Previous Thread
Index
Next Thread
Print Thread
Go To
Recording, Mixing, Performance and Production
Joined: Aug 2009
Posts: 2,848
Veteran
OP Online Happy
Veteran
Joined: Aug 2009
Posts: 2,848
Hi folks,

I am always amazed when listening to some of my favourite country artists how smooth their finished recording is, to be honest the loudness impresses me too, and how everything fits so nicely together.

Just wondering from the point of view of plugins what kind do you usually use on each track on the mix, whether inserts or sends, or it usually better to have as little plugins as possible applied when dealing with realtracks?

Probably what I am asking is, though each song can be different is there usually a set standard of plugins such as reverb sends, or compression that are generally used when mixing country music, especially realtracks vocals etc?

I do have ozone and some of the presets do bring up the finished mix a lot as regards mastering but overall I find my mixes are a a million miles off from what I would like them to sound.

Thanks for any pointers.
Musiclover



Last edited by musiclover; 03/22/15 01:34 PM.

Musiclover

My music https://www.youtube.com/user/donegalprideofall

Windows 10 (64bit) M-Audio Fast Track Pro, Band in a Box 2024, Cubase 13, Cakewalk and far too many VST plugins that I probably don't need or will ever use smile
Recording, Mixing, Performance and Production
Joined: Jan 2002
Posts: 7,913
R
Veteran
Offline
Veteran
R
Joined: Jan 2002
Posts: 7,913
1. High pass filter, with cutoff set by ear. I also use the built-in filter on my vocal mic.

That's it. That's the only plugin I use on every track, in my template, etc.

I don't do country all that often - but I think you'll find this basic plugin, EQ 'trick' pretty commonplace. One instrument where you wouldn't necessarily expect the cutoff to be set fairly high is acoustic guitar. But for rhythm acoustic, you can set the cutoff way higher than expected if there are other instruments also providing a rhythm bed like acoustic piano. Try going at 1kHz and above while you are listening to your whole mix.

Recording, Mixing, Performance and Production
Joined: Apr 2009
Posts: 9,326
Veteran
Offline
Veteran
Joined: Apr 2009
Posts: 9,326
Most often, I leave the track FX bin empty. I will use the FX in the buss more often than not. For example if I have 5 vocal tracks the tracks themselves are often un-effected..... but they all get sent to a buss where the fx are plugged into the FX bin.

I will only use a plug in when I think it is needed. Less is more.

Generally:

Drums: I use a custom Para-Q to accentuate
Piano: I use a custom Para-Q to brighten
Bass: I use a custom Para-Q to fatten and punch

These are to put some spark into the BB/RB raw tracks that can sound a bit drab in their natural state.

From there, it's simply a matter of listening to the tracks and deciding what, if anything, they need. Never add any FX just because someone told you that you need this or that you read in a book where the writer said it's a "good idea" to do this or that to a given track.

Mostly, you will be working with 3 things. Compression, EQ, and reverb. Proper understanding of these and what they do is essential to a good mix. Getting a good mix that sounds professional is a combination of how well you can use those 3 plugs PLUS the balance in the mix which involves the levels, automation, and the quality of the recordings of the original tracks. When all those things come together, you have some professional sounding work on your hands.

Ozone kinda makes the plug in thing easier. With it's presets, and all the modules in one place, getting that part close is easier. However, you still need to know and understand the inner workings of what happens when you crank a knob one direction of the other. It's easier to screw things up with Ozone than it is to perfect them.

With my projects, I insert Ozone in the master buss right from the beginning of the project. That way, as I add tracks and when I use EQ in a track, the relationship between the new EQ and the Ozone EQ is co-dependent and I can adjust as I need as I progress through the project. Essentially, I am doing my final mixing as I record each new track, from the POV of EQ, and reverbs, and compression. If you do it the other way around, as I have done in the past...adding Ozone in the last final mix stage, you will often have to go back into the various tracks to adjust and tweak the EQ and compression, and reverb levels in them since they are mixed a bit heavy. The way I do this avoids that problem. Of course, both ways are perfectly acceptable. Bring this topic up in a recording forum and you can easily start WW3.

As far as how smooth and professional sounding a major artist's music sounds......they have the best live musicians, they record in an acoustically treated room, they have engineers who have forgotten more than you and I will probably ever know about sound, and they send the final product to a professional mastering house where again..... they have the best folks in the business, mastering on the top of the line gear in treated mastering rooms.... Kinda hard to get that level of quality of sound in our bedroom and living room home studios. It's possible to get closer than ever before because of the advances in technology that we have at our fingertips....

However.... having said all that......

The biggest part of this equation is US.... and what we know, and how we can apply what we know, to get the most professional sound possible given the circumstances we work in. That expertise doesn't happen overnight. It takes time and dedication, and a willingness to work hard and learn.

Quote:

I do have ozone and some of the presets do bring up the finished mix a lot as regards mastering but overall I find my mixes are a a million miles off from what I would like them to sound.


A thought and some questions on that statement. Ozone, to me, is a useful tool. It's called a mastering suite, and it polishes the mix up a bit and makes it sparkle. Nothing wrong with that. However... If you're using a preset and perhaps tweaking it a bit, is that really mastering or simply providing some ear candy.... some polish?

As far as the mixes being a "million miles off"..... is it truly the mix that is the issue, or is it the tracks are not expressing what you were hearing in your head? Both are solvable problems but neither one is an easy fix.


See my final signature line.

Last edited by Guitarhacker; 03/23/15 02:47 AM.

You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.
Recording, Mixing, Performance and Production
Joined: Dec 2011
Posts: 14,083
Veteran
Offline
Veteran
Joined: Dec 2011
Posts: 14,083
- I use the EMT 140 plate reverb sim for nearly all of my tracks that need reverb. It is included in Ozone's Nectar 2 and is a heckuva reverb -- one that a lot of bands have used for their sole reverb. If needed I will also use Nectar's compression, EQ, delay, etc., modules. Although Nectar 2 is primarily for vocals it's many effects modules are quick and detailed enough for general use. I have a custom template for drums, one for acoustic bass, one for electric bass, one for acoustic guitar, etc.

- For vocals I have several custom Nectar 2 templates that I use depending on the situation and I will typically modify them a bit each time.

- On electric guitar RT's that allow it I render the track using the Direct Input option and then add my own amp sim/stomp box from Logic Pro.

After the mix is very close to finished and never before I use Ozone 6 for mastering. I start with my own template and modify based on what I hear.



And a huge FWIW!








Last edited by Janice & Bud; 03/23/15 08:19 AM.
Recording, Mixing, Performance and Production
Joined: Aug 2009
Posts: 2,848
Veteran
OP Online Happy
Veteran
Joined: Aug 2009
Posts: 2,848
Thank you all very much for your very helpful replies, definitely a lot of food for thought in all the replies.

I hope to try out some of the ideas that you have given me.

Probably if I ever do get one of my songs to sound good mix wise a bit of luck will be involved as well.

Just trying out the Behringer truth 2030 monitors for the first time since I got them a few months ago, so hopefully that might help as well.

Thanks very much again.
Musiclover


Musiclover

My music https://www.youtube.com/user/donegalprideofall

Windows 10 (64bit) M-Audio Fast Track Pro, Band in a Box 2024, Cubase 13, Cakewalk and far too many VST plugins that I probably don't need or will ever use smile
Recording, Mixing, Performance and Production
Joined: Dec 2003
Posts: 20,821
Veteran
Offline
Veteran
Joined: Dec 2003
Posts: 20,821
I suggest that you subscribe to The Recording Revolution:
http://therecordingrevolution.com/blog/

Graham provides a ton of information and tips on plugins as well as other recording techniques.


I want my last spoken words to be "I hid a million dollars under the........................"

64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
Recording, Mixing, Performance and Production
Joined: Aug 2012
Posts: 11,694
Veteran
Offline
Veteran
Joined: Aug 2012
Posts: 11,694
Hi, musiclover...

I think your question has been a bit misinterpreted... I don't think you were asking "is there a plugin you use on every track?".. but "what is a typical plugin for the tracks that you do use?"...

What DAW are you using? Knowing that, folks might be able to suggest plugins that come with the DAW... for example, I use Presonus Studio One Professional. It has a preset FX chain defined called "S1 Drumgroup" which is designed specifically for something like what RealDrums are - all the drums in a single track. It includes a multiband compressor (as herb noted) and an EQ. Often, that is all I have on my drum track - it adds some nice "pop".

The bass track depends on which RealTrack bass and what type of song. But typically, I little compression and a little EQ - a bump at the low end and a notch drop around 500Hz.

Acoustic guitars - Most often, I don't do much to them - maybe add an EQ plugin to cut out some lows. I typically leave the reverb that BIAB applies to them. I seldom add a reverb to any RealTracks other than what "comes with it".

Pianos - I do remove the BIAB reverb from the pianos - it always seems excessive to me (you can add it back in your DAW if you need to). I also leave the piano centered in most mixes. The piano to one side always sounds unnatural to me.

Electric guitars - sort of depends on the song and the sounds you are looking for, but usually you can't go wrong just leaving them exactly as they come out of BIAB.

It is easy to mess stuff up by adding plugins to RealTracks. They work well as is, generally speaking.

Do a mix using RealTracks as they come out of BIAB and post it in the Showcase explaining exactly that and ask "What needs tweaking?"

There is a lot of experience here that could give suggestions from there. The best thing to do is learn a step at a time. There is no "one size fits all"....


Recording, Mixing, Performance and Production
Joined: May 2000
Posts: 21,641
Veteran
Offline
Veteran
Joined: May 2000
Posts: 21,641
Drums:
Multicompressor and EQ (or just compressor and EQ) almost always end up on drum tracks. When said tracks are separate for each drum, this may vary wildly including enhancers and such. Usually drums get their own reverb since the 'universal' settings in a buss for all tracks often does not fit well.

Bass - Find the right bottom frequency and cut below, and above to narrow it, also a boost around 2kHz on bass makes it present and real. The string noise/buzz/fret noise all get a little help here. As Mac used to say; a solo'd bass track should sound like someone is working on a buick..

Acoustic guitars get various treatments here depending on the track. Could be just EQ/Reverb or sometimes enhancer, compression, or amp sim may come into play.

Pianos - I often separate the two piano tracks so I can better define where they sit in a mix. May work better to have the right channel at 3 o'clock ad the left channel at 1 o'clock if the piano is meant to be off to one side in a mix. This is hard for some people to grasp (the ones that say 'just use the pan on the stereo track' .. there's a difference, which may be why floyd jane commented it seems weird if not centered)

Electric guitars - depends on track, but buss reverb, eq, even a different amp sim is sometimes used here.

Vocals:
Almost always compression and EQ range defined (bottom cut), maybe slight tuning, reverb and additional EQ .. sometimes preamp emulators or tube emulators. Rarely enhance/exciter in moderation.

There are so many tools, it's a lot of the fun experimenting.
When mixing try to give each part it's place both in panning and the EQ range it focuses on. Try to keep bass drum and bass guitar out of each others way. Try to not allow electric guitar bottom end to muddy things. Think about the vocal first and keep it clear; make everything else work around it (this is the problem with guitar players trying to mix - grin)
Lots to think about but always fun.


Make your sound your own!
.. I do not work here, but the benefits are still awesome
Recording, Mixing, Performance and Production
Joined: Jan 2002
Posts: 7,913
R
Veteran
Offline
Veteran
R
Joined: Jan 2002
Posts: 7,913
Take a look at any reputable mixing desk and you will get an idea of what mixing engineers have sort of demanded as 'the basics' for per channel needs.

You will almost undoubtedly find:

1. High pass filter, with adjustable cutoff on fancier desks.
2. Parametric EQ of some flavor, including shelving capability on fancier desks.
3. Phase inversion switch

More 'fancy' strips will include some basic compression, some of which have become famous.

I also have a bus setup for delay and behind that for reverb. These are post fader btw.

But the only thing I absolutely use on EVERY channel is the high pass filter with the adjustable cutoff, setting the cutoff by ear in the mix, not through soloing the channel. This single practice cleaned up my mixes more than any other. If you get a chance to listen to professionally made 'stems' you will hear the impact of this right away on more tracks than you can imagine.

It's tip #3 in this list of EQ tips from Sound on Sound magazine: http://www.soundonsound.com/sos/dec08/articles/eq.htm

If you get the frequency content right, it's kind of cool how everything else that's 'decoration' (delay, chorus, reverb, etc.) also works better.

Recording, Mixing, Performance and Production
Joined: Apr 2010
Posts: 5,139
Veteran
Offline
Veteran
Joined: Apr 2010
Posts: 5,139
This thread might be a good candidate for a Sticky. Lots of good info here that would benefit people new to recording, vis-à-vis band In A Box.

Actually, I just like saying "vis-à-vis". grin



Regards,

Bob

Recording, Mixing, Performance and Production
Joined: Apr 2009
Posts: 9,326
Veteran
Offline
Veteran
Joined: Apr 2009
Posts: 9,326
Quote:
Probably if I ever do get one of my songs to sound good mix wise a bit of luck will be involved as well.


NOPE!!! Luck should not be a part of it. Not intentionally anyway. Not if you want consistency in your results.

This following paragraph sums up how you get consistently good results and luck isn't involved.


Quote:
Mostly, you will be working with 3 things. Compression, EQ, and reverb. Proper understanding of these and what they do is essential to a good mix. Getting a good mix that sounds professional is a combination of how well you can use those 3 plugs PLUS the balance in the mix which involves the levels, automation, and the quality of the recordings of the original tracks. When all those things come together, you have some professional sounding work on your hands.


You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.
Recording, Mixing, Performance and Production
Joined: Jun 2012
Posts: 18,378
Veteran
Offline
Veteran
Joined: Jun 2012
Posts: 18,378
All great information above. Yes, this could be made a 'sticky'.


BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
Previous Thread
Next Thread
Go To

Link Copied to Clipboard
ChatPG

Ask sales and support questions about Band-in-a-Box using natural language.

ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.

PG Music News
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®

The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!

His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!

Watch: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box


Band-in-a-Box® 2024 German for Windows is Here!

Band-in-a-Box® 2024 für Windows Deutsch ist verfügbar!

Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!

Paket | Was ist Neu

Update Your PowerTracks Pro Audio 2024 Today!

Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!

Learn more about this free update for PowerTracks Pro Audio & download it at www.pgmusic.com/support_windows_pt.htm#2024_5

The Newest RealBand 2024 Update is Here!

The newest RealBand 2024 Build 5 update is now available!

Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.

This free update is available to all RealBand 2024 users. To learn more about this update and download it, head to www.pgmusic.com/support.realband.htm#20245

The Band-in-a-Box® Flash Drive Backup Option

Today (April 5) is National Flash Drive Day!

Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!

For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.

Backup copies are offered during the checkout process on our website.

Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!

Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.

Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.

Update your Band-in-a-Box® 2024 for Windows® Today!

Update your Band-in-a-Box® 2024 for Windows for free with build 1111!

With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!

Learn more about this free update for Band-in-a-Box® 2024 for Windows at www.pgmusic.com/support_windowsupdates.htm#1111

Band-in-a-Box® 2024 Review: 4.75 out of 5 Stars!

If you're looking for a in-depth review of the newest Band-in-a-Box® 2024 for Windows version, you'll definitely find it with Sound-Guy's latest review, Band-in-a-Box® 2024 for Windows Review: Incredible new capabilities to experiment, compose, arrange and mix songs.

A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."

"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."

"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."

Forum Statistics
Forums66
Topics81,662
Posts735,544
Members38,532
Most Online2,537
Jan 19th, 2020
Newest Members
Jeffrey thomas, skyanderson3, akbrpra, Benfil77, William L
38,532 Registered Users
Top Posters(30 Days)
MarioD 173
DC Ron 103
dcuny 85
WaoBand 74
rsdean 74
Today's Birthdays
jazzkeith, Mavrick20002, Pain-Driven, rolfie, Roycol
Powered by UBB.threads™ PHP Forum Software 7.7.5