The plugin hasnt reached a "tipping point" yet - where all the necessary gripes are out of the way and key - vital improvements needed for smooth DAW use added.

but once this plugin matures to the point that many pro producers and composers find it no longer fights *against* them - the BIAB plugin will become something such a wider user base find essential that - finally - PG will see that its the PLUGIN not the standalone that really needs developer resource.

sure as a standalone tool for students and practicers - BIAB standalone is the best there is -

but one could argue that adding stuff is just bloating BIAB in the same many say Cubase is bloated ( hence leading to newer "streamlined" DAWs such as Studio One to find an enthusiastic user base ) - but the BIAB plugin is yet to really get high visibility in the producer/composer space.

But once all niggles are out of the way- numero one niggle being the slow generate speeds when compared to BIAB standalone - then I really think muso-awareness of the plugin will begin to accelerate exponentially.

I also think when that happens its worth PG supporting and nurturing 3rd party realtrack/MIDI style suppliers in a similar fashion to how Native Instruments supports, licenses and nurtures 3rd party sample library "houses" - particularly in the orchestral and media composer markets - such as Spitfire and Orchestral Tools - Berlin Orch etc - where - given the right tool - pro-composers will pay premium prices to buy libraries and styles that amateurs, "bedroom producers" and hobbyists cannot afford.

Last edited by nonchai; 12/17/20 09:29 AM.
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