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Joined: Jan 2002
Posts: 7,913
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Veteran
Joined: Jan 2002
Posts: 7,913 |
Eddie you wrote: "I want to write MY book." Well, then you have to write it. Same with music. If you don't want to play "Freebird" and whatever other songs are on your list that you can't stand then don't. Write some songs that people want to hear. I see a paradox in your earlier posts in this thread and some other recent threads and these most recent posts. You talked about your Motown band. Originals or covers? Covers = you are editing and presenting someone else's book; you've changed the characters slightly, the ending has a twist, etc. - but it's still someone else's book that you are reading with a different voice than what they originally wrote in. What I read you saying now is that you want to do original music. If not, then I can completely understand when the audience or even other band members want to hear the song in it's most popular rendition. Unless it's the artist recognized as either the author of the song, or the artist that made it popular. If I was a smooth vocalist and I decided to sing 'Moon River', the audience is gonna want to hear me at least ape part of Andy Williams (RIP), even if he wasn't the first to sing it. Here's Andy Williams singing it in the early 60's: https://www.youtube.com/watch?v=LK4pmJQ6zgMAnd then in 1970: https://www.youtube.com/watch?v=Mi0UUP7g-0MDang - if that's not nearly the same I don't know what is. Even he would have caused a ruckus if he got all jazzy with HIS version of the song, to 'make it his own' as is spoken of by covers of songs these days. And it wasn't his song, but his version is what is best loved. 8 years passed between those videos and you hear Andy copying his own inflections, slides, grace notes and what not 8 years passing. How many times do you think he performed that song in those 8 years? I wouldn't be surprised if it was 10,000 times. Don't you think he wanted to bust out of that mold a little more during that time? He couldn't. His high paying, making a living JOB was to sing that song the way the buying public wanted it to be sung. His job was to be his own tribute singer to try to nail his popular version for as long as he could do it to whatever paying listener was in the audience. So, I am confused as to your protests about having to follow a popular rendition of popular songs, as a performing artist. I understand about the nit-picky comments of whether it's a single cymbal crash vs. splash and so forth. When I listen to Comfortably Numb, I want to hear David Gilmour's solos - not some 'artistic' rendition. I want to hear those huge string bends and the smooth cool-ness of the perfectly placed long triplet runs over 4/4 time rhythm. If it's David Gilmour playing it or someone else, it doesn't matter - the note choices were ace in the original recording and will forever be ace. One of the few guitar solos that to me cannot be messed with because I will miss the goosebumps that I get EVERY time I hear Gilmour's original recorded version and people that can ape it well with similar tone. There are some exceptions, I think I prefer Seal's version of "Fly Like An Eagle" over Steve Miller bands original. But I like both versions. However, that's not a solo-centric song like Comfortably Numb, or like a solo performer iconic performance like Andy Williams' Moon River (which is originally Mancini/Mercer, correct?) Maybe that's where your protest breaks down. What caused a song to be iconic? If it's a particular solo, then you have to nail the solo. It's the voice of the song. If it's a solo artist, and not a full-on band performance, then I would say that there's probably much less room for improvisation and creative room than with a band-centric performance where even the famous band took their own liberties with the songs. It's one of the reasons I usually avoid 'Live' CDs, let alone going to hear a local band play cover tunes. The 'Live' CD is often a disappointment to me, not due to any ineptitude by the band/artist, but often they go off on a different tangent than where the original recording takes me emotionally. Does that make sense?
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Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
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202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
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- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
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- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
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- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
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