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Recording, Mixing, Performance and Production
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Not having a good enough ear to master a mix other than get it how I like it, has anyone tried the Landr service? You send them your "mixed down" wav ( with decent headroom) and you get back a "mastered" track in 3 "loudness" options. Verdict, anyone? Ian
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I used them several times a year or two ago and was always satisfied with the result. At the time, they would return a 192khz 'Master' for free. It took seconds to do.
It was better than I could do myself at the time due to the software I had access to and the level of my experience.
The quality was no better than any mastering preset of any decent software with mastering capabilities.
I had no complaints with their quality of sound for what it was but today, I would invest in Ozone or an actual mastering company. Particularly with any song that could ever serve to be a demo pitch.
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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Recording, Mixing, Performance and Production
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Joined: Apr 2010
Posts: 5,139
Veteran
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Veteran
Joined: Apr 2010
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I used them several times a year or two ago and was always satisfied with the result. At the time, they would return a 192khz 'Master' for free. It took seconds to do.
It was better than I could do myself at the time due to the software I had access to and the level of my experience.
The quality was no better than any mastering preset of any decent software with mastering capabilities.
I had no complaints with their quality of sound for what it was but today, I would invest in Ozone or an actual mastering company. Particularly with any song that could ever serve to be a demo pitch. I did the same. I thought their "masters" were quite good, considering they were automatic.
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Recording, Mixing, Performance and Production
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Joined: Jun 2006
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OP
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Thanks for all the input. Much appreciated. The reason I asked is, I seem to get the feeling on "Forums" (ours excluded!!)these days is that, for any music to be considered worthy of a 'listen', not only must one be a master of composition, but be a world class arranger, singer, player but now be the ultimate MixMasterer to avoid your 'ubalanced' mix offending them. I'll give Landr a try in the New Year and see if I (personally) like what they've done to my song, Ma. Cheers Ian
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Recording, Mixing, Performance and Production
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Joined: Apr 2009
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Thanks for all the input. Much appreciated. The reason I asked is, I seem to get the feeling on "Forums" (ours excluded!!)these days is that, for any music to be considered worthy of a 'listen', not only must one be a master of composition, but be a world class arranger, singer, player but now be the ultimate MixMasterer to avoid your 'ubalanced' mix offending them. I'll give Landr a try in the New Year and see if I (personally) like what they've done to my song, Ma. Cheers Ian I guess it takes all kinds. But the 2 forums I tend to inhabit are not like that. PG & Cakewalk. In both of these forums, a newb can feel relatively safe posting the most amateurish mix. I don't think in all the years hanging in either, that anyone ever ripped someone a new one for posting a rough mix. In fact, quite the opposite. Folks will jump in and offer suggestions and advice to improve the mix. I know, because I was one of those rank beginners at one time. The advice I was given and in many cases, asked for, was never given in a demeaning manner. Lots of good folks with good ears and the knowledge to explain things in detail took the time to point out the deficiencies in my mixes. I also hung out on some songwriting forums where the same sort of attitude was exhibited towards the writing of the song. Yes those kinds of forums exist. I would not, and do not hang out in forums where people are rude know-it-all's and think everyone else should live up to their arbitrary standards of excellence. edit: regarding Landr..... I sent a song to them... I believe it was them. The raw wave of one of my tunes. I simply bypassed all the plugs.... just to see what they would do and compare it to what I had done as my finished version. To call the result a "mastered" project, could, I guess, be used to describe it. It was certainly compressed. Total quality was not bad but overall, the song lacked the quality that (IMHO) was evident in my mix version and with less obvious compression. You have to know that Landr doesn't take the time or the effort that a mastering house will take to get things right. The best that they can do is apply a generic preset to a mastering suite like Ozone and get the song back to you quickly. At their monthly prices, you can get Ozone and be ahead of the game in less than a year. And.... by buying Ozone or some other quality "mastering" suite, you will actually learn something further about mixing and mastering your music.
Last edited by Guitarhacker; 12/26/15 04:02 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Recording, Mixing, Performance and Production
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"The reason I asked is, I seem to get the feeling on "Forums" (ours excluded!!)these days is that, for any music to be considered worthy of a 'listen', not only must one be a master of composition, but be a world class arranger, singer, player but now be the ultimate Mix Masterer to avoid your 'unbalanced' mix offending them."
I do not know but to make my point, imagine that James Taylor made all of his recordings as an instrumentalist/vocalist and that each and every one of his recordings were set up, mic'd, recorded and mixed by professionals. If James Taylor were to subsequently make a home recording by himself, in his home without the benefit and help of professionals, and post a simple, clean, clear and balanced mix of this work on any of the above forums, how critical do you think those same forum masters would be toward his mix. I'll wager you would not see offenses and unbalanced mix comments. His clean, simple mix would be lauded as a goal to reach for.
My point being for me, BIAB provides the opportunity to attain a level of music instrumentation beyond my personal pay grade of ability and talent. Most of my productions, although they are originals, do not sound like me. I tend to over produce my work.
Herb mentions, and I have personally received, public comments and private messages from helpful forum members that see areas that I can improve my work product. One of the most prominent suggestions are toward securing a vocalist because I have written and produced a song in a style and production manner I cannot sing. The criticism is warranted.
I find my song productions are better received here on this forum than they may be on other forums because the members here understand how Biab works and can tell some of the behind the scenes production mistakes I'm making.
Every song does not have to be 'mastered', compressed, eq'd, nectared and Ozoned. But they do need to be recorded cleanly, clearly and properly balanced. The more production placed in a project presents more opportunities for someone to find fault in your work. Not to say don't experiment or try new things, but leave your experiments in your studio except to share for evaluation with trusted ears. Publish your good stuff that is clean, clear and balanced, even if it's just you and a single instrument.
BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.
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Recording, Mixing, Performance and Production
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Joined: Apr 2010
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Posts: 5,139 |
Thanks for all the input. Much appreciated. The reason I asked is, I seem to get the feeling on "Forums" (ours excluded!!)these days is that, for any music to be considered worthy of a 'listen', not only must one be a master of composition, but be a world class arranger, singer, player but now be the ultimate MixMasterer to avoid your 'ubalanced' mix offending them. I'll give Landr a try in the New Year and see if I (personally) like what they've done to my song, Ma. Cheers Ian I've always been fascinated with people on forums who actually believe they're great composers, arrangers, singers, players, and ME's, all wrapped up in a magnificent package. No one is. For me, the song is most important, especially since I am less than adequate in the other areas. I gave up trying to be Bob Katz years ago. As Harry Callahan once said: “A man's got to know his limitations.” Regards, Bob
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One free way that helps to improve your mix and master would be to sign up for Graham's The Recording Revolution. http://therecordingrevolution.com/Just my opinion.
Whenever I get something stuck in the back of my throat, I dislodge it by drinking a beer. It's called the Heineken Maneuver.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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Recording, Mixing, Performance and Production
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 Steve BIAB/RB 2022, Pro Tools 2020, Korg N5, JBL LSR 4328 Powered Monitors, AKG/Shure Mics. PC: Win11 PRO, 4 TB M2 SSD, 2 TB HD, 128 GB Memory
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Cari amici
È stata aggerate la versione in Italiano del programma più amato dagli appassionati di musica, il nostro Band-in-a-Box.
Questo è il link alla nuova versione 2025.
Di seguito i link per scaricare il pacchetti di lingua italiana aggiornati per Band-in-a-Box e RealBand, anche per chi avesse già comprato la nuova versione in inglese.
Band-in-a-Box 2025 - Italiano
RealBand 2025 - Italiano
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Bonjour à tous,
Band-in-a-Box® 2025 pour Windows est disponible en Français.
Le téléchargement se fait à partir du site PG Music
Pour ceux qui auraient déjà acheté la version 2025 de Band-in-a-Box (et qui donc ont une version anglaise), il est possible de "franciser" cette version avec les patchs suivants:
BIAB 2025 - francisation
RealBand 2025 - francisation
Voilà, enjoy!
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