|
Log in to post
|
Print Thread |
|
|
|
|
|
Off-Topic
|
Joined: Jun 2012
Posts: 21,128
Veteran
|
Veteran
Joined: Jun 2012
Posts: 21,128 |
...
So riddle me this. Given that the RT-midi was manually transcribed for notation, then how did velocity get coded? I suspect some degree of midi-recording for piano was done, some of the time, for some of the RTs.
It's possible that they took the raw MIDI, and applied filters to selectively filter out everything except note-on / note-off events. This would significantly reduce the storage size of the MIDI data. This is only a hunch mind you, I'm not sure what methods were actually used, but this would deliver such results. Trev
BIAB & RB2026 Win.(Audiophile), Windows 10 Pro & Windows 11, Cakewalk Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Session Keys Grand S & Electric R, Kontakt, Focusrite 18i20, KetronSD2, NS40M, Pioneer Active Monitors.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jul 2000
Posts: 6,511
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 6,511 |
I must respectfully disagree with your assessment Bob. 25 years ago that may have been true, but definitely not today. A good MIDI just like a good RT captures a players performance. And like live players, you have good performances and bad ones. It is not right to compare bad MIDI performances to good live ones or vice versa. I record everything live with an appropriate MIDI controller so what you get from me and many others is a capture of a players performance. It doesn't take 20 years of learning how to work MIDI, like the Real Tracks it just takes learning how to play a musical instrument.
Because the performance is captured by MIDI instead of an analog to digital controller, it isn't any less of a performance than one captured by an acoustic instrument.The acoustic controllers on a piano are pedals soft, sostenuto, and sustain. Also available on a good electronic piano, except they are electronic switches. An acoustic piano changes the volume and timbre with how hard you hit the keys. An electronic piano measures how hard you hit the keys (by how fast it goes from open to closed - velocity) and a decent playback synth changes the volume and timbre according to the velocity. A lot of the live pianos you hear on modern recordings from Nashville, New York, LA and elsewhere were done with electronic pianos. Between the keys and pedals and the sound generation of the piano there is MIDI data. My saxophone controls pitch and timbre with a reed. My wind controller sends out pitch and timbre messages to my VL70-m synth with a 'reed'. My sax controls volume and timbre with the force of the air across the reed. My wind controller has a breath pressure sensor that controls the volume and timbre with the force of the air stream. If you haven't done so already, go to http://www.pgmusic.com/forums/ubbthreads.php?ubb=showflat&Number=330647&page=1 and watch me play the wind synth. If I put a MIDI sequencer on the end of the synth, it would record the performance in MIDI and generate it exactly as it was played, providing the synth was good enough to do so (cheap sound card soft synths cannot). Recording the MIDI data and playing it back would sound identical to the live performance. The fact that there are MIDI performances in virtually every pop record made in the last 25 or so years should be enough to convince you that MIDI captures live performance just as much as an audio recording does, just in a different way. Anyone who can play a RT piano part can do the same thing with a MIDI piano and record his/her performance as MIDI data. When played back with a good synth, it will sound like he played it live. He/she doesn't need 20 years or 20 seconds to learn MIDI, just start the recorder, sit down at the keys and play. But with MIDI you can play it back on different pianos. If he/she played it on a Steinway, you can choose to have the performance on a Yamaha. You can get more radical and play the very same performance back on a Rhodes, Clav, Guitar, Celeste, Vibraphone, or whatever you have in your synth. Sure you can step-enter MIDI and massage it to sound better, and plenty of people do, which is why MIDI gets a bad name. Or you can play the parts live and with a good controller and playback synth end up with a musically nuanced recording of a live performance - every bit as nuanced as an acoustic instrumet - but thousands of times more editable. Excerpt from Electronic Musician (EM) February 2013 by Craig Anderton:
…Thirty years ago, at the 1983 Winter NAMM show, a Sequential Circuits Prophet-600 talked to a Roland JX-3P and MIDI went mainstream. Since then, MIDI has become embedded in the DNA of virtually every pop music production (yes I stole that line from Alan Parsons, but I don't think he'll mind)… The following recordings were made with MIDI instruments, recorded either on the gig or a home studio, and would sound exactly the same played back with the same MIDI data on the same synth. Clip 1 Clip 2 Clip 3 Clip 4 When recording these, I did not even think about MIDI. I just put the instrument in my hands and played. I used the same sax playing skills I've had since junior high school. Just like the RT performer used his/her instrumental skills. They are MIDI performances and they are LIVE performances as well. There is no significant difference - except with MIDI you can edit the result. Excerpted from Keyboard magazine, March 2014 by Craig Anderton:
…Today you can easily record 100 tracks of digital audio on a basic laptop, so MIDI may seem irrelevant in the studio. Yet MIDI remains not only viable, but valuable, because it lets you exploit today's studio in ways that digital audio still can't.
…
Deep editing. Digital audio allows for broad edits, like changing levels or moving sections around, and editing tools such as Melodyne are doing ever more fine-grained audio surgery. But MIDI is more fine grained still: You can edit every characteristic of every performance gesture: dynamics, volume, timing, the length and pitch of every note, pitch-bend, and even which sound is being played. MIDI data can tell a piano sound what to play, or if you change your mind, a Clavinet patch. With digital audio, changing the instrument that plays a given part requires re-recording the track….but MIDI can do much more…
I'm not dissing RTs, there are uses for both RTs and MIDIs. Different tools. That's why carpenters have more than one tool in their tool chest. A crescent wrench will drive a nail, but a hammer does that better. Sometimes a socket wrench will do, for other applications a pair of pliers is the right tool. Sometimes RTs work perfectly, other times MIDI will do the job better. Insights and incites by Notes
Bob "Notes" Norton  Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jun 2005
Posts: 7,697
Veteran
|
|
Veteran
Joined: Jun 2005
Posts: 7,697 |
This is all true but lets get this back to the real world we're talking about here. We're talking about a Biab user use knows nothing about midi and is probably not interested in spending thousands on top level synths.
Also I have to make a point that Trevor made about his Roland RD keyboard. I know all about that stuff, I have a Kurzweil PC3, a Hammond SK1, a Roland FA06, A Korg Pa1xPro, plus several more. I also have a Knabe antique parlor grand I completely rebuilt myself 10 years ago. Yes, you can capture a pretty good midi performance on a midi piano but when you talk about pedaling, only a few keyboards allow for half pedaling for example. Some synths will read that data, some won't.
Of course midi is all over the place. It's in movie soundtracks and in lots of other studio performances. We're not talking about that here. Again we're talking to some noob Biab users who know squat about all that.
It's so easy for a bunch of experienced musician nerds like us to get sidetracked into the high level technical details of this as soon as someone like me tries to put it into simple enough terms so a noob can understand it.
I can't speak for some of the posters in this thread, I'm simply making assumptions based on what they posted. I "get the impression" they're not interested in spending lots of cash on this stuff. They're using the basic GM synths and maybe they might step up to getting a little bit deeper in SampleTank or something but that's about it. That makes all this high level midi stuff that is certainly being done a lot on a professional level completely irrelevant to them.
Bob
Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jul 2000
Posts: 6,511
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 6,511 |
You are correct, most posters don't want to spend a lot of cash.
With one decent synth you can have a nuanced MIDI performance by another musician as easily as you can have a nuanced RT performance by another musician.
There's an SD2 on in Ebay right now at $102.50 current bid, a Roland Sound Canvas for $60 buy it now, and a much better SC-88 for $189.95 buy it now. We're not talking 'break the bank' money. Many people spend more than that a month on Cable TV.
And these are consumer level synths and don't cost nearly as much as a Kurzweil or SD90 pro level piece of gear.
And unlike the digital audio file, when you get MIDI performances on your computer you can transpose, speed up, slow down without artifacts, change the instrument, and do hundreds of other things you cannot do with the Audio recordings.
For most of us, computer music is a toy, and with MIDI as one of my toys, I get to do a lot more playing.
The investment of a good MIDI synth will last for years and years and years. It will improve your BiaB listening experience and allow you to enjoy the thousands of MIDI styles and songs as much as you do the RTs.
Plus it's a new toy and can inspire some on a new adventure in music.
Notes
Last edited by Notes Norton; 01/11/16 07:08 AM. Reason: typo
Bob "Notes" Norton Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Dec 2002
Posts: 13,040
Veteran
|
|
OP
Veteran
Joined: Dec 2002
Posts: 13,040 |
.... We're talking about a Biab user use knows nothing about midi and is probably not interested in spending thousands on top level synths.
... Again we're talking to some noob Biab users who know squat about all that.
You got to give me a little more credit than that Bob.  And by the way, I do have a pretty penny invested in gear. While I do appreciate your point, the problem is you present the impression that it takes not only a talented piano player with a good set of keys, but also two stage hands to pull levels and throw valves, a producer to coordinate the whole thing and a sound engineer in order to "record" a performance in midi. In fact the required controllers for a piano appear to be built into any setup keyboard and follow the artist. No all that complex. So I do feel I get it now. The real issue at hand is how does BIAB implement and provide the midi. That is where this started and I think I got it now. While they could have done it in different ways, they did what they did.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Dec 2000
Posts: 12,848
Veteran
|
|
Veteran
Joined: Dec 2000
Posts: 12,848 |
Let's also not forget what the purpose of RealCharts is (was?). It was to allow you to "see" what the person was playing. A side benefit was that you could (in many, but not all) cases take the notation and use it as MIDI. But the original intent was so that for those that read music, you could see (while hearing) what the artist was doing.
I think it's great that you can use that MIDI/notation to assign other instruments, change some notes, etc., but it was never advertised as "the performance" to allow you to change a few notes and still recreate that performance with those changes. It purpose is to serve as the fakebook version of the performance.
It's great that you can use it (albeit limited) for a few other things, but that was never the intent (as I understand it).
John Laptop-HP Omen I7 Win11Pro 32GB 12TB SSD Desktop-ASUS-I7 Win10Pro 32GB 12TB SATA BB2026/UMC204HD&404HD/Casios/Cakewalk/Reaper/Studio One/Notion/Dorico/Noteworthy/NI/Halion/IK http://www.sus4chord.com (under rehosting/construction)
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jun 2005
Posts: 7,697
Veteran
|
|
Veteran
Joined: Jun 2005
Posts: 7,697 |
That's exactly correct John and I mentioned that earlier.
Dan,I wasn't just referring to you, there were a couple of others earlier who seem to have dropped out. It's good you have an idea about how this works.
Concerning the half pedaling I mentioned above I just did a quick search on that and found tons of people asking about it. Very tricky and without that option a piano midi track can sound pretty stiff. To do partial pedaling you need a proper pedal first of all that sends continuous sustain controller messages, not just the much more common sustain on/off. Trevor's Roland has that built in but when you're talking about using other midi controllers like a guitar controller and using that to trigger a softsynth you're diving into a minefield as to whether you can get proper pedaling to sound on a piano midi track or not and it makes a huge difference in the sound.
Bob
Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Dec 2003
Posts: 24,928
Veteran
|
|
Veteran
Joined: Dec 2003
Posts: 24,928 |
Concerning the half pedaling I mentioned above I just did a quick search on that and found tons of people asking about it. Very tricky and without that option a piano midi track can sound pretty stiff. To do partial pedaling you need a proper pedal first of all that sends continuous sustain controller messages, not just the much more common sustain on/off. Trevor's Roland has that built in but when you're talking about using other midi controllers like a guitar controller and using that to trigger a softsynth you're diving into a minefield as to whether you can get proper pedaling to sound on a piano midi track or not and it makes a huge difference in the sound.
Bob
If a guitarist or a MIDI keyboard without a programmable expression pedal wants to achieve half pedaling they would need two things. One a softsynth that has that capability and an programmable expression pedal that sends 0 through 127, not one that only send 0 and 127 - off and on. One like this would work nicely for half pedaling: http://www.amazon.com/Behringer-FCB1010-BEHRINGER/dp/B000CZ0RK6/ref=sr_1_7?ie=UTF8&qid=1452557501&sr=8-7&keywords=midi+expression+pedal
Life is short so make sure you spend as much time as possible on the Internet arguing with strangers.
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Holiday Weekend Hours
It's Victoria Day Long Weekend in Canada. Our Customer Service hours are:
Saturday, May 16: Closed
Sunday, May 17: Closed
Monday, May 18: 8:00am - 4:00pm
Regular hours resume Tuesday, May 19th!
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Don't wait - order today!
Check out all the new features in the redesigned Band-in-a-Box® 2026 for Mac®!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
Check out all the 202 new RealTracks (in sets 468-488)!
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
- The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
- MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
- MIDI SuperTracks Set 46: Piano & Organ
- Instrumental Studies Set 24: Groovin' Blues Soloing
- Artist Performance Set 19: Songs with Vocals 9
- Playable RealTracks Set 5
- RealDrums Stems Set 9: Cool Brushes
- SynthMaster Sounds Set 1 (with audio demos)
- iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
- 20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
- FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
- MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
- MIDI SuperTracks Set 47: More SynthMaster
- Instrumental Studies 25 - Soul Jazz Guitar Soloing
- Artist Performance Set 20: Songs with Vocals 10
- RealDrums Stems Set 10: Groovin' Sticks
- SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
Learn more about the Bonus PAK and 49-PAK for Band-in-a-Box® 2026 for Mac®!
|
|
|
|
|
|
|
|
|
|
|
|
Forums57
Topics86,477
Posts805,478
Members40,126
| |
Most Online64,515
Apr 8th, 2026
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean