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Songwriting
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Lenovo YOGA 900 Window s 10 Home 64bit M4 pro Mac mini 1tb HD 24GB mem casio wk7500 presonus audiobox i2 usb interface
casio wk-7500
biab & realband 2025 everything pk both with Current builds
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Songwriting
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Joined: Jul 2022
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I write songs exactly like Paul does, but he is _slightly_ (ahem) more successful with that than I am.
But in general, I think it's a pretty good approach to let the song guide where it wants to go.
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Songwriting
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Joined: Apr 2016
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Paul's ongoing revelations about nothing in particular, what he likes, what he thinks etc. suggest a very symbiotic relationship with the media: they need to keeps the Boomers happy and he needs relevance assurance. He was in a great band. In that band he wrote some truly appalling songs and pushed them down the road toward the mawkish & the music hall. John wrote some drivel too. Paul's solo career was based on the road he'd started along in the Beatles. John started of strongly but he ended it writing the mawkish domestic stuff Paul would've been jealous of.
Did Paul write intuitively? I would assume, like most songwriters, he did often enough, early enough but there's plenty of evidence to the contrary as well. In the end he seems to be, subsonically, singing the chorus of "Love Me Do" in every interview.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Songwriting
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Joined: Jun 2012
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Re: Paul McCartney: ...He was in a great band. In that band he wrote some truly appalling songs and pushed them down the road toward the mawkish & the music hall...[/ . I've witnessed similar kind of song talent comparisons here also, especially with some of the much more local content. I guess I'm comparing Paul's success with other successes that are occasionally provided locally. I doubt that the jury is still deliberating.
BIAB & RB2026 Win.(Audiophile), Windows 10 Professional & Windows 11, Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors
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Songwriting
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Joined: Apr 2016
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Re: Paul McCartney: I'm comparing Paul's success ... Yet,"success", whatever data point or criterion you may base it upon, isn't germane to this discussion. A "jury" is any two people discussing the matter. DC is a kind and forgiving fellow and he does point to a stellar pair of albums that, if they were the sum total of Sir Pyawl's output, would declare my assessments redundantb BUT the topic was "intuitive" writing - clear evidence that both L & M did otherwise is "out there" and the great revisionist's personal "stay back" behaviour at Abbey Road also suggests a much more calculating and fine detail focused writer. That's not to say that you don't have a point, but more to suggest that point is, within the circumstances, pointless.
Cheers
rayc
"What's so funny about peace, love & understanding?" - N.Lowe
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Songwriting
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Joined: Aug 2014
Posts: 8,441
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Hmmmmmm. I can't say that I truly understand some of the naysayer comments here about Paul McCartney's insights or his process.
I myself have a complete regurgitatory response to songs that sound like they came out of a songwriting workshop, or are too formulaic. I can't bear to listen to them.
On the other hand, Paul McCartney has written hundreds of songs that seem like they just came out of nowhere, but took flight on magical wings. It's just incredibly obvious that these songs were intuitive and summoned up by magic. Lady Madonna is but one example. It's just an absolutely phenomenal piece of intuitive genius from beginning to end.
So I really like this article myself and I found myself resonating with it on many levels. I've never been one to pay much attention to songwriting feedback or songwriting manuals or songwriting theories myself. They just bore the living hell out of me. I would rather be writing music with my eyes closed.
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Songwriting
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Joined: Mar 2025
Posts: 809
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Firsty, let me say I am one of those that finds Macca's songs sublime. (I even find songs like 'Why can't we do it in the road' an interesting diversion.) I can say this because I like styles of music with very strong melodies and chord progressions that move outside of the diatonic - something The Beatles were inherently brilliant at. It's a generalisation, but today's I - V - vi - IV production formula is the antithesis of this. Melody has been forsaken for rhythmic, arranged production. The brilliant contemporary music is hidden and not often on the mainstream. To some extent, my Brit background and age provide a fertile bed for The Beatles' music to be planted in. However, I wonder how much my favouring of their style of music allows me to exalt their songwriting to a level well above others? e.g. as a contrary, I am not a country music fan, so no matter how brilliant Garth Brooks is, I am never going to regard him highly. (Don't crucify me  ) In reverse, I am sure this might be the case for a Garth Brooks fan as well. This is not discounting that McCartney (or Garth Brooks) has wide appeal. Clearly, The Beatles were writing and recording at a time of extraordinary change in modern music and rode that wave all the way to the shore. While Lennon, McCartney and Harrison wrote some excellent songs post The Beatles, I can't quite say they hit the same high-water mark IMHO, but there are some good ones: Maybe I'm amazed; New; Every night; This never happened before. I wonder how much the cross-inspiration (competition?) between them drove them on. I have created some post-Beatles playlists combining the best of McCartney/Lennon/Harrison/Starr for each year from 1970 to 1980, and they still don't seem to match The Beatles' repertoire - at least from Rubber Soul onwards. There would be nothing more *potentially* restrictive to a songwriter than the idea of a series of 'tools', techniques or tips. 'I'll just pull this songwriting screwdriver out of my bag.' However, there are many tutorials that describe the vast array of songwriting tips and maybe the vastness of the array means one doesn't over-rely on a narrow few, or the tool itself become sthe inspiration. I also understand why Sir Paul would want to stay away from a formulaic process. It could ruin the magic. I think all songwriters stand on the shoulders of giants - meaning we are all building upon / being inspired by someone or something we have heard before. This is why I use BIAB - the many styles immediately take me out of my comfort zone to think of something I would never have. In one way, and understanding a little about Paul McCartney's upbringing and being immersed with Lennon and others from a young age, I can see how he may have been marinated in a very creative soup. As a tangent, has anyone seen any analysis of songs Macca didn't write, but his talents brought those songs to perfection? e.g. I am thinking of his bass work on 'Something' or 'Hey bulldog'; his vocal harmony on 'Every little thing', 'Wait' or 'While my guitar gently weeps'.
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
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Introducing XPro Styles PAK 10 – Now Available for Mac Band-in-a-Box 2025 and Higher!
We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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