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The truth of the matter is biab is mainly an older persons software




The group of musicians who first embraced MIDI were naturally enthralled with BIAB. Their kids, who grew up online hearing awful MIDI on websites played thru the PC sound card don't tend to like MIDI. But I predict that the Real Tracks and loops are a game changer. They bring the paradigm back to audio (and awesome audio at that!)

ALL (as in 100%) of the young musicians I've met through my musician son record audio, using loops, samples and actual playing of instruments. The current version and direction of PGMusic products is totally compatible with that.



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I have had no success with younger songwriters and musicians. It may partly be the out of date GUI in this iPhone age but I also think songwriters and musicians in their 20s and 30s are not into or schooled in traditional pop jazz song structures. To over-generalize, they like static, repetitive song structures that disfavor melodic and harmonic development. They can fire up some loops and jam over them and be done with it. (Not sure why Peter introduced loops in this edition--seems rather primitive when compared with the elegant RTs and RDs.)





I agree wholeheartedly. That IS the current state of music production. HOWEVER, all trends are cyclical, and theory-based music is to entertainment as the black suit is to fashion... it will never go out of style completely.

This is another way in which PGMusic products stand head and shoulders over the competition... while all the other guys are dumbing down their products to meet current trends, PGMusic continues to make software that caters to the sensibilities of real musicians.

When the smoke clears, PGMusic will still be standing, IMO.