I voiced some constructive criticism about the new horn-oriented realtracks, but now that thread seems to be missing.
I was able to find it by doing a google search "site:pgmusic fence" and pulling up the cached entry.
"First,
Let me say that I gravitate towards the jazz offerings. So the Hawaiian, house, rap, country, celtic, rock, etc. are not my focus. Also, I do understand the interface has improved/advanced - but my perspective is what comes out of the speakers is king and the buttons or screens to get to that point can be sub-optimal as long as what I hear as an end-result is pleasing. Yes, there may be some improvements here (more time doubling options, etc) - but I am mainly focused on the "core" sound of the real tracks (new content). Even the gypsy jazz is a bit limited.
[deleted portion which made the moderator get off track]
Mittens Jazz w/3 saxes - sounds "off" (
https://youtu.be/d6Ru_aWsVIM?t=265).
Flute/tenor bossa - Tenor sounds like a strange phasing at end of long-tone. Overall blending of the horns is "off". This is judging by the demo - which should strive to pick a "best of" clip. (
https://youtu.be/d6Ru_aWsVIM?t=485).
Anyone else sensing like the latest jazz-oriented ("straight ahead") styles are sounding more robotic than the past real tracks?
[deleted side-note which was not a comment about 2017]
2017, even with all the other improvements - I'm more focused on the new realtracks would would potentially fit into my use."
My overall impression was that the demos of the new styles made the new styles I was interested sound more "thrown together" than the previous 2016 content which, although not perfect, was still an improvement in the evolutionary sense.