Hi Bob!
Sorry about your hearing loss, I can relate. In fact, I got fit with my first aids at age 5, and I'm now 60. I'm sure no one remembers this as I don't frequent the forum very, ah, frequently...and here we are discussing sonic frequencies...but my handle stands for Deaf In One Ear Can't Hear Out Of The Other ...DIOECHOOTO

Aaanyhoo...lots of good advice here already, but I thought I would chime in, at risk of triggering some tinnitus...since I have had similar concerns over mixing.

I recently bought a new Focusrite Scarlett 2i2, and it came with a vst3 called "Balancer", and it's pretty cool because apparently it is programmed with some sort of AI that "learns" as you go. But in the end it's really just another spectral analyzer such as those that have already been recommended.

And this is what I really wanted to mention: the Focusrite interface I used previously was a Saffire, and it came with "mixer control" software that was really powerful, so powerful that I never learned to use even a small fraction of it's capability (nor did I have need to), but what I did use a LOT was this feature called VRM, virtual reference monitoring. What this supposedly does is change the characteristics of the sound as if it were being played through any of a large menu of setups. Studios setups with various monitors, bedroom studio, 1980's living room "stereo", Flat screen tv, boombox...you name it! I don't know how helpful it really was to me, but I do know it SEEMED very helpful to have that capability. What it allows is for you to hear your mix from all kinds of different perspectives, including from different places in "the room". Amazing.

So I don't know if there is anything else out there quite like that, but I really miss it, as it doesn't work with my new Focusrite.

I just thought I would put that out there, FWIW.

BTW My very small BTE (behind the ear) hearing aids do work with headphones on over them, they are quite comfortable and feedback is not a problem. Because they are digital I have a few different programs, and so for music I use a "pure" program that has no antifeedback or "speech algorithm" or noise reduction or anything (and yet they still don't feedback!), as part of feedback foiling program is it creates an oscillation, thus short circuiting the feedback loop, but it sounds crappy as it creates a tremelo effect. Any of those features could cause unwanted artifacts, as I understand it.

Happy music making, Bob!

Last edited by DIOECHOOTO; 07/16/20 12:27 PM.