A lot of people have used double-tracking in hit records. It's an effect, and like most effects, it's probably best to use sparingly and only when it contributes something special to the song.

Here's another approach. Have you tried a BBE Sonic Maximizer? A little bit of processing with that gizmo can really liven up tracks. (they have a software plug in too).

Like most things, too much is too much.

The theory behind it is this (the way I understand their literature):

The voice coil of any loudspeaker delays the high frequencies more than the low ones. Coils resist changes in voltage. This results in the low frequencies hitting your ears first.

The BBE has a control (process) that delays the low frequencies so that they highs and lows can enter your ear in phase. Since no two voice coils are alike you use your ears to adjust the process control. Note: I find it best to adjust the BBE before equalization.

There is also a low contour that acts like the "loudness" button on an old stereo set. It boosts the presence of the low sounds, adding punch without adding mud.

I have the hardware unit on my PA set, and won't leave home without it wink

Insights and incites by Notes.

Bob "Notes" Norton smile Norton Music
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