excellent backtrack and the vocal was excellent. Perfect voice for the song.
Mixing is an art unto itself. Getting the volume levels under control. I have found grouping the tracks i.e. backtracks and separate track for the ones I create allows me to balance the final mix. I found the tutorials for Reaper helpful with this..
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2013
Posts: 8,681
Veteran
|
|
Veteran
Joined: Apr 2013
Posts: 8,681 |
Excellent song and Courtney Grace is an excellent vocalist. Very enjoyable.
This mix sounds pretty nice to me.
Advice. Remember the vocal is always the king (most important and prominent track). Everything else is there to support the vocal.
Instead of turning up a track, listen closely to what may be covering the track. Turn other tracks down just a bit rather than raising volumes. Alternately, if two tracks (instruments) are competing for the same audio frequencies, reducing those frequencies with an equalizer for one instrument makes room for the other. Panning instruments also helps create space.
There are many resources for mixing available online and through YouTube and many are free. You can also search about and find out a lot through your own research. But I recommend purchase of the mixing courses by David Wills of Proaudiodvds. Check out some of his sample video clips on YouTube. He is a very experienced and capable teacher. Be aware that he has courses for live sound as well as recording sound. You will need to be sure you are looking at the recording sound course. He has a very engaging style and it's as if he is sitting in the room with you showing you mixing step by step, one on one.
Charlie
Last edited by Charlie Fogle; 01/28/17 03:38 AM.
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 12,469
Veteran
|
|
Veteran
Joined: Aug 2012
Posts: 12,469 |
Loren,
For all the "issues" that you describe, I was expecting...who knows....
This is really nice!
A beautifully written song. And a gorgeous vocal. Courtney does, indeed, nail that...
Your mix is quite good. Certainly not lacking in volume (as I listen - compared to the level I listen to others)... a hair lower, maybe, but not much. The panning, too, seems good. Good levels on the drums, bass and piano. And strings when they come in. The vocal is very well mixed (and processed - did you get that dry?)
I would suggest that the Showcase is the wrong place if you want a "lively" discussion about mixing and panning. There are many of the forum folks - with a wide range of experience - that do not pay much attention to the Showcase.
If you start a thread in the "Recording, Mixing, Performance and Production" with an appropriate title ("Mixing and Panning Help?" - something like that...) - I'm sure you would get a wild ride of a discussion...for that matter, you might want to start two different threads - one on mixing, one on panning (there have not been a lot of threads dedicated to panning).
It would help to know what DAW you are using (mention that in the new thread). At first glance, it seems like your output volume is simple set too low (as you listen on your system) - perhaps there is a setting you are overlooking (those with the same DAW could address that)... And link to the song! (or this thread) so folks have a reference (AND get to hear this!)
This is a terrific listen. I hope we get to hear much more!
floyd
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2013
Posts: 7,051
Veteran
|
|
Veteran
Joined: Dec 2013
Posts: 7,051 |
Sounds great to me!! Beautiful song, beautiful vocal. This would be great in a film. I love this style and your vocalist is magical. GREAT STUFF!! Take care. Greg
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
Good morning, "Scott C"...
Thank you for your comments, sir!
And now, humbly, I am about to reveal my profound ignorance of technical terms related to audio: what is a "backtrack?"
It's okay to laugh, 'cuz I'm laughing at myself!
Gratefully,
"bluage"
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
Hello, "Charlie Fogle"...
"Turn other tracks down just a bit rather than raising volumes." That makes a whole lotta sense to me. In the wake of reading your advice, I realize now that I was pitting one track's volume against the other:
"I'm the piano! I got 88 keys, and I have a right to be heard above all else!"
"Oh, yeah? Well, I'm the acoustic bass, bub, and if you can't hear me, you're lost!!!" And so on...
Okay. The vocal is king (or, queen, depending on the singer's sex!) I think what complicated things for me on this song is that it was the first time I worked with a vocal track, and it seemed to diminish the volume of the instrumental tracks.
I will go to YouTube and check out Mr. Wills' videos. Afterwards, if I have any questions, may I come back here to the forum and consult with you?
Thank you very much for the time you took to listen to the song and post such comprehensive notes for me.
Sincerely,
"bluage"
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
"Greg Johnson"... It's interesting that you felt the song "would be great in a film" because that's exactly what I told Ms. Grace after I heard her vocal track for the first time. Now, I guess I gotta get busy and write a screenplay for it!  Thank you, sir, for giving the song a listen. Sincerely, "bluage"
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
Good afternoon, Mr. Jane...
First of all, please allow me to express my heartfelt thanks for your comprehensive feedback on the production issues I described. It inspired me to come up with a new translation of the Band-in-a-Box acronym, "BIAB": "Brother, It's All Better (now!)"
I followed your instructions and posted the thread you advised me to do in the "Recording, Mixing, Performance and Production" forum under the title, "Mixing and panning help".
Also, I'm equally grateful for your kind words about the song, and also regarding Ms. Grace's vocal track.
I wish you (and all the other respondents) well!
Truly,
Loren / a.k.a. "bluage"
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Jul 2015
Posts: 5,468
Veteran
|
|
Veteran
Joined: Jul 2015
Posts: 5,468 |
bluage, your track sounds pretty good to me. I didn't hear much of a volume drop. And that vocal was wonderful! A video series I found on YouTube called "Produce Like A Pro" might be very helpful to you. I have found for my tracks that using a limiter in the master stereo track really helps increase volume without clipping the track. But it needs to be last in the chain of effects. But everyone has their own approach. Thanks, Torrey
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2003
Posts: 5,644
Veteran
|
|
Veteran
Joined: Dec 2003
Posts: 5,644 |
Bluage
Nice song -very sultry sound with a nice instrumental bed.
Given the excellent advice already given I won't go into the mix (for what it would be worth).
Peter
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2015
Posts: 3,034
Veteran
|
|
Veteran
Joined: May 2015
Posts: 3,034 |
Hello, bluage
Very nice song with beautiful melody.
Courtney Grace is an excellent vocalist.
I entirely agree with Charlie.
I also think the vocal is always the king (most important and prominent track). Everything else is there to support the vocal.
About panning I think each person has his own opinion and his own favorite, though the orchestral instruments is better on the same positions as real orchestra.
About the total sound pressure level, it may be a best way to use a maximizer like Slate Digital FG-X, etc.
Adjust RMS level between -10.0db to -8.0db and you will get clean tone and enough sound pressure level.
Enjoyed my listen a lot.
Best regards.
Shigeki Adachi
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
Hi, there, "Torrey Bliss"...
After receiving all the technical advice I asked for, I realize that I'm going to have to commit to studying music production techniques. I humbly admit that I've focused more on learning music theory so I could compose songs that are more interesting melodically and harmonically. When it comes to music production, my attitude was, "Well, I'll let someone else with more knowledge and experience deal with that."
Nonetheless, it was nice of you to listen to the song! And thanks for hipping me to the YouTube resource, which I will visit.
Thank you for your feedback!
Sincerely,
"bluage"
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
Hello, Shigeki!
Your post had me running to the Web to familiarize myself with the things you mentioned concerning mixing and panning: "maximizer", "RMS", and more. But that's a good thing!
Regarding orchestral instruments placement in the mix, before I mixed my tracks I did consult some diagrams I found on the Web to learn how to approximate the spatial arrangement of instruments, so your advice was right on!
Your comments on the song and the vocalist are greatly appreciated and encouraging.
Thanks, Shigeki!
Sincerely,
"bluage"
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
'ello, "PeterF"... So much of what I and others like yourself appreciate about the songs we create using Band-in-a-Box, comes from Band-in-a-Box, that I feel I should cite BIAB as my co-writer in my song credits! Actually, I do mention my usage of BIAB where I post my songs on the Web. "Sultry" is an interesting word. Looking it up on the Web returned the following definitions: "hot with passion or anger," and "exciting or capable of exciting strong sexual desire." Yikes! I think the vocalist, Courtney Grace, was responsible for that! Thank you, sir, for taking the time to listen to the song, and feeding back to me about it! Sincerely, "bluage"
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 15,422
Veteran
|
|
Veteran
Joined: Dec 2011
Posts: 15,422 |
The song sounds really good...very nice vocal and arrangement. Since you received a LOT of good mix info all we will add is to consider using a reference song. Meaning as you mix listen to a song which you like and is of the same genre. Adjust the volume levels to be the same and listen back and forth. Let your ears tell you how your pans, effects, etc. sound relative to the reference.
Nice listen as is!!
J&B
Our albums and singles are on Spotify, Apple Music, Amazon Music, YouTube Music, Pandora and more. If interested search on Janice Merritt. Thanks! Our Videos are here on our website.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
How do, "Janice & Bud"! Your advice about using a "reference song” is so simple and sensible that it seems like "genius", which as far as definitions go, I interpret primarily as the ability to see things in places where no one else was looking . I mean, really, you two, that's some hugely useful advice. The only problem is, there are so many songs that could function well as "references" that, now, I can't make up my cotton-pickin' mind  ! Actually, three specific songs come to mind: Jerry Leiber & Mike Stoller's 1969 hit sung by Peggy Lee, "Is That All There Is?", Francis Lai's theme for the 1966 film, "A Man and A Woman", and Gene Raskin's "Those Were The Days", sung by Mary Hopkin in 1968. Don't tell me, I already know! In terms of songwriting and music production expertise, I am aiming so high that if I was on a ladder, I would fall so fast, and so hard, that when I hit the ground I'd just keep going 'til I shot out of the other side of the planet. Wheeeeee! I can see the headline, now: “Composer Tunnels Through Earth After Fall From Rickety Ladder, Writes Hit Song About The Experience: ‘Down -- and Really Dirty’. But, seriously, folks, as "How Do You Know..." gave birth out of a seed, branched out of my mind and heart, and grew musical and lyrical leaves, those three songs were the ones that kept on knocking at my muse's door. I cannot tell you why. They just did, not that I was attempting consciously to emulate, imitate, or copy them, but there just was something about them -- the feel, the sound, the mood -- yes, the mood, especially -- that loomed over me and chased away everything else. Anyway, as I said, your suggestion is immediately applicable to the end I am seeking, and could mesh nicely, even, with all the other generous and comprehensive advice I've received in response to the thread that Floyd Jane advised me to start in the forum, “Recording, Mixing, Performance and Production.” Janice & Bud, thank you so much! I wish you and the rest were my next-door neighbors -- so I could steal your songs. Truly, LOREN (a.k.a. "bluage")
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2008
Posts: 851
Expert
|
|
Expert
Joined: Dec 2008
Posts: 851 |
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2009
Posts: 1,193
Expert
|
|
OP
Expert
Joined: Dec 2009
Posts: 1,193 |
Hello, Mr. Kayne...
We haven't met "on-forum" before, but thank you for listening to the song and leaving a "cool" comment about it.
I noticed that your "handle" indicated you're an "apprentice" like me -- although since I posted a call for help with mixing recordings, I feel more like a "newbie"!
What genres of music do you enjoy composing music in?
Sincerely,
LOREN (a.k.a. "bluage")
"Music is what feelings sound like."-- borrowed from a Cakewalk Music Creator forum member, "Mamabear".
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
New RealTracks Released with Band-in-a-Box 2025!
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
Check out all the 202 New RealTracks (in sets 456-467)
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!
The 2025 49-PAK is loaded with other great new add-ons as well. Learn more about the 2025 49-PAK!
Bonus PAKs for Band-in-a-Box 2025 for Mac!
With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2025 RealCombos Booster PAK:
-For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles.
-For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles.
-For UltraPAK customers, this includes 20 new RealStyles.
- Look Ma! More MIDI 13: Country & Americana
- Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
- MIDI SuperTracks Set 44: Jazz Piano
- Artist Performance Set 17: Songs with Vocals 7
- Playable RealTracks Set 4
- RealDrums Stems Set 7: Jazz with Mike Clark
- SynthMaster Sounds and Styles (with audio demos)
- 128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- Look Ma! More MIDI 14: SynthMaster,
- Instrumental Studies Set 23: More '80s Hard Rock Soloing,
- MIDI SuperTracks Set 45: More SynthMaster
- Artist Performance Set 18: Songs with Vocals 8
- RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
Learn more about the Bonus PAKs for Band-in-a-Box® 2025 for Mac®!
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 20.
Video: Xtra Styles PAK 20 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 9 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
Join the conversation on our forum.
|
|
|
|
|
|
|
|
|
|
|
|
Forums58
Topics84,391
Posts778,614
Members39,644
| |
Most Online25,754
Jan 24th, 2025
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean