Generally, I love the new features in BIAB 2014. As in most years, PG Music has made the upgrade worthwhile to me. However, it is still difficult to handle quarter note and sixteenth note triplets in even styles and they don't print at all. I have read the multitudes of posts about this, but it still hasn't been addressed (to my knowledge) in any of the upgrades over the years. I get it that it must be complicated programming and that BIAB is not primarily notation software, but puleeeese make this a priority for an upgrade real soon.
Hi Tenorman Could it be improved? Probably. But, it's not that hard to do once you get the hang of it. 8th notes or 16th notes included 1: Set the Stave into Editable Notation mode, then right-click on the timeline (above the stave). 2: The Beat Resolution dialog is displayed, then just set the resolution you want for that beat. 3: The notation is displayed according to those settings:
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
Hey that's interesting, but how'd you do that with the 16th note triplet (B C C#)? What beat resolution did you use, and did you have to change the tick offset to get it correct? I've never been able to get biab to notate it correctly; quarter note and 8th note triplets are no problem, just 16th trips. - Bob
Thank you, VideoTrack, but I just tried it and I can't make it work. Here is what I did: using an even style (4 resolution), I input sixteenth notes. Then, as you suggested, I changed the beat resolution to 3. I got triplet eighth notes. I can't figure out how to input the sixteenths so that they remain when I change the resolution. Plus, I can't get quarter note triplets at all. I feel like a total dunce about this. You obviously were able to make it work, given your examples. What am I missing?
Thank you, VideoTrack, but I just tried it and I can't make it work. Here is what I did: using an even style (4 resolution), I input sixteenth notes. Then, as you suggested, I changed the beat resolution to 3. I got triplet eighth notes. I can't figure out how to input the sixteenths so that they remain when I change the resolution. Plus, I can't get quarter note triplets at all. I feel like a total dunce about this. You obviously were able to make it work, given your examples. What am I missing?
Thanks JazzWombat and Tenorman,
Please don't anybody feel like they can't cut it. It's actually not that easy. I don't think that you can do it using the bar / beat time signature option, even with micro resolution (which only gets down to the beat level).
I recalled some material I had recorded via midi, remembering that the score required a trill played as 16th note triplets leading into the next bar. So I found the chart, which had the 16th note triplets, and I then experimented on and changed to 1/8th note triplets using the beat resolution. That worked OK.
However, the only way I could get 16th note triplets to display was to actually record them (midi).
So I started to examine the midi data, and I then copied it by performing a step entry and managed to get the same result (16th triplet), also shown below.
So the answer as far as I am aware is: BiaB currently does not allow 1/16th note triplet notation resolution by editing the bar beat (the same way that 1/8th notes can be done). But, you can either play and record 16th note triplets, or edit the note positions and cause the display to show 16th note triplets. Be aware that the note duration is also critical for this to work.
Is this ideal? Probably not. Back to TenorMan's question: IMHO it would be much better if there was a proper method to set triplets display. This might be done if BiaB allowed micro-resolution at something less than 'beat' level.
In the meantime, maybe this workaround can be used. (But +10 to Tenorman's suggestion)
Regards to all Trevor
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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