The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more! His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Paj. i agree ...ptw is underated...as is rb viz midi. its nice to see you appreciate it cos i feel too few users realise the value. big studios i once frequented sometimes were amazed at its features when i showed examples compared to what they wereuseing. getting older ive forgotten lots of my old midi tricks... fun days. om
Yeah, and the icon menu items are handy but the MIDI Menu in the Edit Menu dropdown has really useful features, including a filter and subfilter in the Replace option which allow you to manipulate a lot of MIDI data quickly and conveniently. I'm editing a few MIDI sets for a band at the moment and it just makes me re-appreciate the feature. I do wish that I was able to record Macros but, still, it just works well with MIDI files. Paj 8^)
Floyd, you and Bill are masters are writing songs. Floyd your vocal was perfect for those lyrics. I could feel the pain in your voice. The backing band was perfect. Loved that guitar vocal duo at the beginning followed by the introduction of other instruments. It was perfect for this song. Loved it.
Thanks, Mario. Much appreciated.
Originally Posted by Noel96
HI floyd. Wow! This one really tugs at the heartstrings 😢 and this 'tugging' it amplified by excellent writing, a superb arrangement, an equally superb production, and a truly outstanding performance. I seriously love what you and Bill have done. The genderless lyrics are perfect for both male and female vocalists. This thought crossed my mind somewhere mid-song, and when it did, I found myself wondering what kind of difference a female singer would have brought to my listening experience. Have you ever had the opportunity to hear a woman sing this? (I'm just curious.) The chorus is powerful-plus, and the mystery of what the bridge lyrics are referring to was a really clever idea for emotional development. It's a technique that has never once occurred to me. It's such a great idea. I'm definitely taking that onboard What stood out to me most was the triplet rhyme of me/be/memory at the end of the chorus, and that pause that's full of expectation before "just a memory". The way these lyrics flowed kept my mind thinking about the song's story beyond the close of the chorus. As I see it, that's '10th dan black-belt' lyric writing! I really enjoyed where you took me with this superbly crafted composition and presentation. --Noel
Noel - Thanks! All that delicious stuff in the lyric is Bill's doing. And he knows what he is doing. It is unusual to find a lyricist (only) who possesses the prosody that Bill has. True talent. A real joy to work with. Interestingly, sometimes that prosody took a while to uncover. He gave me lyrics that sometime took a long time to find the cadence that he heard (since I just had a piece of paper). I'd scratch my head for a while - then when I latched on to it, it just happened - and just flowed...like magic.
Dear Janice and Bud and Vic and Marty, Thank you so much for the listens and the kind comments. You know I only live if I can make you guys laugh, and I hope that I brought just a little bit of humor into this dark and dreary world!! 😂
Cool, Wayne. Yeah, that conga hit me and plastered a smile on this face. Vocals are so good. Love the drive in the song, and Ken shines brightly. Fun Latin groove. My all-time favorite album title is "Tom Wasits. For No One." So good to hear that your muse moved back in with ya.
Hi Marty. This sounds really great. I love the writing, the arrangement and the production. Your lyrics are excellent. The standout for me was Verse 2 where you said...
Quote
Everything we try seems another way to prove we lost the love we found. We should hear our song is changing, and rewrite it to a fade. We tried our best and failed. Our love boat simply sailed. Our course is clearly laid.
When you sang, "we lost the love we found" it really hit home. Those words were very powerful and they setup the last line of the verse so that it really resonated and made me think a lot. Musicianship sparkles everywhere in this creation. --Noel
WOW, thanks, Noel. Really appreciate your depth and wonderful comment.
Originally Posted by rayc
I took this as a piece of delayed gratification Marty. I saw it, I wanted to listen straight away but decided to wait until I had a clear mind and expectations has peaked. The TexMex elements work wonderfully with the added steel and, of course, your bass. Lyrically this is a cool rumination of the cycle of relationships carried by an ace melody. Cool vocal - though perhaps a little too far back in the mix. Ace steel. Another classic Martypiece from the fecund furry. I enjoyed it heaps.
HAHA. Thanks, Ray. Love your gift of gab-- your turn of a phrase-- your eloquent form of comunication. It's funny how we're always telling each other to turn up vocals.
Originally Posted by Janice & Bud
Your optimism shines through even in a breakup song - for example the last line: “Some people say it's still better than never. So maybe we'll be better friends.” Man there is enough lyric there for three of our writes! Your vocals and bass are most excellent. We like the feel of the Tex Mex drums and the accordion. The pedal steel sounds great And that cool vid that must’ve taken quite a bit of time. Enjoyed it! J&B
Thanks, J&B. I'm more of a sophist. If someone gets overly positive, I'll throw some negatives at them. hehe Curating stills from CoPiot is much more rewarding than trying to find the right video on pexels or pixabay.
Originally Posted by floyd jane
Marty, A deep write. A story well-told. Clever twisty title... Cool tracks. Nice to hear an accordion well used. Well sung. Good Mix. fj
Thank you, floyd. Like lyrics, I'm not sure where that accordion idea came from, but I needed something different for those parts, and it worked nicely.
Like the custom tab in BiaB +1 Many of the icons are already under tabs like the window views. Many others could be placed under a tab and then many could be eliminated so that the icon area at the top does not take up 25% of the screen real estate. Clean this up and RB would look far better and more space available for the tracks and such.
I just double clicked on the downloaded installer file and it installed ok, it was several steps but all automatic, and I was on-line. But Audacity needs to be 3.5.0 (I had 3.5.1 and had to find the older version). But now it works.
Hi, Dave, Janne, Scott, Misha, Chulaivet, Wao and Noel, As I wrote in my previous post, I'm late again with responding. I think that is a bad habit of me... I was and am happy with all your comments! Believe it or not, ok, some needed some more attention than others, but untill now I think I'm very fond with your posts. Having said that, I will pay some attention to the individual post from you, the 7 last one, I presume.
Originally Posted by BlueAttitude
Hi Hans, Excellent song! Love the arrangement and the dynamics. Just love your vocal on this one, and the blend of your voice with Anne-Marie's is fabulous. Well done!
Dave, very kind of you. And you're right about the match between my and AM's vocals. I think with those BG's she really shined!
Originally Posted by jannesan
What a sad and touching song. Great lines like "When aging arrives, its grip is unkind" and "I accept to walk another track/It's my body that tells me to wait". Your arrangements are always interesting, in this folky waltz tune with both grieving violin and hurtful guitar reflect the message that is easy for me to relate to. Not that I'm that old, but I have passed the point where the bright future lies ahead. Great vocal performance by you and AM (whose lovely backing vocals have also graced my songs long time ago...), fitting together nicely. Good work with the video, I like the ending with the lid closing, one story/song is finished, but the next one is coming... Janne
Janne, you have good eyes for the details, like that closing of the laptop at the end. And that man also puts down his pencil. I think most older people with pc's still have a pencil close at hand. I have too! Still I think, and I hope you too, around a corner somewhere a tiny, surprising future can be waiting. For instance when it comes to your music. I think a lot of people like it. When you were younger you didn't have the time to spend on music making. And then came BiaB and AI, and suddenly the (second) future lays ahead for you! At least it's a nice tought...
Originally Posted by Scott C
What a lovely song Hans. Very moving lyric and delicate vocal. Anne-Maries harmonies were such a nice add to the song. Loved how the energy built through song. Excellent production and mix. Really well done..
Scott, thanks a lot. Besides all those nice things you said, I also liked that phrase about the build up of the energy during the song. The first heavy guitars were in, but we felt it was unfinished. That solo with the 'Roma violin' was also a bit soft, but I loved to keep it in. AM suggested a heavy guitar after that solo and I thought it would be better after her last BG 'vocals'. I won ;-)
Originally Posted by Rustyspoon#
Hans & Anne-Marie While subject is sad, it's a very strong tune and listens well. Excellent vocals, almost spoken expression by you. I do wish Anne-Marie vocals would be slightly louder. (They do work very nicely with yours) Very neat, layered instrumental arrangement and good mix. Almost like C. Aznavour on steroids Thank you for sharing. Misha.
Misha, I could never have even imagined being compared to Mr. 'She' Aznavour. But surprises do appear to exist!!! I'm now practicing to sing his oeuvre. Only the steroids make my wife a little nervous... There was a tiny reason why her vocals were kept a bit less loud, and not because I am the boss. Thanks for your so nice post.
Originally Posted by chulaivet1966
Howdy Birch.... Well....being late to this party everyone else has said it all. And, I agree with them. Very poignant lyrics and a personal vox delivery. (I can relate....I just became a pair of 77s recently). Well done, I enjoyed the listen!
Chulaivett, what nice post! And what nice you became a pair of 7's. I thought you were much younger, your artistname says chulaivett1966! Now we are a bit apart in age, two years... I win :-)))
Originally Posted by WaoBand
The instrumentation and production in this song are excellent. The Anne-Marie vocals are first class.
Wao, I thought you've already posted your reaction. The Roma violins were dissapointing you wrote. But you also gave compliments. But I love you repeated the compliments 2 times. Thanks for that!!
Originally Posted by Noel96
Hi Hans. You and Anne-Marie have done a fantastic job. In the past, I have always loved listening to each of you sing. Having you both together in a single song is great ear-candy for me And your voices fit together so very, very well. Kudos to you on this work! I have to confess that I empathise with way too many of the lyrics. I love what you've created and what the two of you have produced. --Noel P.S. I enjoyed the lyric video too! That was a good touch.
Noell, what a lovely post you wrote. Thanks for that! And yes, I remember you have listened to my songs before. And coincidentally, I was thinking about you about a week before you posted this (really!) I missed you for some time. I also saw you have a new song now on the forum. I listen to it very soon! Thank you all for this, and for now... back to work! Hans
J&B...man that was really, really good!...I agree with Bob...maybe my new favorite from you all...love the tempo, cadence and the ebb and flow of the gentle melody...Janice, you killed it with your vocals and Peter's solos were perfect...Bud , I am always amazed at your production skills and the lyrics are so relaxing and flowing...not to mention a sitar riff (a little Beatle's touch...why not?)...I absolutely loved this one!
And we loved your review. You mentioned everything we could’ve hoped to achieve. Thanks! J&B
Hola a todos, Actualmente disfruto de la versión Pro y me estoy planteando la actualización a Audiophile, el problema es que no existe version de descarga d debido a si gigantesco tamaño, solo se vende en HDD físico. Alguien ha comprado esto aquí en España?,,,y si así fuera, habría gastos de envío adicionales? gracias u saludo.
What exactly is "classic rock guitar tone" in the first place?
Anything you want. IK multimedia /Amplitude has a new sub $200 compact rig coming out called the Tonex One . Could give the HX stomp some competition . Very portable. Here's today's take on the Tonex 1 This guy has a lot of good stuff on guitar modelling from many providers. Always noodles a bit at start. Solid player. Skip ahead if you don't want to listen.
Is this waiting for the mac version to be finished first before these fixes can be implemented ?? If things were all in one crossplatform these would be fixed by now and released on both versions at the same time, ... and maybe even a Linux version: Band in a Box for linux
Thanx Paj. I have never heard of this company before today.
The same here, Mario. The Arcturus library seems to be missing a lot of the common controls for sound design like ADSR, Filter freq/resonance, etc., but the samples are long and complex and the macros that are provided do a good job of altering the character or tenor of the sound. I'm going through a RIDICULOUSLY long Batch Resave for the Kirk Hunter Kinetic Percussion library at the moment so I can't tell you if the back end (spanner) of Kontakt is available to access additional deep tweaking. Arcturus is niche but I like the fact that the patches generally have a melodic component or undertone. It needs Kontakt 7. The fact that you have to hold down a key or keys for a while to get the whole sound reminds me of, among others, the Soundethers and Atom Hub libraries. Paj 8^)
Thanks guys, a rather impressive piece of software. I wrapped up my project today and was very pleased with the final results. I sent to producer a mix of four tracks: A vocal track ripped by SMP from a UTube vid, A combined drum and bass mix audio track from a forum member, and two VSTi tracks (Piano and Organ). SMP was a great in helping me bring this all together. I got the tempo map from Melodyn but then found SMP would do it just as well, if not easier.
Hi Janne. I loved it! This is such a bright and bouncy number that my feet were tapping along by bar two. At time, it felt like the groove almost had a reggae feel. I really enjoyed your writing. The lyrics worked for me and the chorus was excellent. Saros and Weina were an inspired combination. They sounded excellent together. You really are getting the hang of Synth V's vocaloids. I'm envious All the best, --Noel
Thanks Noel for your pleasant words No need to be envious, you have already done amazing things with Synth V in a very short time Janne
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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What stood out to me most was the triplet rhyme of me/be/memory at the end of the chorus, and that pause that's full of expectation before "just a memory". The way these lyrics flowed kept my mind thinking about the song's story beyond the close of the chorus. As I see it, that's '10th dan black-belt' lyric writing! I really enjoyed where you took me with this superbly crafted composition and presentation. --Noel![[Linked Image]](https://www.pgmusic.com/forums/ubbthreads.php?ubb=download&Number=27886&filename=Screenshot 2024-04-24 163119.png)
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