Did just what you said before you asked, Chay. Love the thoroguhly relaxing melodies that transform time and place. It all put me in the best mood to re-listen while watching the cool magic you created. Some would say that's 15 minutes I'll never get back, but I say that's 15 minutes I'll do again. I like the way the tune develops. Man, you did an amazing job with the the different settings and clothing you created for Quan.
Thanks so much, Marty. Most of the images in the video are full 3D models, one uses an HDRI I've used before, another just a backdrop for 3D scenes, but once I've created a new 3D character, which can take days to weeks, even the simplest images can be fiddly. The penultimate 3D environment in which Quan Yin is with 3 other characters, 1 of them the Mongolian Senjidema, took me a week to complete. But it's always enjoyable even when it's difficult getting things right. Ditto the music.
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
Musican17 said, "I really like this. A really beautiful homage to the goddess, Quan Yin - the great Bodhisattva, as some portray her, in some cultures. May this beautiful music you have written, as an homage to her, bring peace and tranquility to all who listen. I know that it relaxed me, and my chattering mind, for the entirety of the track. So well written - a tour de force, in that respect. Well done."
After first listening to SC, then watching the video and later reading the reviews we don't have much to add to what Musician17 eloquently expressed.
The creativity involved in the audio and video production is manifest.
It was a wonderful listen this morning while gazing at our forest out the "studio" window.
Terrific use of those RTs and a fine mix. J&B
Thanks, Janice & Bud! I truly wish I could play music while looking out of a window to a beautiful forest! Where I am now I can't even play music through speakers without disturbing my neighbour, an older lady in her 80s, as the two flats are only separated by plasterboard walls. I wasn't told that before moving in so I assumed they had to be brick. I'd not have moved in had I known, plus even worse the place is haunted and my housing association has never replied to my complaint about it as it would cost them to move me or fork out on hiring an exorcist, which I don't think would work anyway - I explain why in a an ongoing FB 'blog' I've been writing about it. Two neighbours and two social housing officers take it very seriously, but my guess is that the line manger is a sceptic and so sees me as the problem, not the premises.
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
A very calm and peaceful piece of music. Excellent use of those RTs. The mix is spot on.
Thanks, Mario! Really pleased you enjoyed it.
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
That is a beautiful piece of music... The instrumentation is blended so well - love the mix.
Excellent!
Bob
Thanks Bob! Much appreciated.
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
An erudite and sumptuous performance so befitting the use of the instruments conceived thereto, but having delicate and imperial sensibilities, I found that in spite of the royal splendor, it included five more notes than I could palate, and so I became aristocratically impatient with it towards the end.
Nevertheless, a noble effort, Wao Son.
David Snyder Songwriter/Renaissance Man Studio + Fingers
[quote=David Snyder]An erudite and sumptuous performance so befitting the use of the instruments conceived thereto, but having delicate and imperial sensibilities, I found that in spite of the royal splendor, it included five more notes than I could palate, and so I became aristocratically impatient with it towards the end.
Nevertheless, a noble effort, Wao Son.
Sorry, David, but you lost me after "An ..."
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
Really lovely project!!! I had no idea BIAB could do this!!! WONDERFUL!!! Take care. Greg
Thanks, Greg. As I've only been producing instrumentals with BiaB - long story short, where I live I'm unable to record anything that I can't do with headphones alone - what I've found, though seemingly obvious is little touched on, which is that the bedrock for any song and particularly for instrumentals is the chord structure. With BiaB one can't instruct the musicians what to play or how to play it, so once I have an idea about what I want to do I obviously start with the chord structure, but I then I have to try as many different samples out as I can - one new piece I'm working on required my collecting 59 samples to see which worked best, although I'll probably only end up using 12 or under, but so far it's not working as I hoped using only 11 selected samples as the chord structure doesn't have the right dynamic. The next key thing once one has the right structure and the best samples is arranging the piece and this is where the excellence of BiaB as a creative tool is demonstrated. BiaB has been close to a life-saver for me. Thanks again for your positive response.
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
I like the way you use the exotic eastern instruments along with the traditional western ones. It is quite an extensive project and an expansive soundscape. Very well done, Tom
I've always believed Asian music has sound that tugs at the heart - emotional and well-disciplined. You did a great job on this. The fluite is special! Great job!!!
I like the way you use the exotic eastern instruments along with the traditional western ones. It is quite an extensive project and an expansive soundscape. Very well done, Tom
Thanks so much Tom!
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
I've always believed Asian music has sound that tugs at the heart - emotional and well-disciplined. You did a great job on this. The fluite is special! Great job!!!
Alan
Thanks, Alan! I agree re Asian instruments. Another beautiful sounding flute is the Indian bansuri, which I'd like to see in BiaB.
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
Calming and beautiful, I enjoy hearing those Chinese instruments in BIAB used in competent hands. The story moves on gently and the sound effects add realism, feeling that I'm witnessing a lovely ceremony somewhere in Asia.
Calming and beautiful, I enjoy hearing those Chinese instruments in BIAB used in competent hands. The story moves on gently and the sound effects add realism, feeling that I'm witnessing a lovely ceremony somewhere in Asia.
Janne
Thanks Janne! I never considered a cermony as I was fixated on the character of Quan Yin, but you're right.
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
Instrumentally very rich composition. It's pleasant and relaxing. The mix is excellent as well as the melodic lines I appreciated. well done.
Jani
Thanks Janni. Thanks for listening and I'm very pleased you enjoyed it.
Some favourite Waoist Adages: #1: Play on the Way. #17: Ask not for whom the flower blooms, it blooms for you. #69: Bring consciousness to it. #74: On the road to effortlessness, effort must be made. #105: Be Love Now, the rest will come on its own.
Thank you very much for inviting me to this work. Currently, Western music is the mainstream in Japan too, so I myself am not so familiar with traditional Japanese music or Chinese music. However, I still have the opportunity to listen to them sometimes, so I would like to comment on your song based on that knowledge. First of all, I thought it is a very ambitious work. I think it's well done and I can feel the Chinese atmosphere everywhere. However, it's a bit disappointing that when violins, violas, organs appear, they carry Western atmosphere to the song. I think it would be a good idea to play a Chinese scale melody with MIDI instruments without using RealTracks. Although it is a long piece, it is a wonderful instrumental piece that will keep my attention until the end. And the video is also great. Enjoyed my listen and watch a lot.
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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