One of the ways you can customise chord voicings quickly is to output a chord track to the melody or soloist channel and then use the melody menu convert all the patterns to C7. Make sure your chord track covers all the chord types to bring out any special voicings for sus, alt 7th or min7b5 chords etc.

Converting all of them to C7 in the melody channel will get rid of embellishments or added notes embedded in the patterns in one go. It will also render any macro patterns that used to reside on a single note available for editing.

Then you can then do one of three things.

1 Reimport all the patterns to a copy of the style from the melody channel. From the stylemaker select the velocity command and get it to target specific midi notes..say Bb on midi notes 46 58 and 70 for example if you want to get rid of 7ths. Turn down the velocity on each of these to kill the 7ths from playback. Then make sure that embellishments are turned off for the whole instrument by setting them to 0.


2 Or you can output the track to a sequencer or DAW with a Mapper function. There you can select all occurrences of say a 3rd (E) by its midi note number. ( most likely 52 64 76 etc)and map it to another note of your choice.
Save then reimport the patterns directly from the midi track back to the BIAB style without using the style wizard.

3 Or once you've converted all the patterns to C7 select a low root melody harmony. Adjust the octave range. Then to add a note to each of the patterns in one go simply type in the name of the note you want to add in a new chord sheet (with the piano chords still there in the melody channel). On playback that one note will be added in the range of your choice.
Save and reimport as before making sure you turn off embellishments to zero in the stylemaker.


These methods should go a long way to giving you any voicing you desire.

One thing I like to do is strip all voicings down to a root and a 7th plus with a doubled root on octave C3. You can then get a row of three seconds in a chord by typing C7/A or Cmaj7/Bb for a dissonant sound. You can then use the procedure in 3 mentioned above to add another note to that.


Alan