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I tried doubling which just made it too loud, delay which made my head swim, eq which made it too hissy LOL, I tried moving it all across the spectrum - tried less and even no bass... Adding in a little of 1171 earlier seemed to overwhelm and draw more attention to the level of punch so I left it out until the solo. It is a little crisper here as opposed to the encoded mp3 but not the crunch I envisioned. So after days and days of toying with it, I finally just settled. Realtracks are great and I love them but sometimes it's still hard - for me anyway - to get the sound I really want. But at least you were able to tell what I was trying to do so all wasn't lost and heaven knows I could not have done this much without the RT's.



One word- compression. When you have some time to just noodle, try another mix of this for fun, utilizing compression on every track. Compression is a bit tricky so the best way to learn how to use it is to just start using it. Try some presets for the compressor plugin you choose and see how they change the sound of things. Turn the dials. Watch how the level meter can be held very steady depending on how you set the compressor. When I use realtracks [all the time really], I always have a compressor on the drums, bass, strum guitars and other guitars such as 'chunking' guitar parts like you have in this piece, as well as vocals at all times. It's one thing to mix just by generally adjusting the volumes between all the tracks, and panning, and eq'ing. But along the way, compression must be learned to take the mix to another level...so to speak! Compression will give attitude to tracks that need it. Different compressor plugins will color the sound of a track in different ways- some doing it transparently, while others do it in a more agressive sounding way. But once compression is understood and used properly, things really begin to take off. So that's why I say, for fun and learning try mixing a track from the ground up with compression on the tracks. Maybe you have some different choices in the app you're using to mix. Try them all. Try the presets. Tweak the presets. You'll get it. There's nothing really wrong with the mix of this track. But if you're sensing you want some attitude on some things, compression will get you there. And attitude is really just another way of saying- I want this instrument more 'in your face' in the mix, without overtaking everything else. Compression. Have fun with it!



Dan