there's a pawnshop down in jacksonville that owns about half my guns the title to my boat, my fishing gear and the rights to my first born son they've got my skil saw and my socket set and that black and decker drill i have my cookouts down at the pawnshop 'cause that's where i keep my grill
i spend a lot of time down at a-1 pawn since my wife used my clothes to decorate the lawn i may be only guessin', but i got the firm impression she wanted to see me gone between the pawnshop and that woman i'm giving it all away between the pawnshop and that woman i'll take the pawnshop any day
that woman kept my 4x4 the house and my mobile phone the pawnshop's got so much of everything else it's starting to feel like home one day i'll get back on my feet clear these pawnshop selves take everything back except that woman i'll leave her for someone else
that woman cleaned out the back accounts so i'm hocking what's left for cash she was one of those things in life you can't afford if you have to ask between the pawnshop and that woman i'm giving it all away between the pawnshop and that woman i'll take the pawnshop any day
the pawnshop's been like family i've got a cot and a place to stay so if your woman puts you down, come on around i'll buzz you through the gate between the pawnshop and that woman i'm giving it all away between the pawnshop and that woman i'll take the pawnshop any day
The Band... RealTracks in style: ~539:Bass, Electric, Pop Sw 120 RealTracks in song: 625:Guitar, Acoustic, Strumming Rascal Sw 075 RealTracks in song: ~959:Guitar, Acoustic, Rhythm CountryBoogieA-B Sw 140 RealTracks in song: ~975:Guitar, Electric, Rhythm CountrySwingCleanMuted Sw 140 RealTracks in style: ~1117:Fiddle, Background CountryBoogie Sw 140 RealTracks in song: 617:Pedal Steel, Background Shuffle Sw 136 RealTracks in song: 2165:Piano, Acoustic, Rhythm NewOrleansSwinginPop Sw 130 MIDI SuperTracks in song: 2248:Piano, Soloist CountryShuffleJohn Sw 120 RealTracks in song: 1283:Guitar, Electric, Soloist CountryShuffleBrent Sw 120 RealTracks in song: 1279:Guitar, Electric, Soloist CountryBoogieBrent Sw 140 RealDrums in style: NashvilleShuffle^01-a:Sidestick, HiHat , b:Snare, Ride
again a masterpiece. Everything fits. (And there are a lot of RTs that had to be puzzled together). Very entertaining lyrics. I learned two new words (cot and skill saw). And your vocals delivery is spot on. You see me toe tapping while I'm writing this. Most enjoyable.
floyd, Once again you have displayed clever wordsmithing. A very fun and enjoyable listen. Great editing . The mix sounds good and the vocal is on point. Anyone who has spent as much time as I have in pawnshops knows that there is much joy in discovering good deals and much sadness in the stories that surround them. Very interesting places indeed for a number of different reasons. Another keeper in your catalogue of good uns. Tom
In principle I am not the biggest fan of Country music, but I noted some very interesting things in your song : first of all, the orchestration, many instruments and a mix which is very well done ; One other thing that interests me is the voices in the background, is it your voice with reverb or samples?
Deliciously humorous!! Crafty and fun. Everything this type of song should be. When I saw the title, I knew it'd be great but I wasn't sure what type of song it was. The last line of the chorus delivers the humorous blow after a great setup. The master is back in town!! Great work Floyd! Take care. Greg
Loc: The Netherlands
That's quite a list of realtracks used here! Man, how do you get these mixes so crispy clear, uhm, yes you already explained once... We are trying to do the same in our recordings, but haven't managed to get this crystal clear audio quality yet. Anyway, another country song very well done!
We are Rob Meulman and Anne-Marie Bovenkamp from The Netherlands.
What a great musical journey! A terrific drive through the countryside of down-to-earth humour. Scenery, laughs and smiles all the way. And a toe-tapping beat to keep the feet actively involved as well. All wrapped up in a first class arrangement, top notch performance and outstanding production. Excellent stuff!
After reading Herb's comment, “That's a true country song.... clever lyrical crafting, with more truth than should be the case”, I nodded my head in agreement. He summed up the lyrics well.
When I first saw the song's title in the forum, I sat looking at it and thinking about it for around 15 minutes. It's one of the most intriguing titles I've ever seen. I was fascinated and I found myself wondering how anyone could use such a title in a song. What theme links a 'pawnshop' to 'that woman'? While vivid images appeared when I thought about either 'pawnshop' or 'that woman', I could not, for the life of me, think of a link between the two that had sufficient potential to create a whole song lyric. I'm envious of your ability to find a song in the most unusual and unexpected places.
I can't remember which song it was but, a while back, I recall commenting on how you used the rhyme scheme found in limericks to complement the emotional journey of a serious song. In “Pawnshop”, you've chosen a different path. You've taken the rhyme technique of a limerick (AABBA) and used it to enhance the effect of comedy.
i spend a lot of time down at a-1 pawn since my wife used my clothes to decorate the lawn i may be only guessin' but i got the firm impression she wanted to see me gone
While it's a little different in that the meter of the first two lines scans as one foot longer than those found in the traditional limericks, the last three phrases parallel the limerick's design.
After I heard you sing the above sequence of phrases, I burst out laughing. It wasn't until later when I was looking through the lyrics that I saw the format and realised how you made me laugh out loud. That was a very clever touch. If it's possible to be a 'Le Cordon Bleu' songwriter, you are definitely one.
Like with your song's title, I was also intrigued by the song's form. It's a very effective variation of AAA. The song travels along as ABABAB where the B-section is lyrically different each time and tagged with a refrain. The third A-section is an instrumental section. In the greater scheme of song formats, it's possible to group A and B together and simply call the pair a single section. This means that the song is essentially three song-sections: thus my comparison to AAA. I have to say, your use of the ABABAB format gives quite a different feel from the standard form where the B-section of a song is the chorus. I like it.
Having the third A-section as an instrumental is a terrific use of the 'Rule Of Two' that Steve Seskin introduced me to a few years ago. I've mentioned this a couple of times before in other songs. Using standard 'Applied Rule-Of-Two 101', after you've gone through the AB sequence twice, you go somewhere different before coming back to the third B section. It worked for me!
For those who read this and are not familiar with what Seskin means, his theory is that decades of popular songs and centuries of classical music have demonstrated that if one wants to achieve musical contrast without creating boredom for the listener, it's necessary to play a sequence and then to repeat it once. This establishes a feeling of familiarity. Then, after the familiar has been created, the power of contrast kicks in when the music goes somewhere different. Following the contrasting section, the music then returns to the familiar and the familiar section is more strongly emphasised because of the contrasting section. Seskin says that listeners generally feel a sense of satisfaction from this structure.
If anyone is interested in finding out more about the 'Rule Of Two', here's Mozart to help explain what I mean.
This is the music performance...
...and this is some public domain sheet music that I've annotated. Simply left-click on the link and the pdf should open in a web page.
By hovering the mouse pointer over the comment boxes (#1) in the pdf, what I've written (#2) becomes visible.
In relation to the first page of music only, if I put the various sections of Rondo Alla Turca into letters, I get the layout pattern...
A A B A' B A' C
(where A' = A-section with slight variation)
That is, by the end of page 1 of the music...
First the A-section is repeated twice (establishing familiarity); then the music moves into a B-section (contrast). The B-section then leads back to the A-section (return to the familiar) with a slight variation to accommodate an ending. This sequence of BA' is then repeated again and establishes the larger pattern of B+A' as the new familiar section. The playing then enters into a C-section (a new contrast).
The B-section is heard as contrast (Rule Of Two)
The BA'-sections play twice
C-section starts and is heard as a new contrast (Rule Of Two)
This pattern is one of a number of ways that Steve Seskin's 'Rule Of Two' appears in music.
Out of interest, and if my analysis is correct, the full performance of Rondo Alla Turca maps the following sequence of musical sections.
A A B A' B A' C C D D E D' E D' C C
A A B A' B A' C' C' Ending
Lastly, I liked the way that you ended each song section with a refrain that finished with an open, long vowel sound. The “-ay” sound felt comfortable. If my memory serves me correctly, I'm pretty sure that I've read somewhere that Oscar Hammerstein II (of Rodgers and Hammerstein, “Sound Of Music”, etc.) liked to end the lyric of his song sections on an open vowel wherever he could, too. Seems like you're in good company.
In an attempt to verify my above comment, I've just checked out the ultimate syllable of the songs in the "Sound Of Music". Out of 11 songs, 7 of them ended with open vowel sounds, 1 ended with an open vowel sound terminated with 'm' (i.e. "dream" where the 'm' can be musically sustained), and three songs ended with a hard consonant 'd'.
It seems as though my memory wasn't playing tricks on me this time around. That's a relief
Once again, thank you for letting me work my way through your songs. I really enjoy trying to apply what I've picked up from books and seminars. It's through these analyses that I learn such a lot. In so many ways, your works are a terrific resource for understanding the finer points of song craftsmanship.
All in all… an excellent creation, an excellent presentation and a brilliant production. It seems to me that you have definitely discovered how to output the quality of a professional studio. This really doesn't sound like BIAB at all.
Band-in-a-Box® 2020 for Windows & VST DAW Plugin Update Available!
Band-in-a-Box® 2020 for Windows users!!! The latest FREE patch (build 713) and DAW Plugin Update 2.4.5 is available - learn more and download here.
Summary of changes for build 713: Fixed: Rendered audio files might be silent if mono and 24 bit are selected. Fixed: Possible crash when rendering to audio at 48.0kHz or 96.0kHz sample rate. Improved: Better support for localized versions. Fixed: Importing audio files that were 96 kHz sampling rate would fail. Fixed: The [More Info...] button in the Artist Browser dialog would launch the wrong web page. Fixed: Importing an ABCNotation file would not include the key signature. Fixed: ABC files only opening some chords. Fixed: Problem storing minor keys.(ampersand). Fixed: A few artists not displaying properly in Artist Browsers. Improved: RealDrums Picker information for the 2020 RealDrums has been updated/improved. Fixed: Some of the RealDrums from the 2020 release did not have drum groove names. Improved: All of the 2020 MIDI SuperTracks now have memos. Fixed: Some RealTracks were listed under the incorrect Set# in the RealTracks Picker. Fixed: _Gentle style from Xtra PAK 4 had an acoustic guitar set to Held mode. Fixed: Some ska style demos had drum drop outs. Fixed: Rendered files were not being normalized. Fixed: Pressing spacebar in the Notation window might launch a web browser instead of starting playback. Fixed: Practice window | Master Solos | Blues Piano, displays N/A. Fixed: MusicXML files created by Band-in-a-Box cannot be loaded by Band-in-a-Box if song title contains & (ampersand). Fixed: Japanese lyrics are garbage text when saving to MusicXML. Fixed: Various animations (eg. Guitar window notes) would freeze during playback if using MME drivers. Fixed: With some computers, distorted audio when soloing a track. Fixed: Changing a custom track label had no option to Undo, and did not prompt user to save song.
Updated: Manual/Help [routine updates] Fixed: When re-saving a song that has an audio track, the audio track was not copied. Fixed: Dropping a song file onto Band-in-a-Box did not set the current directory. Fixed: The RealTracks picker window should remember its location when reopening. Fixed: The Piano Roll window was opening at the wrong bar location. Improved: Better quality audio resampling when rendering audio to higher sample rates. Fixed: Resampler quality setting in ASIO drivers dialog was ignored. Fixed: Using WAS audio drivers with 24 bit & 48kHz output rate might result in noise.
Summary of Changes for DAW Plugin Update 2.4.5 (Jan 21 2020) Fixed: Opening Band-in-a-Box song files (.sgu) would fail if the file names and/or paths contained any European language characters (eg. à,è). Fixed: Message if bbw4 has no valid handle Fixed: Mute and sync buttons not working properly Fixed: Clicking cancel would lag before cancelling Fixed: Right-click anywhere on track for context menu Fixed: Increase maximum chord sheet font size Added: Double click track name to launch picker of currently selected track Added: Flashing GENERATE button to notify if song needs to be regenerated Added: Mute and sync buttons to track context menu Added: Right-click chord opens bar settings menu at that bar Added: Error code for bbw4 related error messages Fixed: Plugin asking to save when booting the plugin and selecting File/Open Fixed: Crash when running vst3 plugin in reaper Fixed: Scroll bar margins when resizing plugin Fixed: Bar settings not saving Fixed: Time Base, and Natural Arrangement not saving settings Fixed: Calling bbw4 when already open will bring windows to front Fixed: Tool tips in Preferences Dialog Fixed: Time signature should be set from DAW when first opened Fixed: Set "..." colours for truncated chords to black Fixed: Selected track in table should be more obvious Fixed: Click YES to Save dialog and then cancel will reset save state to true Added: Right click for track table context menu Added: Medley/Multi (thickening) feature
What does this mean? Faster hard drive transfer rates will enhance the program operations (faster time to generate tracks, reduced audio artifacts) and offer faster transfer speeds (typically up to 3x faster)!
Band-in-a-Box® UltraPAK $469
Upgrade from Version 2019: $279
Upgrade from Version 2018 or earlier or crossgrade: $299
Note: The difference between the UltraPAK and the UltraPAK+ is that the Songs & Lessons PAK is included in the UltraPAK+ package.
Our Band-in-a-Box® Audiophile Edition ships preinstalled on a USB 3.0 hard drive too! Band-in-a-Box® Audiophile Edition $669
Upgrade from Version 2019: $479
Upgrade from Version 2018 or earlier or crossgrade: $499
Upgrade from ANY previous Audiophile Edition: $299
--SPECIAL PRICING ONLY AVAILABLE UNTIL JANUARY 15TH!--
We've added 164 fantastic new RealStyles in Xtra Styles PAK 8! These are imaginative new combinations of our existing RealTracks library that fall into four categories: Rock/Pop 8, Jazz 8, Country 8, and Celtic 1. To celebrate the release of Xtra Styles PAK 8, ALL of our Xtra Styles PAKs 1-8 are on sale for just $29 each! Learn more & listen to demos here.
Also brand-new is our Loops-with-Style PAK 1 for Band-in-a-Box®, which gives you the chance to expand your loops collection with 100 new loops! We've taken the RealDrums and RealTracks source audio and remixed, remastered, and combined it to create these original loops. All of your favorite genres are covered like jazz, funk, rock, pop, electronic, hip-hop, and more! To show them in action, we've created 50 new RealStyles that each include two of the loops. Plus, if you use the loops in Band-in-a-Box, we've included intelligent versions of the loops that automatically switch at A and B part markers. Each loop has a matching sister loop that works perfectly for another substyle! Get started with Loops-with-Style PAK 1 for the introductory price of just $19 until January 15th (reg: $29). Learn more & watch a great video demonstration here.
Note: Xtra Styles PAK 8 and Loops-with-Style PAK 1 require the Band-in-a-Box® 2019 or higher UltraPAK, UltraPAK+, or Audiophile Edition.
-The built-in Audio Chord Wizard is now accessible from the [Audio Chord Wizard] button.
-The Audio Edit window now displays chords and tempos for each bar. They are shown when the Audio Chord Wizard mode is active so that you can see the tempo for each bar as you set the bar lines.
-When you start entering bar lines, the program automatically sets the tempo to the tempo of the first bar.
-Once the tempo of the first bar is set, the program automatically moves the location of the first bar of audio over so that the visual space of the count-in bars is visible.
-After you’ve added the bar lines, IF you adjust the first or second bar and the tempo of the first bar changes accordingly, the program automatically changes the tempo of the song to match.
-Multi-window display. This gives the Audio Chord Wizard a multi-window view so that you can see and edit both the Audio Edit window and the Chords Sheet at the same time. This display is best viewed with a small toolbar mode. This allows you to see the chords as they are being interpreted by the wizard.
-The Audio Chord Wizard can send the transcribed MIDI notes to the Soloist track for further analysis by the user (via Piano Roll or Notation window). Note that this is a "snapshot" view every 8th note of the pitches present, not an attempt at polyphonic transcription. To use this feature, enable the "MIDI to Soloist" check box.
Read more about these enhancements here, or jump to the New Feature - Audio Chord Wizard (ACW) Enhancements section of our New Features video here.
The Band-in-a-Box® 2020 for Windows® Special ENDS January 15th!!!
IT'S YOUR LAST WEEKEND TO SAVE UP TO 50% ON YOUR BAND-IN-A-BOX® UPGRADE!
Our SALE on Band-in-a-Box® 2020 Upgrade purchases ends January 15, 2020, so there is still some time to save up to 50% when you purchase your Band-in-a-Box® 2020 for Windows Upgrade!
Customers LOVE Band-in-a-Box® 2020 for Windows with over 50 new features, plus the 202 New RealTracks, new RealStyles, 15 new MIDI SuperTracks, 170 new Instrumental Studies, 30 new MIDI Styles, 280 RealDrums Transcriptions, the 2020 Free Bonus PAK, 2020 49-PAK, and new Xtra Styles PAK 8!
We've packed our Free Bonus PAK & 49-PAK with some amazing Add-ons! The Free Bonus PAK is automatically included with most Band-in-a-Box® for Windows 2020 packages, but for more even more Add-ons (including 40 Unreleased RealTracks) upgrade it to the 2020 49-PAK for only $49. You can see the full lists of items in each package, and listen to demos here.
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