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Hi to all my forum friends! Opus 65 It has been a while since I have been able to post anything here. I had a stroke in September, and lost all the vision in my left eye. My doctor said the loss of sight is permanent, but by the grace God I am slowly regaining vision - I'm doing well. But about 2 weeks after the stroke, my wife started getting very sick. After many doctors, and 4 hospital stays, she was diagnosed the end of November with Acute MDS, borderline Acute Myeloid Leukemia. We were told without treatment, she only had weeks to live. After 4 weeks of massive chemo treatment in MD Anderson in Houston, she went into remission. However, the only hope of a medical cure for her is a stem cell transplant. So we are waiting for an acceptable donor to be found (either through family or national donor registry), and then we will be off to Phoenix for about 6 months at the Mayo Clinic for the transplant. Rachel is in good hands, and we are very hopeful, and full of faith that by God's grace and power, she will walk in victory over this. So onto this song. I write a song for Rachel every anniversary, and a song for me on my birthday every year (just to remind the devil I am still here and not going anywhere!) This year, with all the medical crises, I wrote this one in my head - but was unable to put it into my computer until the last couple weeks. In my distant past, I have a classical background (violinist) so I decided to return to my roots for this one. I played the piano using Waves Grand Rhapsody. All the orchestra is a mixture of East/West and Native Instruments sounds. The guitar is a Band In A Box Realtrack sound, but I am in Houston at MD Anderson right now and don't have my BB HD to look up the sound. I will try to get it posted next week when we return home from this month's chemo session. We sincerely appreciate everyone's prayers. I hope to have some time to listen and comment on some of the great songs being posted here. I hope you all understand if it takes a while. Thanks so much! Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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Beautiful! I am no good at recording techniques, but I would have perhaps put a tad more reverb or something on the brass instruments, so as to make them sound more distant and echoey? But that's just me, don't mind me!
The writing is absolutely beautiful and very moving! You have a fabulous command over orchestration techniques. The piano is like droplets of water falling down - I would have another look at the balance between it and the brass, though, just before the first "general pause". Otherwise - just beautiful, really and truly.
I am so sorry to hear about your wife and your current health tribulations. I will keep you in my prayers - with God by your side, I truly hope things will be easier for both of you. I'm glad you have been able to write music in the meantime - music is indeed a helper and a healer, I personally feel - I really hope you feel the same.
You say you have a classical violinist background? I would love to hear more. I used to play the violin, classically, myself ... Covid times kinda complicated things ... but would love to hear more about this if you want to share! Send me a Private Message, perhaps, if you don't want to talk in public about it? ONLY IF you have time - I realise that this may not be the time for that :-)
Anyway, congratulations - beautiful piece ... sending you my very best wishes for everything!
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First, it's great to hear from you - with whatever you're able to do! With so much on you're plate, I'm a bit astonished you get anything else done at all. And doing it to spite the devil? Amen!  Second, I'm glad to hear your wife is in remission, and prayers for your wife's victory walk! Nice title, by the way. Took me a moment to make the connection.  OK, on to the music. I really enjoyed this - it's ambitious, going for a big sound, but having a lot of intimate moments as well. Nice arrangement, with a simple but memorable theme. I say this with admiration, having destroyed many musical attempts by trying for something "complex" but ending up with a muddled mess. The intro is nice, but... I'll interrupt myself to say I sure shouldn't be telling you what your song should sound like. I'll go sit in the "corner of shame" for a moment... OK, back again, having learned nothing from my time-out.  The opening of songs is where I figure out where to set the volume knob, because everyone masters their songs to a different level. Perhaps having the brass initially come in at pp, and for the restatement a bit louder? Then again, it's brass, so I guess you should let brass be brass. There's really nothing the matter here, just a thought. The sound of the horns holding chords against the melody? Lovely. The strings on pizzicato? Also really nice. One of the few advantages of working in the digital world vs. live is being able to balance sections that aren't always well matched. The entrance at 0:36 of... woodwinds? A bit harsh to my ears, but then, I don't really like the sound of the combined woodwinds, so it's a biased value judgement at best. The piano sneaks in on the melody, and sounds a touch too bright to me. At 1:36 there's a bend on the string instrument. So I'm wondering "Is that a koto?" and like a dog seeing a squirrel my attention is pulled away from the theme to the background instruments. The strings come in at 1:38, and I'm immediately sad because they sound like a synth string patch instead of a group of strings. Unlike a real string section where the attacks are sort of staggered, this part feels like a keyboard is playing it. This is even more obvious when they get to state the theme by themselves a moment later. Perhaps mixing a first chair violin part in there could make it sound less MIDI-ish? When I say "sad", it's not because I'm complaining about any lack of skill - you demonstrate that throughout the song - but a reminder that you don't have access to an orchestra willing to play this for you.  The guitar and piano section is especially nice, with a close-mike kind of sound that contrasts with the larger section. The entrance of the horns at 3:10 is lovely, with the bells chiming on top. So nice. Harp flourish and held chord at the end - super! Anyway, feel free to ignore any criticisms. Loved it!
-- David Cuny My virtual singer development blogVocal control, you say. Never heard of it. Is that some kind of ProTools thing?BiaB 2025 | Windows 11 | Reaper | Way too many VSTis.
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Steve,
Go good to see you back on the board. I’m sending my most hopeful wishes and prayers of good health and fortunes to you and your wife. That you can carve out time with all that’s going on to write such a beautiful melody and execute such a stunning production of it . . . a testament to your love of music and your admirable skill. Absolutely beautiful!
My very humble regards,
Deej
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Steve, this is absolutely beautiful. I love the way it flows. Outstanding piano playing!
On a side note a friend of mine had the same problems as your wife. He had it for a long time with many bouts of chemo. He finally got the stem cell treatment and after some time he is now back to normal; it takes a while for the treatment to work. I will pray that your wife has the same outcome. And you stay healthy my friend.
It takes courage for a man to admit his wife was wrong.
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Just beautiful, Steve. So sorry to hear of your tribulations. Very best wished to you both.
Regards,
Leon
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Steve,
To my unsophisticated ear (and I readily admit to that), this sounds beautiful. Delicate, serene, intimate. Mix sounds good.
Wishing both you and Rachel the best.
fj
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Steve,
Absolutely lovely work on the song, lots of talent there, and like floyd wishing both you and Rachel the best.
Peter
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Your song is beautiful!
praying for you and your wife.
peace,
-rob
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Steve ...
You already know the history of my wife's significant health issues, so I can empathize with you. Fortunately, my health is relatively good for a 74 year-old. We're laying low through the pandemic, but get our vaccinations tomorrow afternoon.
I think your song is simply gorgeous. I know little to nothing about classical music but I do know this sounds beautiful in my ears.
Di and I will put you and Rachel in our prayers. We wish both of you nothing but the very best and many more years together. Take care, & God Bless.
Alan & Di
Last edited by Al-David; 02/09/21 06:37 PM.
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Steve, this sounds amazing. You are very talented and always have posted some of the best tracks on the forum. I will be thinking of both you and Rachel as you find your way through this challenging time. All the best,Tom
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Really nice motif's, Steve and wonderful dynamics throughout. At once, it both familiarizes and makes comfortable for the listener, and still surprises. Wonderful piece to just soak in. Hang in there. Everything is good in the end. If it's not good yet, it's not the end.
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We just finished round 3 of chemo.. Sitting here in Houston, listening to some fine music. We are in a holding pattern of chemo every month to maintain Rachel until we can get her to Mayo Clinic in Phoenix for the stem cell transplant. Very hopeful, looking forward to a bright future! Now, back to the forum comments...  Beautiful! I am no good at recording techniques, but I would have perhaps put a tad more reverb or something on the brass instruments, so as to make them sound more distant and echoey? But that's just me, don't mind me!
The writing is absolutely beautiful and very moving! You have a fabulous command over orchestration techniques. The piano is like droplets of water falling down - I would have another look at the balance between it and the brass, though, just before the first "general pause". Otherwise - just beautiful, really and truly.
I am so sorry to hear about your wife and your current health tribulations. I will keep you in my prayers - with God by your side, I truly hope things will be easier for both of you. I'm glad you have been able to write music in the meantime - music is indeed a helper and a healer, I personally feel - I really hope you feel the same.
You say you have a classical violinist background? I would love to hear more. I used to play the violin, classically, myself ... Covid times kinda complicated things ... but would love to hear more about this if you want to share! Send me a Private Message, perhaps, if you don't want to talk in public about it? ONLY IF you have time - I realise that this may not be the time for that :-)
Anyway, congratulations - beautiful piece ... sending you my very best wishes for everything! Thanks so much, musician17! Really appreciate your kind words and prayers. This one was somewhat thrown together. I spent very little time at all on the final mix/master, and I am sure to revisit this one once the storm passes and the dust settles. As to my violinist years - I had a full scholarship with a music major on violin - way back in the day. (I thought I was really good, but looking back, and knowing some of the people I have known over the years, I realize I was adequate to moderately good.) My dream was to be a Mr. Holland (before Mr. Holland's Opus.) But my mother passed away during my freshman year, and I had to drop out of school to help take care of her during her last days. Funny how things work. I ended up meeting and marrying the most beautiful girl I had ever seen. We ended up at Lakewood Church just a couple months after marrying. Within another few months, I was leading workship and became Minister of Music at what would become the largest church in the US. As a result, instead of leading a high school orchestra somewhere, I was privileged to work with many musicians from the Houston Symphony. Got to play with Little Richard, Barry Mcguire, Pat Boone, Wayne Cochran, among others. Such a whirlwind ride for this young college dropout. Certainly not due to my talent. I have to just say that God put me there. . These days I don't play the violin. I was diagnosed about 8 years ago with a neuromuscular condition called CMT. I am losing muscle tone in my hands and feet. I can no longer hold the bow. I can still play the piano, as my fingers can still perform up and down motions, but lateral movements with my thumbs are pretty much gone. (A thumb is a terrible thing to lose! ) Sorry for my looong post, but you asked for it! (I'm sure I over-estimated your interest in the subject!) First, it's great to hear from you - with whatever you're able to do! With so much on you're plate, I'm a bit astonished you get anything else done at all. And doing it to spite the devil? Amen! Second, I'm glad to hear your wife is in remission, and prayers for your wife's victory walk! Nice title, by the way. Took me a moment to make the connection. OK, on to the music. I really enjoyed this - it's ambitious, going for a big sound, but having a lot of intimate moments as well. Nice arrangement, with a simple but memorable theme. I say this with admiration, having destroyed many musical attempts by trying for something "complex" but ending up with a muddled mess. The intro is nice, but... I'll interrupt myself to say I sure shouldn't be telling you what your song should sound like. I'll go sit in the "corner of shame" for a moment... OK, back again, having learned nothing from my time-out. The opening of songs is where I figure out where to set the volume knob, because everyone masters their songs to a different level. Perhaps having the brass initially come in at pp, and for the restatement a bit louder? Then again, it's brass, so I guess you should let brass be brass. There's really nothing the matter here, just a thought. The sound of the horns holding chords against the melody? Lovely. The strings on pizzicato? Also really nice. One of the few advantages of working in the digital world vs. live is being able to balance sections that aren't always well matched. The entrance at 0:36 of... woodwinds? A bit harsh to my ears, but then, I don't really like the sound of the combined woodwinds, so it's a biased value judgement at best. The piano sneaks in on the melody, and sounds a touch too bright to me. At 1:36 there's a bend on the string instrument. So I'm wondering "Is that a koto?" and like a dog seeing a squirrel my attention is pulled away from the theme to the background instruments. The strings come in at 1:38, and I'm immediately sad because they sound like a synth string patch instead of a group of strings. Unlike a real string section where the attacks are sort of staggered, this part feels like a keyboard is playing it. This is even more obvious when they get to state the theme by themselves a moment later. Perhaps mixing a first chair violin part in there could make it sound less MIDI-ish? When I say "sad", it's not because I'm complaining about any lack of skill - you demonstrate that throughout the song - but a reminder that you don't have access to an orchestra willing to play this for you. The guitar and piano section is especially nice, with a close-mike kind of sound that contrasts with the larger section. The entrance of the horns at 3:10 is lovely, with the bells chiming on top. So nice. Harp flourish and held chord at the end - super! Anyway, feel free to ignore any criticisms. Loved it! Thanks so much David! You always give some very thought out and thorough comments. Much appreciated! I will let you out of your corner of shame. First of all, as I mentioned above, this one was really thrown together, and I plan on revisiting it hopefully soon. We have been back and forth between our home in Canyon Lake and Houston (MD Anderson for treatments.) I tend to have more time to myself while here in Houston, as Rachel spends more time in the hospital where I am not allowed to be with her due to Covid. (I insist on being with her for all doctor visits, so I can stay on top of what she needs. So far they have let me be there with the doctor, even though it is against their rules.) When we are at home in Canyon Lake, my time is much more taken with the most important thing, and I am honored to take care of my wonderful wife. Now, to your observations... I agree, the brass should start off softer, but just ran out of time with my editing, and decided to forge ahead with the levels as they are for now (not a deal killer.) The strings. This is the thing that I tend to spend the most time working with, being a violinist. Again, due to my schedule, they have not gotten as much attention as normally given. But the string sections on this one are more symphonic, as opposed to chamber, so they will have a more flowing sound, rather than hearing so much of the individual nuances of indifidual players. Still, I plan on spending a fair amount of time working on them. Unfortunately, my computer/interface and equipment is all in Canyon Lake so it may be awhile. Woodwinds. I agree, woodwinds by nature are more harsh sounding, especially in contrast to the mellow brass sound. That was more or less what I was going for. Contrast. But I agree with you, I'm not as big a fan of synthesized woodwinds sections, as the harshness tends to be magnified in the samples. I usually overcome this by bringup of the flutes slightly, to mellow them out. Again, part of my plan to fix when home, and have the opportunity. Piano. I will have to revisit the piano sound to see if it is too bright to me. It sounded okay to my rushed ears. Again, I do appreciate your critiques. They are very thoughtful. And I really appreciate your prayers! === Steve
Steve Young Music"In order to compose, all you need to do is remember a tune that nobody else has thought of." - Robert Schumann
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Wow - you really hit close to the hear with this one. Stunningly beautiful and lush. You can tell it comes from the heart. Sending you all the best, also, during these tough times. 2020 was quite the year for many, in a lot of unexpected ways it'd seem. Thanks for sharing this with us
Cheers,
Deryk
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I'm sure she will love this.
Yes, maybe the brass could be taken back a little but it's still good.
My best wishes to you both.
Vic
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Steve so good to hear from you. Sorry to hear of the tough year you have had. And happy to hear things are getting better. One thing for sure music can sooth ones soul and this surely hits the mark. Just a beautiful song. Well done..
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Steve, you certainly have NOT over-estimated my interest in the subject. Yours sounds like an amazing journey in the profession - working, as you did, with so many incredible, top level musicians must have given you an unique experience and perspective. Funny how God works, right?
I, myself, studied at one of the top music colleges here in the UK as a violin "major" (we don't have majors over here, but it's the equivalent). I was lucky enough to play under the baton of Bernard Haitink, Sir Colin Davis and others for a while - best time of my life. Then, as with you, life had other ideas ... I ended up doing all sorts of other things with my life, but music has remained a central part (once a musician, always a musician) - and now, I am always welcome to guest along with my former colleagues, most of whom have reached the top echelons of the musical profession. When I come along to play (even if I say so myself), there's a hush in the room, because they know that - even now - I can still give them a run for their money on my good days, haha (and also because they remember our respective levels "back in the day" and appreciate that, had we all been dealt fair cards in life, it could all have been very different for all of us). In reality, I'm really out of practice, nowadays, because I don't get to practice every day any more, but ... you can't keep a good musician down :-)
I'm sorry to hear about your neuromuscular condition diagnosis. A nightmare for any musician, not to be able to play one's instrument any more ... but it's amazing how we adapt. I always say: you can't keep a good musician down, no matter what. And your songs, alone, have given us so much enjoyment over here (speaking for myself, at least, I can honestly say yours are one of the most professional and musical writes I have ever had the pleasure of listening to on here!) ... I hope you will be able to create more, because, so long as you do, I'll be listening.
Thank you so much for sharing of your story. It was genuinely a joy to read about. Again, I will keep you and yours in my prayers. Thanks again.
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Mr. Young...
I think your composition is an eloquently performed musical journey through a world of quite finely articulated emotions. At one moment it is majestic, at another reflective, then hopeful, now bittersweet, calm for a moment, questing in another. Obviously, your classical roots remain expressive and strong.
I hope you and wife's health improves with the help of Our Creator.
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Hi Steve I always enjoy your productions, this is well done lovely peace of music glad your back I know I will never be disappointed prayers for for you and the wife thanks for sharing Eric
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Great composition! Love the melody and piano. Wasn't expecting a good classical piece when I logged in here to check out some new songs. Hoping for a speedy recovery for you and a donor to your wife.
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Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Band-in-a-Box 2026 for Windows is Here!
Band-in-a-Box® 2026 for Windows is here and it is packed with major new features! There’s a new modern look, a GUI redesign to all areas of the program including toolbars, windows, workflow and more. There’s a Multi-view layout for organizing multiple windows. A standout addition is the powerful AI-Notes feature, which uses AI neural-net technology to transcribe polyphonic audio into MIDI—entire mixes or individual instruments—making it easy to study, view, and play parts from any song. And that’s just the beginning—there are over 60 new features in this exciting release.
Along with version 2026, we've released an incredible lineup of new content! There's 202 new RealTracks, brand-new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two new RealDrums Stems sets, XPro Styles PAK 10, Xtra Styles PAK 21, and much more!
Special Offers
Upgrade to Band-in-a-Box® 2026 for Windows and save up to 50% on most upgrade packages during our special offer—available until December 31, 2025. Visit our Band-in-a-Box® packages page to explore all available upgrade options.
2026 Free Bonus PAK & 49-PAK Add-ons
Our Free Bonus PAK and 49-PAK are loaded with amazing add-ons! The Free Bonus PAK is included with most Band-in-a-Box® 2026 for Windows packages, but you can unlock even more—including 20 unreleased RealTracks—by upgrading to the 2026 49-PAK for just $49. Browse the full contents of each package and listen to demos here.
XPro and Xtra Styles PAKs Special Extended Until August 31st!
XPro & Xtra Styles PAKs Special Extended Until August 31st!
The XPro Styles PAKs and Xtra Styles PAKs special offers are now available until August 31st at 11:59pm PDT!
Ready to take your Band-in-a-Box® 2025 experience to the next level? Now’s the perfect time! Expand your style library with XPro and Xtra Styles PAKs—packed with a wide variety of genres to inspire your next musical creation.
What are XPro Styles and Xtra Styles PAKs?
XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-9 includes 900 styles!
Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!
Get the XPro Styles PAKs 1 - 9 for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Windows or for Mac.
Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Get Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Listen to demos and order now! For Windows or for Mac.
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!
Mac 2025 Special Upgrade Offers Extended Until August 15th!
It's not too late to upgrade to Band-in-a-Box® 2025 for Mac® and save! We've extended our special until August 15, 2025!
We've added many major new features to Band-in-a-Box® 2025 for Mac®, including advanced AI tools like the amazing BB Stem Splitter and AI Lyrics Generator, as well as VST3 plugin support, and Equalize Temp. Plus, there’s a new one-stop MIDI Patches Picker with over 1,100 MIDI patches to choose from, all neatly categorized by GM numbers. The MultiPicker Library is enhanced with tabs for the SongPicker, MIDI Patch Picker, Chord Builder, AI Lyrics Generator, and Song Titles Browser, and the tabs are organized into logical groups. The Audiophile Edition is enhanced with FLAC files , which are 60% smaller than AIFF files while maintaining identical audio quality, and now ships on a fast 1TB SSD, and much more!
Check out all the new features in Band-in-a-Box® 2025 for Mac® here:
Purchase your Band-in-a-Box® 2025 for Mac during our special to save up to 50% off your upgrade purchase and receive a FREE BONUS PAK of amazing new Add-ons. These include the 2025 RealCombos Booster PAK, Look Ma! More MIDI 13: Country & Americana, Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes, MIDI SuperTracks Set 44: Jazz Piano, Artist Performance Set 17: Songs with Vocals 7, Playable RealTracks Set 4, RealDrums Stems Set 7: Jazz with Mike Clark, and more!
Upgrade to the 2025 49-PAK for just $49 and add 20 Bonus Unreleased RealTracks and 20 RealStyles, FLAC Files for the 20 Bonus Unreleased RealTracks, Look Ma! More MIDI 14: SynthMaster, MIDI SuperTracks Set 45: More SynthMaster, Artist Performance Set 18: Songs with Vocals 8, and RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe.
Learn more about the Bonus PAKs!
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