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WOW
A complicated piece of work but good to listen to, very good.
I throw in some early Marillion influences into the mix. I really liked this genre in the day.
I look forward to what you produce next.
Alyn
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This, is, without a doubt, my favorite of all the songs I've heard from you.
Lots of "YES" influence in it. Especially with the meter you used and the harmony with layers... I hear other influences in there too but YES was the main one. That's quite a compliment to have a number of folks hearing YES in the music you post.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
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Lawrence, Wow! That's an amazing piece of music and great performance. It reminds me of YES. SD
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Lawrence,
I'm late to the show... but I like it quite a bit. As I've said more than once, you write music that I would pay money for!
I was captured right away by the swirled panning of the synth and by the very unique drum patterns. Regarding the snare roll, there isn't enough velocity difference to keep it from sounding like a machine gun in a few cases... several were totally believable. In my experience, to make a believable snare roll the velocity has to vary a LOT.. from barely audible to 127... but in the context of this impressive project, that is small potatoes!
Your vocals! Wow! I like the layered sound, the way they fade in, and the drone effect you get with your vocals, which complements the sustained synth barrage
The metaphor of stones skipping across a lake (of time) is visually evocative and also an interesting premise
When you sing "you take yours, I'll take mine" I like the way the drums accent the syllables.
You ask what influence we hear: this reminded me quite a bit of those ANIMUSIC videos. (I'm fascinated by them!)
Very ambitious project, and you totally pulled it off! Just ear candy from start to finish.. Whereas a lot songs are hard to listen to all the way through, I don't think I could have pulled myself away from this one for any reason short of a house fire!
You da GruveRider!
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Hi Lawrence
great song
to me expecially at the start, it seems a Peter Gabriel song.
Hello.
Sergio
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Lawrence,
Ain't no pigeonhole for this one! It sounds like music from the Future. Loved it.
Regards,
Bob Music from the future, I like it Thanks Bob
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WOW
A complicated piece of work but good to listen to, very good.
I throw in some early Marillion influences into the mix. I really liked this genre in the day.
I look forward to what you produce next.
Alyn
I'll get back to some of my prog stuff in time. It is a fun genre to work in. Thanks Alyn This, is, without a doubt, my favorite of all the songs I've heard from you.
Lots of "YES" influence in it. Especially with the meter you used and the harmony with layers... I hear other influences in there too but YES was the main one. That's quite a compliment to have a number of folks hearing YES in the music you post. Well it's good to hear that some of my years of listening to YES came through. If this is your favorite I presume that you listened to a fair share of Prog Rock as well. Thank you! Lawrence, Wow! That's an amazing piece of music and great performance. It reminds me of YES. SD Thank you SD, glad you enjoyed it. Lawrence,
I'm late to the show... but I like it quite a bit. As I've said more than once, you write music that I would pay money for!
I was captured right away by the swirled panning of the synth and by the very unique drum patterns. Regarding the snare roll, there isn't enough velocity difference to keep it from sounding like a machine gun in a few cases... several were totally believable. In my experience, to make a believable snare roll the velocity has to vary a LOT.. from barely audible to 127... but in the context of this impressive project, that is small potatoes!
Your vocals! Wow! I like the layered sound, the way they fade in, and the drone effect you get with your vocals, which complements the sustained synth barrage
The metaphor of stones skipping across a lake (of time) is visually evocative and also an interesting premise
When you sing "you take yours, I'll take mine" I like the way the drums accent the syllables.
You ask what influence we hear: this reminded me quite a bit of those ANIMUSIC videos. (I'm fascinated by them!)
Very ambitious project, and you totally pulled it off! Just ear candy from start to finish.. Whereas a lot songs are hard to listen to all the way through, I don't think I could have pulled myself away from this one for any reason short of a house fire!
You da GruveRider!
Thank you very much Pat. I will revisit the mix at some point and I hope to have a decent 7/8 loop to experiment with in the song and smooth out some of the rough edges in the drums. I use to do a lot of vocal harmonizing before I discovered the American Recordings from the man in black then all I wanted to do was try to imitate that super "present" vocal sound from those recordings. I have failed to achieve what I'm after but I'm not going let that stop me. Regarding the "skipping", I don't know if it's necessary for me to point out or if it's obvious that the musical brakes in the song are meant as a musical representation of skipping. Hi Lawrence
great song
to me expecially at the start, it seems a Peter Gabriel song.
Hello. I'm a fan of Gabriel so thank you for that.
Last edited by gruverider; 03/16/15 12:26 PM.
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Powerful and spacey. Sounds early seventies to me and yet still modern. Love the intro. Sorry I missed this one earlier. Rob.
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Powerful and spacey. Sounds early seventies to me and yet still modern. Love the intro. Sorry I missed this one earlier. Rob.
Thanks for your comments and for taking a listen Rob.
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Regarding the "skipping", I don't know if it's necessary for me to point out or if it's obvious that the musical brakes in the song are meant as a musical representation of skipping.
I didn't catch that on my own, but I love it now that you've made me aware of your intent! You are a very creative song writer... full of surprises!
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I didn't catch that on my own, but I love it now that you've made me aware of your intent! You are a very creative song writer... full of surprises!
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Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
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User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
Band-in-a-Box® 2024 German for Windows is Here!
Band-in-a-Box® 2024 für Windows Deutsch ist verfügbar!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
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Update Your PowerTracks Pro Audio 2024 Today!
The Newest RealBand 2024 Update is Here!
The newest RealBand 2024 Build 5 update is now available!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
This free update is available to all RealBand 2024 users. To learn more about this update and download it, head to www.pgmusic.com/support.realband.htm#20245
The Band-in-a-Box® Flash Drive Backup Option
Today (April 5) is National Flash Drive Day!
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
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Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
Learn more about this free update for Band-in-a-Box® 2024 for Windows at www.pgmusic.com/support_windowsupdates.htm#1111
Band-in-a-Box® 2024 Review: 4.75 out of 5 Stars!
If you're looking for a in-depth review of the newest Band-in-a-Box® 2024 for Windows version, you'll definitely find it with Sound-Guy's latest review, Band-in-a-Box® 2024 for Windows Review: Incredible new capabilities to experiment, compose, arrange and mix songs.
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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