Matt

I've always found slash chord inversions come to my aid for chords like this.

Em9/C or Emadd2/C works as long as you don't mind the #11 appearing as a b5, in the same octave as the natural 5th.

This also gets round the bug involved in using Maj7b5 chords where any minor chord of the same root is liable to be played instead. This becomes apparent when you use a maj7b5 chord over a number of measures. I flagged it up ages ago although nothing was done.

I'm planning to post a ready reckoner of all chord spellings available in BIAB when you use any of the 12 tones as an alternative root over any supported chord.

Best Regards

Alan

Last edited by alan S.; 08/26/12 05:45 AM.