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Recording, Mixing, Performance and Production
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Joined: Aug 2011
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Joined: Aug 2011
Posts: 10,160 |
MIDI can be difficult to understand and intimidating to use. It takes time and practice to be able to create a realistic MIDI performance. +++ THIS +++ 2014 article from the Soundbyte web based magazine is one of the better getting started guides I've found. We're lucky in the sense Band-in-a-Box has excellent MIDI tools. The Staff, Event and Piano Roll views (windows) all are tools that can be used to create a realistic MIDI performance. Using the MIDI based styles as templates for creating your own MIDI styles is a wonderful way to gain a better understanding of how MIDI can be used to create a realistic sounding MIDI based style. Viewing MIDI SuperTracks output in one of the MIDI windows are good demonstrations of realistic sounding MIDI performances.
Jim Fogle - 2024 BiaB (1111) RB (5) Ultra+ PAK DAWs: Cakewalk by BandLab (CbB) - Standalone: Zoom MRS-8 Laptop: i3 Win 10, 8GB ram 500GB HDD Desktop: i7 Win 11, 12GB ram 256GB SSD, 4 TB HDD Music at: https://fogle622.wix.com/fogle622-audio-home
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Recording, Mixing, Performance and Production
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Joined: May 2011
Posts: 464
Journeyman
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Journeyman
Joined: May 2011
Posts: 464 |
i5-3210 laptop. Win 10 Home. 2.5ghz, 64 bit. 6gb RAM. Focusrite Scarlet 2i2.
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Recording, Mixing, Performance and Production
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Joined: Sep 2018
Posts: 1,362
Expert
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Expert
Joined: Sep 2018
Posts: 1,362 |
Thank you, Jim. About the crossfades to change velocity or expression within a single note: Besides this being very tedious (but necessary) work, it can also give unpredictable results when using the best libraries of sampled instruments because they often use from 3 to 5 round robins of the same note. I have often wished that I could "freeze" a single bar or note/sound. Thank you for sharing! Will
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Recording, Mixing, Performance and Production
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Joined: Aug 2011
Posts: 10,160
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OP
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Joined: Aug 2011
Posts: 10,160 |
2b and Will, I'm pleased you're finding the article useful. Will, I agree it looks like crossfades can be tricky but I think getting crossfades under control has more to do with the audio created by the sample library audio results than the underlying MIDI. However I certainly might be wrong since I've not tried crossfades with MIDI. I've found another article that might be useful and informative to musicians with a strong knowledge of music theory. The article is by composer Jerry Gerber. Mr. Gerber has composed multiple (nine at the time this article was written in 2016) symphonies using the DAW Sonar, soft synths and sample libraries. Mr. Gerber also creates music scores and soundtracks for television and movies. The article is labeled +++ Virtual Orchestra Composition and Production +++ .
Jim Fogle - 2024 BiaB (1111) RB (5) Ultra+ PAK DAWs: Cakewalk by BandLab (CbB) - Standalone: Zoom MRS-8 Laptop: i3 Win 10, 8GB ram 500GB HDD Desktop: i7 Win 11, 12GB ram 256GB SSD, 4 TB HDD Music at: https://fogle622.wix.com/fogle622-audio-home
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Recording, Mixing, Performance and Production
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Joined: Dec 2011
Posts: 2,393
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Joined: Dec 2011
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A very interesting article for sure...at least to us Midi-ots! While I'm appreciative of his approach and potential results, I not sure I have the patience to wade through dynamics, expressions, cross fades etc on a note by note basis. Seems one would be stuck on a single song for a very long time and creativity would die a slow death along the road to technical perfection.
Jeff
Win11, Intel i7 7700K 4.2Ghz, 32Gb RAM, 2x1Tb HD, 500Gb NVMe, BIAB/RB 2024, MOTU 828MK3 audio, MOTU Midi Express, Yamaha Montage 7, DX7II, TX802, Motif XS Rack, Roland Fantom XR Rack, Oberheim Matrix 1000, VoiceLive3 Extreme, Kontakt 6, SampleTank 4.3
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Recording, Mixing, Performance and Production
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Joined: Aug 2011
Posts: 10,160
Veteran
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OP
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Joined: Aug 2011
Posts: 10,160 |
A very interesting article for sure...at least to us Midi-ots! While I'm appreciative of his approach and potential results, I not sure I have the patience to wade through dynamics, expressions, cross fades etc on a note by note basis. Seems one would be stuck on a single song for a very long time and creativity would die a slow death along the road to technical perfection. Jeff Jeff, During one of the Jerry Gerber interviews he indicated the album he just published (at that time) took about two years to produce. I've noticed some prolific book writers issue a new book of a series about every two years. I'm sure time management, dedication, ambition and effort are just as important to success as talent. I lack in "all the above"! Seriously though, I'm sure some of it boils down to process; knowing your DAW, knowing how to perform the tasks you want to perform and working your way through the process a little at the time.
Jim Fogle - 2024 BiaB (1111) RB (5) Ultra+ PAK DAWs: Cakewalk by BandLab (CbB) - Standalone: Zoom MRS-8 Laptop: i3 Win 10, 8GB ram 500GB HDD Desktop: i7 Win 11, 12GB ram 256GB SSD, 4 TB HDD Music at: https://fogle622.wix.com/fogle622-audio-home
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Recording, Mixing, Performance and Production
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Joined: Feb 2017
Posts: 3,414
PG Music Staff
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PG Music Staff
Joined: Feb 2017
Posts: 3,414 |
Wow - this is incredibly informative. Definitely bookmarking for later. Good find!
Cheers, Deryk
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Recording, Mixing, Performance and Production
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Joined: Dec 2000
Posts: 12,584
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Joined: Dec 2000
Posts: 12,584 |
Great article. You would think we should just know this stuff, but it's good to be reminded and our knowledge refreshed.
John Laptop-HP Omen I7 Win11Pro 32GB 2x2TB, 1x4TB SSD Desktop-ASUS-I7 Win10Pro 32GB 2x1.5TB, 2x2TB, 1x4TB SATA BB2024/UMC404HD/Casios/Cakewalk/Reaper/Studio One/MixBus/Notion/Finale/Dorico/Noteworthy/NI/Halion/IK http://www.sus4chord.com
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Recording, Mixing, Performance and Production
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Joined: Apr 2009
Posts: 9,417
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I didn't read the article..... but nonetheless, feel totally qualified to comment on because I slept at a Holiday Inn Express 10 years ago.
Actually, when I first started recording with Sonar and it's predecessors, I used midi a lot. Practically everything i did except guitar was midi ( and even some of that was a midi synth called strummer) and often created by mousing in the notes or recording from a non-touch sensitive keyboard. So, essentially, everything went in just dry boring midi. Velocity was the same, start to finish. Gahhhhhh!
And that's the kind of stuff that gives midi a bad name and has that nasty "midi-sounding" quality. Even when using the best quality samples,unless you actually take it note by note, to edit the various parameters, you get stuck with midi sounding midi. Music libraries were constantly telling me to make it sound real.
I did in fact spend a lot of time during my midi days editing the note velocities on drums and keys to try to get some semblance of a live player track. That was some tedious stuff. Talk about BORING!!!! My brain hurts just remembering it.
As such, I rarely use midi now days.
Real tracks cured that all for me when I had recorded a song I wrote and put it into the cakewalk songs forum. I recall a guy who listened and commented. He was a commercial studio owner whose work was highly revered by the folks there. I had a fiddle in the song and he knew me and knew that I didn't play a fiddle. His comment was to the effect that the fiddle track sounded so realistic that he could hear the rosin on the bow and strings. I think that was the turning point for me. I realized that RT's were capable of fooling a person with ears such as his..... and I haven't used midi for much ever since.
Not at all putting down the guys and girls who work with midi and take the time and have the skills to make midi sound realistic. But without the nuances that come mainly from a live player, it's hard to fool someone with midi. The biggest problem with the nuances is the little slides, blurbs, and slurs that occur in the music....AND... is specific to the instrument being replicated. Guitar fret noise and string squeaks come to mind. You gotta know when and where they occur and to what degree to use them correctly. Stuff that, for the most part, only someone who plays that instrument might be aware of.... and sometimes even a player of the instrument doesn't know enough about the nuances to replicate them in a believable manner using midi.
My 2 centavos.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Recording, Mixing, Performance and Production
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Joined: Dec 2003
Posts: 21,102
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A very interesting article for sure...at least to us Midi-ots! While I'm appreciative of his approach and potential results, I not sure I have the patience to wade through dynamics, expressions, cross fades etc on a note by note basis. Seems one would be stuck on a single song for a very long time and creativity would die a slow death along the road to technical perfection.
Jeff Hi Jeff, This is a good article but I think it is a little misleading for the beginner MIDI user. For example expression (CC11) is easily controlled while playing via either an expression pedal or the mod wheel (CC1). A lot of the newer MIDI sound sources use key switches and velocity for articulations. Again you can do this live. Forget cross fades using MIDI. Bounce/convert to audio and do it there. It is much easier and quicker in audio. Other controls usually can be assigned to faders or sliders on a MIDI keyboard controller so again the process is very easy and in many times can be played live. If not you lay down your track then use your sliders or knobs in real time during an over dub; i.e. adding to an existing track. YMMV
You know you're getting old when a recliner and a heating pad is your idea of a hot date!
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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User Video: Band-in-a-Box® + ChatGPT = Impressed the BOSS!
Band-in-a-Box User Video Tutorials!
If you've reviewed our Support page, you've probably noticed the Videos page, which separates our Band-in-a-Box® tutorial videos by category: Overview, VST DAW Plugin, Setup, Beginner, Intermediate, Advanced, and there's even an Archive category to go down memory lane... (You'll also find these videos on our YouTube Channel.)
It's always great to hear how other Band-in-a-Box® users create their songs, especially when they explain in detail what they're doing. Like Henry Clarke's YouTube Channel, Henry Clarke - Senior Musicians Unite! There you'll find his ALL Band-in-a-Box Tutorials playlist with over 50 videos! His top-three most watched videos include "How to Get Started with Band-in-a-Box," "How I use the Audio Chord Wizard in Band-in-a-Box," and "How to Create An Effective Solo Using Band-in-a-Box" - however he touches on many other topics and also demonstrates his own Band-in-a-Box® songs in the Band-in-a-Box Created Songs playlist!
You're guaranteed to find some helpful videos when you visit Henry Clarke's channel!
Band-in-a-Box® 2024 Italian for Windows is Here!
Ci siamo dati da fare e abbiamo aggiunto oltre 50 nuove funzionalità e una straordinaria raccolta di nuovi contenuti, tra cui 222 RealTracks, nuovi RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, Playable RealTracks Set 3, Playable RealDrums Set 2, due nuovi set di "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 e altro ancora!
Tutti Pacchetti | Nuove Caratteristiche
Band-in-a-Box® 2024 French for Windows is Here!
Band-in-a-Box® 2024 apporte plus de 50 fonctions nouvelles ainsi qu'une importante de contenus nouveaux à savoir : 222 RealTracks, des RealStyles nouveaux, des SuperTracks MIDI, des Etudes d'Instruments, des Prestations d'Artistes, des "Morceaux avec Choeurs", un Set 3 de Tracks Jouables, un Set 2 de RealDrums Jouables, deux nouveaux Sets de "RealDrums Stems", des Styles XPro PAK 6, des Xtra Styles PAK 17 et bien plus encore!
Tous Packages | Nouvelles Fonctionnalités
Video: Making a Song with Band-in-a-Box®, ChatGPT, and Synth V
Take your Band-in-a-Box® project to a whole new level when you incorporate ChatGPT and Synth V to add lyrics and vocals to your song!
We wanted to demonstrate how this is done with our video, where we show you how to go from nothing to a finished "radio ready" modern pop song by combining the features of Band-in-a-Box®, ChatGPT, and Synth V!
Listen to the finished song, so you get a listen to the finished product: https://demos.pgmusic.com/misc/behindthefame.m4a
If you like it, watch the video. Either way, let's hear your comments!
Henry Clarke: Revolutionize Your Band-in-Box® Tracks with Regenerating Function
User Video: Convert MIDI Chords into AI Vocal Harmonies with ACE Studio and Band-in-a-Box®
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