Disagree:


You want to have the levels set just far enough down so that you don't exceed 0dB and venture into clipping. -6dB for peaks is fine. But you could push it up further if you needed to. I tend to work around -3dB on peaks.

If you record too low, yes, you can turn it up, but, when you do, you also turn up the noise and hiss that is in the track. As you turn it up, you raise the noise floor as well. -20dB is way down. That level is lower than where I run my vocal doubling secondary tracks and you can't hear them unless you solo the vocal buss. They are not recorded at that level..... they are recorded up just under 0dB, but I pull the faders back for the final mix.

You want to have the strongest signal level going in that you can possibly get without clipping. That keeps the source material well above the noise floor.

I prefer to have nice strong levels in the tracks and then pull them down for the final mix if that's needed, rather than going the other way.

Just my 2 cents


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