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didn’t you once hail from Flint?



I went to Engineering school at GMI Engineering & Management Institute in Flint, now it's Kettering University. I have many friends there. Moved to Colorado earlier this year.


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I have had a lot of suggestions on the EQ of the vocal. Unfortunately I am somewhat at a loss for doing this since I have no real knowledge of how all that works. I have lots of tools, just don’t have a good enough ear to “hear” the subtle differences working with things like verb-compression-EQ filters.





No need to be confused. Here's the signal chain you will want to go for to start with:

1. EQ. Put the PG 5 or 10 band EQ in place, and slide the sliders all the way down from 250 Hz and below. I can't remember if PG includes a High Pass filter as a plugin. If so, use that, if not use the graphic EQ. Give that a try first and listen to what happens to the pops, you might not need the rest of the chain but in case you do...
2. Compression. I rarely use compression on a vocal track as I will usually edit the impulses individually. If you do use compression, there are many guidelines out there. I will suggest you pick up this free compressor from GVST simply because it shows you what the compressor is doing to your audio signal with a waveform display, as well as a graphic depiction of the ratio, knee, etc. You can get a copy here: http://www.gvst.co.uk/gcomp.htm This isn't to say the compressor from PG is not good, it's just that as you learn how to use compression, this particular plugin goes a long way to show you what is actually happening with the signal.
3. Reverb - use sparingly.

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