I wrote 9.5 songs for a 10 record album. By the time all the producer's and our manager's ideas, changes, arrangements and tweaks were done, the 10 songs we, the band, had chosen did not all make the cut to be recorded or sounded the way we played them. Some session musicians added to play new parts or instruments band members did not play or play to a sufficient level, only one song came out of the process, close to the 'record' in my head when the songs were written.

To play our original songs post album became a task of the band having to learn the song to a new arrangement from what we played before recording the album.

Today, a lead guitar solo may be a comp of dozens alternate versions recorded. All played live by the band's lead guitarist but he may not have been part of the post production party and therefore has to 'learn' his solo decided from a producer's comp. The credited lead guitarist in many ways becomes the same as the uncredited lead guitarist we comp in RB on our songs.

Point being, most songs recorded commercially have many un-credited co-writers, collaborators and arrangers between when the song is written and when the final version is released. The A&R rep would certainly fit in the picture I think.



Charlie

BIAB 2025:RB 2025, Latest builds: Dell Optiplex 7040 Desktop; Windows-10-64 bit, Intel Core i7-6700 3.4GHz CPU and 16 GB Ram Memory.