I think I understand this question. If the song tempo changes, the song really should regenerate and then you get what you get for comping patterns, with no guarantees it will have all the elements you like from another generation. If you just freeze all the tracks and change the tempo too far, you'll get unpleasant artifacts in the sound. But you are correct, some amazing things can be done by freezing some tracks and not others. Another poster today wanted pushes on just the guitar, for example. When you combine freezing with time base, there are so many possibilities.

Thanks for the kind words about my music. I don't generally run into the problem of a soloist RealTrack sounding not quite right, because that's the part I furnish, so I don't have any good suggestions.

I did want to mention I've had a short discussion with Peter Gannon about the tempo of a samba. I hear them counted in two at tempos around 100. BIAB counts them in four at tempos close to 200. My drummer on the CD, who played with Spyro Gyra and Blood, Sweat & Tears, agrees with me. A similar problem exists in BIAB Bluegrass. I hope we could see some samba styles in the future more like what I think is the standard: cut time. The good news is that, with the BIAB time base being extended to RealDrums recently, all the tools are there.

BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.