|
Log in to post
|
Print Thread |
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 11,267
Veteran
|
OP
Veteran
Joined: Aug 2012
Posts: 11,267 |
Years ago, I lived south of Philly. (Jersey, actually, but don't admit that). Music related trips to north of the city involved the Lindenwold High Speed Line, the Philadelphia subway and buses. It's how you get around in the city. On one particular trip, during a garbage strike, I watched a young couple on a bus pointing out things to each other. Wide-eyed, whispering to each other, omg look at that!, checking the schedule... I decided to document the trip... Janice helps me out on this (I think she had fun on this one) Thank You, Janice and Bud, ...again! BIAB helps a country boy do some city music... RealTracks in song: ~~770:Bass, Acoustic, Jazz Sw 110 (B:walking) RealTracks in song: 1955:Sax, Alto, Soloist TexasBluesRockSlow12-8Mark Sw 060 RealDrums in style: JazzBrushes: a: Brushes Swirling b: Brushes Busier IN THE CITY old men eye the young girls an old woman guards her purse bus drivers can't be civil but haven't we all seen worse drunks sleep it off wherever blind men beg for change but nothing ever changes you get wet standing in the rain a lot of things don't matter in the city but don't you worry your bleeding heart it gets easier not to care the unions want more money the police want 'em out of the street once in a while the push and shove will knock you off your feet spray paint on the subway walls mr. cool, sly, little joe vacant buildings have no windows if they ask, well, you don't know a lot of things don't matter in the city but don't you worry your bleeding heart it gets easier not to care runaways in the alleys all they own in a paper sack if they don't like what they find here tell them to go back sure you'll see some hookers and you'll see a crime or two the cabbies don't care if they run you down but there's nothing i can do a lot of things don't matter in the city but don't you worry your bleeding heart it gets easier not to care Have at it. floyd
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2009
Posts: 9,129
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 9,129 |
You're talking bout my stomping grounds..... South Jersey. Born in Maple Shade, lived in Burlington and then after my father died, we moved to Lindenwold. I went to high school in Pine Hill which was the Lindenwold district. I lived in Lindenwold for several years before leaving home at 19 to join the service. I rode that line a few times when it was absolutely necessary to go to 8th street music. I hated the city of Philly. I'm so glad I got out of Jersey and do not plan to ever go back there.
So... what town did you live in up there in that concrete jungle?
Oh yeah... the song.... kudo's for breaking out of the country genre and giving it a good shot. I like the backing tracks pretty good for that style of Jazz.
I'll say this about the vox.... you sing well, but I'm thinking that this is a bit out of your comfort zone and it ends up being too "clean" if you know what I mean. Your country roots want to come out and that's a jazz song....
Cool tune and well done.
Last edited by Guitarhacker; 04/11/14 10:36 AM.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but you can't do both.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Oct 2008
Posts: 18,441
Veteran
|
|
Veteran
Joined: Oct 2008
Posts: 18,441 |
Hi floyd, Ok. I've picked myself up off the floor now. I was not at all prepared for how different this was going to be from your usual songs. In addition, Janice just continues to surprise me more and more and more. At first I was speechless. Then I had a shot of vodka  This song is amazing, awesome, outstanding!!! I reckon if Pat Marr has his WOW-o-meter in action when he listens, it will shoot off the scale. I don't know too much about jazz from the latter end of the 1950s and into the early 60s but "In The City" reminds me of that period of music. The walking bass and the solo sax certainly have overtones of Henry Mancini. Firstly, a huge, HUGE round of applause to Janice and you for singing so brilliantly against such a minimalistic backing. With my limited singing skills, I can only sit back and admire such an amazing ability. In addition, I really loved the harmony between the two of you, and the power in your voice is not something that I've heard quite so 'out there' before. The scat singing interplay between Janice and you at the end was a perfect fit and very skilfully done. I've never been able to write an AAA form song. I've listened and read about songs such as "By The Time I Get To Phoenix", "Scarborough Fair", etc., but it doesn't help. AAA is just not a form that sits comfortably with my head. Now that you've set the bar for me, I'm determined do it at least once in my life! For me, the the most outstanding aspect of these lyrics is how you throw caution to the wind and leave the last few lines (i.e the refrain) dangling without rhymes. How inspired is that! If you were a painter, that type of brushstroke is definitely more like Picasso than Rembrandt. Your lyric movement through its rhyme scheme is well worth noting. The first two A-sections are xaxaxbbbxxx while the third A-section is slightly different with xaxabbxxxxx. The lack of resolution that accompanies the non-rhyming lines that end each verse really made me stop and think about what you were saying. To my mind, that's perfect prosody for the lyric content. That the third A-section closed with 5 non-rhyming phrases was, to my way of thinking, an outstanding method of verse development through lyric movement (in addition to lyric content). I've never tried this. You've really piqued my interest! Overall ... just wow! (as I've heard someone else say on this forum) Ok ... one more play and a third shot of vodka - it's that kind of music. I'm so glad that Janice and you assembled this song. You've given me a tonne (we're metric in Australia) of ideas. All the best, Noel
MY SONGS...Audiophile BIAB 2024
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 3,310
Veteran
|
|
Veteran
Joined: Dec 2011
Posts: 3,310 |
Hi Floyd.
Pressure of work is still keeping me off the forum pretty much these days, but I gotta find time to respond to this one.
I think it was very brave of you to run with such minimalist instrumentation - it's never easy to get that sort of backing working, but you've achieved it magnificently. The track is full of atmosphere and most importantly, it suits the mood of the lyrics. I love the way the sax gets busier as the song progresses. It's a clever way of building the tension without increasing the instrument count.
Singing - wonderful by you both.
Mix - Yes, I put it up on the Tannoys and cranked it and it sounded great. The mix seems fairly dry and in-your-face, which gives it lots of punch and clarity. Made it sound very intimate, which I liked.
Is there anything I can find to critisize? Having said I like the dryish mix, I might have put a sprinkling of reverb on the sax to sweeten it a bit. At times it felt a little too far forward, but at that I'm having to look really hard to find something.
Really nice to hear you venture out of your routine with this one. More please.
ROG.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Apr 2010
Posts: 5,139
Veteran
|
|
Veteran
Joined: Apr 2010
Posts: 5,139 |
Wow. Beatnik Jazz. Like it. Don't know how this is gonna fit in on the next bootleg CD though.  Way cool Daddyo. Regards, Colonel Parker
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 11,267
Veteran
|
|
OP
Veteran
Joined: Aug 2012
Posts: 11,267 |
You're talking bout my stomping grounds..... South Jersey. Born in Maple Shade, lived in Burlington and then after my father died, we moved to Lindenwold. I went to high school in Pine Hill which was the Lindenwold district. I lived in Lindenwold for several years before leaving home at 19 to join the service. I rode that line a few times when it was absolutely necessary to go to 8th street music. I hated the city of Philly. I'm so glad I got out of Jersey and do not plan to ever go back there.
So... what town did you live in up there in that concrete jungle?
Oh yeah... the song.... kudo's for breaking out of the country genre and giving it a good shot. I like the backing tracks pretty good for that style of Jazz.
I'll say this about the vox.... you sing well, but I'm thinking that this is a bit out of your comfort zone and it ends up being too "clean" if you know what I mean. Your country roots want to come out and that's a jazz song....
Cool tune and well done. Lived in Lindenwold. '78-'79 as best I can recall. I had been in a duo. My partner moved to Philly and had some dealings with Cashman and West (Croce's producers - and a duo themselves - they were in Philly) - they showed interest in working with us - so we (my wife and I) moved there as well. That all fell apart, though... My avatar was taken at a park somewhere in Clementon. I went to Google Maps to "walk down" the White Horse Pike to see if I recognized ANYTHING. The pictures were taken at NIGHTITME! Who's brilliant idea was that?
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2011
Posts: 3,956
Veteran
|
|
Veteran
Joined: May 2011
Posts: 3,956 |
I was seriously not expecting that. Fearless! Just when I thought I had you pigeonholed you fly the coop. I guess it's easy to step outside the box with biab. The mood quickly put me into a state of mind that was real citified. I got the same feeling as I did when I used to stay up late at night during high school and watch those old black and white movies with Sal Mineo. Always set in the tenaments of the lower east side of Manhattan. I like the idea of you shaking it up to see what might fall out. Great lyrics. I dig the scatting in the end with Janice. Nice job guys. Cool man cool.
Tom
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2010
Posts: 1,719
Expert
|
|
Expert
Joined: May 2010
Posts: 1,719 |
Had to listen 3 times to this one. 'Nothing changes. You get wet standing in the rain'. Beginning reminds me a little of 'Fever'. Sax comes out so nice. Great lyrics and adventurous vocals. Unrestrained feel to a cruisy ending. Yippee! Cheers.
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Mar 2013
Posts: 4,430
Veteran
|
|
Veteran
Joined: Mar 2013
Posts: 4,430 |
Hi, Floyd !:))
What a step outside the country box indeed !!!:))
I am not surprised, in fact I know that
such brilliant musicians as you and Janice
can do most genrés as easy as that !:))
I hope you will continue on your journey
outside the box and do some more exploring ?:))
I enjoyed this truly much !:))
Cheers
Dani
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2012
Posts: 2,859
Veteran
|
Veteran
Joined: May 2012
Posts: 2,859 |
Hi Floyd and Janice
Well that was certainly unexpected. This is what makes this forum so great. Just when you think you've got everybody waxed something like this comes along and knocks you down to size.
I love the ending "Zum Zum..."etc. Sounds like a subway train. Well sung guys. Love the simple arrangement with only 3 tracks and simple backing vocals.
Last edited by JosieC; 04/12/14 07:22 AM.
FREE for life version of LyricLab (LyricLabLite) now available. No credit card. No email. No catch. Use it and enjoy! https://lyriclab.net
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Jun 2012
Posts: 2,888
Veteran
|
|
Veteran
Joined: Jun 2012
Posts: 2,888 |
Hi Janice and Floyd,
really different. The arrangement transported the
mood of the lyrics very well.
My vocaloids applauded when they heard you two
scatting in the end.
That is something special. After listening to your
song I'm sure I don't want to live in Philadelphia.
Guenter
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: May 2008
Posts: 366
Journeyman
|
|
Journeyman
Joined: May 2008
Posts: 366 |
Floyd and Janice:
This has a very cool vibe to it and I like what Janice's vocal add to it.
Nice Job.
John
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 11,267
Veteran
|
|
OP
Veteran
Joined: Aug 2012
Posts: 11,267 |
Hi floyd, Ok. I've picked myself up off the floor now. I was not at all prepared for how different this was going to be from your usual songs. In addition, Janice just continues to surprise me more and more and more. At first I was speechless. Then I had a shot of vodka This song is amazing, awesome, outstanding!!! I reckon if Pat Marr has his WOW-o-meter in action when he listens, it will shoot off the scale. I don't know too much about jazz from the latter end of the 1950s and into the early 60s but "In The City" reminds me of that period of music. The walking bass and the solo sax certainly have overtones of Henry Mancini. Firstly, a huge, HUGE round of applause to Janice and you for singing so brilliantly against such a minimalistic backing. With my limited singing skills, I can only sit back and admire such an amazing ability. In addition, I really loved the harmony between the two of you, and the power in your voice is not something that I've heard quite so 'out there' before. The scat singing interplay between Janice and you at the end was a perfect fit and very skilfully done. I've never been able to write an AAA form song. I've listened and read about songs such as "By The Time I Get To Phoenix", "Scarborough Fair", etc., but it doesn't help. AAA is just not a form that sits comfortably with my head. Now that you've set the bar for me, I'm determined do it at least once in my life! For me, the the most outstanding aspect of these lyrics is how you throw caution to the wind and leave the last few lines (i.e the refrain) dangling without rhymes. How inspired is that! If you were a painter, that type of brushstroke is definitely more like Picasso than Rembrandt. Your lyric movement through its rhyme scheme is well worth noting. The first two A-sections are xaxaxbbbxxx while the third A-section is slightly different with xaxabbxxxxx. The lack of resolution that accompanies the non-rhyming lines that end each verse really made me stop and think about what you were saying. To my mind, that's perfect prosody for the lyric content. That the third A-section closed with 5 non-rhyming phrases was, to my way of thinking, an outstanding method of verse development through lyric movement (in addition to lyric content). I've never tried this. You've really piqued my interest! Overall ... just wow! (as I've heard someone else say on this forum) Ok ... one more play and a third shot of vodka - it's that kind of music. I'm so glad that Janice and you assembled this song. You've given me a tonne (we're metric in Australia) of ideas. All the best, Noel Noel - SO glad that you got to this one... and glad to knock you out of your chair and leave you speechless - always love your descriptions...and, hey... you had a few shots... a good weekend... A lot of the vocal "just happened". The style is actually based on stuff that Tom Waits does... but, I did not want to do a "Waits impression"... however, there were a couple of times that my throat got dry and I almost gargled - and it came out like that anyway - so I left it... The scatting at the end sort of "just happened" and I thought "it would be great to have Janice do a counter to this"... The AAA form just seemed a natural fit for the subject and the idea I had for the song from the start - you can think of it as 3 verses and 3 choruses with a very short chorus - it just kind of bolts on to the back end of the verse. Love that you referenced "By The Time I Get To Phoenix" - I'm sure you recall, I "grew up" on Glen - and, therefore, Jimmy Webb... Thanks so much for a review as entertaining as any song...
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 7,351
Veteran
|
|
Veteran
Joined: Dec 2011
Posts: 7,351 |
Cool tune. Very jazzy loved the bass run in the background was very cool. Excellent singing and playing
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2013
Posts: 6,842
Veteran
|
|
Veteran
Joined: Dec 2013
Posts: 6,842 |
Hi Floyd, or is this really Floyd's twin brother, Lloyd, the urban Jane, the Yin to Floyd's yang?? In all seriousness, this is a very cool song. Loved the unique arrangement-the boys in the box really felt the song (funny how that just happens sometimes). Cool feel, cool lyrics, and great vocals by both of you!! Rumor has it, Janice will be debuted on "THE VOICE" next season. Great work, both of you! Take care. Greg
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2013
Posts: 6,842
Veteran
|
|
Veteran
Joined: Dec 2013
Posts: 6,842 |
BTW Floyd, since your a Jimmy Webb fan, I'm guessing you know the "Cry like a rainstorm" CD by Linda Ronstad? Four beautifully sung Webb classics. If you don't know it, I'm sure you'd dig it. Take care. Greg
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Dec 2011
Posts: 13,586
Veteran
|
|
Veteran
Joined: Dec 2011
Posts: 13,586 |
I love this song and loved singing my part. If I'd had a black beret I would've worn it while singing. You painted a picture so real that it scared me and I agree with others that the sax made It come alive. Also, the beginning of your scat singing makes me smile with anticipation with every listen. In my next life I'm gonna be Ella. Janice
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 11,267
Veteran
|
|
OP
Veteran
Joined: Aug 2012
Posts: 11,267 |
I think it was very brave of you to run with such minimalist instrumentation - it's never easy to get that sort of backing working, but you've achieved it magnificently. The track is full of atmosphere and most importantly, it suits the mood of the lyrics. I love the way the sax gets busier as the song progresses. It's a clever way of building the tension without increasing the instrument count.
Singing - wonderful by you both.
Mix - Yes, I put it up on the Tannoys and cranked it and it sounded great. The mix seems fairly dry and in-your-face, which gives it lots of punch and clarity. Made it sound very intimate, which I liked.
Is there anything I can find to critisize? Having said I like the dryish mix, I might have put a sprinkling of reverb on the sax to sweeten it a bit. At times it felt a little too far forward, but at that I'm having to look really hard to find something.
Really nice to hear you venture out of your routine with this one. More please. ROG.
ROG - Thanks for all of that. I'm quite pleased that you picked up on exactly what I tried to do with this... the sax part was "designed" to reflect what was happening in the lyric as it progressed - getting increasingly more "chaotic" as the city gets grittier... I wanted you to feel like you were being "accosted" by the sax as the lyrics says "..the push and shove..." - and to scream like a siren towards the end... I've wanted to do something like this for quite some time... and this seemed like the right lyric to carry it. I did, in fact, work with the reverb on the sax - it was a very fine line - any more seemed like "too much" very quickly... Appreciate your in-depth look at this...
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 11,267
Veteran
|
|
OP
Veteran
Joined: Aug 2012
Posts: 11,267 |
Wow. Beatnik Jazz. Like it. Don't know how this is gonna fit in on the next bootleg CD though. Way cool Daddyo. Regards, Colonel Parker Colonel Bob - I had that same thought - this just won't fit... may have to be a Bonus Track - maybe just the first 50,000...
|
|
|
|
|
|
|
|
|
|
|
|
|
User Showcase
|
Joined: Aug 2012
Posts: 11,267
Veteran
|
|
OP
Veteran
Joined: Aug 2012
Posts: 11,267 |
I was seriously not expecting that. Fearless! Just when I thought I had you pigeonholed you fly the coop. I guess it's easy to step outside the box with biab. The mood quickly put me into a state of mind that was real citified. I got the same feeling as I did when I used to stay up late at night during high school and watch those old black and white movies with Sal Mineo. Always set in the tenaments of the lower east side of Manhattan. I like the idea of you shaking it up to see what might fall out. Great lyrics. I dig the scatting in the end with Janice. Nice job guys. Cool man cool.
Tom Tom - Glad this transported you to another place and time... you've been going in some interesting directions lately - just trying to keep up...
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
RealBand 2024 is Here!
There are over 30 new features to RealBand 2024, including 256 available tracks, 32 VSTi/DXi synth instances, modern color scheme for some windows, Playable RealDrums support, new arrow buttons to change the current time, chord symbols to display in the Track window, 48 tracks to display in the Mixer, the ability to hide any extra masters or auxes in the Mixer, improved handling of VU levels in the Track window, better VU levels display when recording to mono tracks, song preview in the StylePicker, the ability to initiate track generation from the StylePicker, and much more!
RealBand 2024 is included with all Band-in-a-Box 2024 for Windows orders - and our 2024 upgrades are ON SALE until December 31st! Until then, save up to 50% - upgrade for as little as $49!
Check out our Band-in-a-Box® packages page for all the purchase options available.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2024 for Windows is Here!
Band-in-a-Box® 2024 for Windows is here with over 50 new features and an amazing collection of new content, including 222 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 3, Playable RealDrums Set 2, two new sets of “RealDrums Stems,” XPro Styles PAK 6, Xtra Styles PAK 17, and more!
We're having a SALE on Band-in-a-Box® 2024 Upgrade purchases until December 31, 2023 - save up to 50% when you purchase your Band-in-a-Box® 2024 for Windows Upgrade!
We've packed our Free Bonus PAK & 49-PAK with some incredible Add-ons! The Free Bonus PAK is automatically included with most Band-in-a-Box® for Windows 2024 packages, but for more even more Add-ons (including 50 Unreleased RealTracks!) upgrade it to the 2024 49-PAK for only $49. You can see the full lists of items in each package, and listen to demos here.
Check out our Band-in-a-Box® packages page for all the purchase options available.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2023 for Mac is macOS Sonoma Compatible!
We're over the moon to announce that the latest Band-in-a-Box® 2023 for Mac Build 707 is compatible with macOS Sonoma!
Refresh your Band-in-a-Box® 2023 for Mac today with this free update to resolve visibility of notation in the Notation Window, apply smoother use of notation features, update to the Drums VU meter, and add the newest version of the DAW Plugin (5.5.13).
Learn more about Build 707 and download it here.
The Band-in-a-Box® 2023 for Mac German, French, and Italian language patches have also been updated with Build 707! Download your Build 707 language patch here.
Revisit: Eyes on Success featuring PG Music Inc., Band-in-a-Box®, and the Updated JAWS Script
In the past, Eyes on Success featured an episode that discussed our company history and Band-in-a-Box® program with Tobin, our chief development officer, including how Band-in-a-Box® is even more accessible with the help of their JAWS screen reader scripts!
Later on this month, Eyes on Success will be releasing an episode that features Gudrun Brunot talking about her new tutorials about how to use Band-in-a-Box® with JAWS.
It's a great idea to pair the two episodes together!
So, while waiting for their Gudrun Brunot episode, take 30 minutes and to listen to this episode from Eyes on Success. To download and listen to the podcast, use the link www.EyesOnSuccess.net/eos_2344_podcast.mp3
Eyes on Success is a weekly radio show / podcast geared to the visually impaired called "Eyes On Success" and that can be found at www.EyesOnSuccess.net.
Find out more about the show and get links to past episodes at www.EyesOnSuccess.net
Find their podcast on iTunes or use the URL: www.EyesOnSuccess.net/eos_podcast
User Tip: How to add drum fills without changing any other tracks
MarioD has shared some great advice when it comes to adding drum fills without changing any other tracks in your song:
There have been a number of questions asking how to add drum fills without changing any other tracks in a song. This is especially important if one is holding a chord for a few measures and wants to add a drum fill prior to the next chord. The following is how to accomplish that:
1-get the instruments/tracks to play like you want but don't worry about the drums for now.
2-generate the song.
3-freeze all tracks
4-unfreeze the drum track
5-add your fills where you want them
6-generated the song again - note this will only generate the drum track and not the frozen tracks
7- when you get the drums like you want them freeze the track
Have your own program tip to share? Post it on our Tips & Tricks forum!
Review - Band-in-a-Box® 2023 for Windows is Overflowing with Features!
Dennis posted his very thorough Band-in-a-Box® review recently, where he dives into some of the new features added with version 2023: Sound-Guy's Band-in-a-Box Review
Read his thoughts on the Download & Install Manager, partial track regeneration, Playable RealTracks, Audio Editing, the addition of SynthMaster, the VST DAW Plugin, and more!
"Band-in-a-Box continues to be an expansive musical tool-set for both novice and experienced musicians to compose, arrange and mix songs, as well as an extensive educational resource. It is, without negative connotation, a monster of a program. Yet, so is any DAW that I have used. No DAW can do some of the things BIAB does, while BIAB can do a lot that DAWs do."
Band-in-a-Box® Tutorials for Low-vision and Blind Program Users
Our friends at EyesFree_Tutorials have just released their Band-in-a-Box Tutorials, Bundle 2!
Created for low-vision and blind program users, this collection of Band-in-a-Box for Windows tutorials includes 31 audio instruction files and 19 music files for practice, plus help documents. Specific topics include "ABACA, let's make a song form," "Recording melody and lead-in," "Playing and editing: part markers; the handy clipboard. The play function. Search and replace," and more!
Learn more about their new tutorials, and connect with Roy & Gudrun to order the Band-in-a-Box Tutorials, Bundle 2 here.
|
|
|
|
|
|
|
|
|
|
|
|
Forums67
Topics79,951
Posts715,269
Members38,100
| |
Most Online2,537
Jan 19th, 2020
|
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean