Got it. The Conductor works great as long as either you or you and a partner completely understands how it works. Years ago I had a duo with a sax player and depending on the gig we would bring in a singer. The year after the Conductor was first introduced, 2010 maybe?, I decided to set it all up. The only problem was when the singer decided on his own with no warning, to extend something, stop and talk to someone, forget where he was and go to the bridge, whatever. That caused several train wrecks. I've been backing up vocalists for 40 years on keyboards so if I'm just playing live, none of that is a problem, just go with whatever they decide to do but using a laptop and Biab? Fuggetaboutit. That was a short lived experiment. It lasted two sets and I turned Biab into a drum machine and played bass and keys live on my Kurzweil. On another gig a few weeks later I had a chance to really talk to the vocalist, explain how this works, just give me a little warning, etc, etc. Still didn't work. It really requires a full rehearsal and some experience which we didn't have time for.

My only comment about the sound quality you're after with using multiple VST's is can you really hear the difference in the middle of a noisy gig? I completely get the importance of having a sound you really like, just look at my sig, but still is the difference between one of ST3's basses and another VST's bass really that great with people talking, glasses tinkling and the like? Simply using a different PA system, changing the EQ maybe even a separate bass amp can make a huge difference in the sound of the bass.

Speaking of separate, what I did was pan the bass and drums full left and the other instruments full right and took the stereo outs from the phones jack to my PA mixer. That gave enough control to balance the sound.

Bob

Biab/RB latest build, Win 11 Pro, Ryzen 5 5600 G, 512 Gig SSD, 16 Gigs Ram, Steinberg UR22 MkII, Roland Sonic Cell, Kurzweil PC3, Hammond SK1, Korg PA3XPro, Garritan JABB, Hypercanvas, Sampletank 3, more.