The elastic in the shockmount for my CAD M-177 LCD mic has given up the ghost after about 9 or 10 years of faithful service.
I've never used the standard mount that shipped with the mic, tried it for the first time this weekend and found that the threads were not quite deep enough.
Wrote an e-mail about how to get replacement elastics over the weekend.
Box showed up today with new elastics AND a new standard mount that works.
Way to go CAD!
LOONG ago I had purchased a Global Audio mic from CAD and after a bit of time it quit working. CAD sent the M-177 as a replacement that has served me faithfully all these years. So they have twice shown their backing of their product after what most companies would consider well past any time to pay attention to former customers.
I have a pair of D189 dynamics I've used onstage, and they're a bit dark (we usually use Beta 87A's), but they have great GBF, and they were cheap! They make a good product.
Wrote an e-mail about how to get replacement elastics over the weekend. Box showed up today with new elastics AND a new standard mount that works. Way to go CAD!
Cool....that worked out well. I have a CAD E-100. I purchased it on 12/6/96 and I think it's a great condenser and has served me quite well. I'd recommend them.
90db....I also has a CAD E200 early on. On my vocals I found it was also 'dark' compared to my E100. I sold it long ago. The E200 is fine mic but the E100 had provided more detail and crispness on my vocals.
Frequency response one my E100 is pretty flat with a 2-3db bump at about 3K. Several db roll off at 10K.
Wrote an e-mail about how to get replacement elastics over the weekend. Box showed up today with new elastics AND a new standard mount that works. Way to go CAD!
Cool....that worked out well. I have a CAD E-100. I purchased it on 12/6/96 and I think it's a great condenser and has served me quite well. I'd recommend them.
90db....I also has a CAD E200 early on. On my vocals I found it was also 'dark' compared to my E100. I sold it long ago. The E200 is fine mic but the E100 had provided more detail and crispness on my vocals.
Frequency response one my E100 is pretty flat with a 2-3db bump at about 3K. Several db roll off at 10K.
Carry on....
Hey Leatherneck. We use the cheap CAD's when we're busking. No phantom power needed, and no worries about damage.
Wrote an e-mail about how to get replacement elastics over the weekend. Box showed up today with new elastics AND a new standard mount that works. Way to go CAD!
Cool....that worked out well. I have a CAD E-100. I purchased it on 12/6/96 and I think it's a great condenser and has served me quite well. I'd recommend them.
90db....I also has a CAD E200 early on. On my vocals I found it was also 'dark' compared to my E100. I sold it long ago. The E200 is fine mic but the E100 had provided more detail and crispness on my vocals.
Frequency response one my E100 is pretty flat with a 2-3db bump at about 3K. Several db roll off at 10K.
Carry on....
Hey Leatherneck. We use the cheap CAD's when we're busking. No phantom power needed, and no worries about damage.
Regards,
Bob
You busk too,
Do you find that the punters get an extra spring in their step about 20-30 metres on either side of you as they pass you by?
Wrote an e-mail about how to get replacement elastics over the weekend. Box showed up today with new elastics AND a new standard mount that works. Way to go CAD!
Cool....that worked out well. I have a CAD E-100. I purchased it on 12/6/96 and I think it's a great condenser and has served me quite well. I'd recommend them.
90db....I also has a CAD E200 early on. On my vocals I found it was also 'dark' compared to my E100. I sold it long ago. The E200 is fine mic but the E100 had provided more detail and crispness on my vocals.
Frequency response one my E100 is pretty flat with a 2-3db bump at about 3K. Several db roll off at 10K.
Carry on....
Hey Leatherneck. We use the cheap CAD's when we're busking. No phantom power needed, and no worries about damage.
Regards,
Bob
You busk too,
Do you find that the punters get an extra spring in their step about 20-30 metres on either side of you as they pass you by?
Axey
Axey-
We love busking. No bar owners, no drunks, none of that usual stuff. We actually put together a completely battery-operated mini-PA. Backing tracks (BIAB), A/E guitar, electric bass and two vocals. It all fits on our Rock N Roller cart. Have Cart – Will Travel.
I once recorded a drummer who insisted on using his cad-pro-4-drum-microphone-kit .. worked a treat. I was shocked at the response and general sound. Made me a believer. For the price, excellent value. We mic'd the cymbals separately with SM 57's and an AT on the ride (and a couple ambient SM-58s hanging from the ceiling IIRC), but I really liked the tracks we got from this setup. We used my bedroom for a room, which also worked great! Some of the best sounding drum tracks I've recorded. His playing, kit, etc came into play of course.
One old WMA from these recordings is here - http://masteringmatters.com/stuff/putitoutjmd2b.wma .. I believe JazzManDan did a bunch of the guitar work back in the day. What still sticks out to me is the drum sound for being a live set.
Make your sound your own! .. I do not work here, but the benefits are still awesome
The mix could use some reworking, IMO (I'm a critic). My main point was the CAD drum mics; they performed well. Thanks for listening and the compliment on the song.
Last edited by rharv; 09/27/1511:59 AM.
Make your sound your own! .. I do not work here, but the benefits are still awesome
I have never had to use their customer service but, over the years, I've come across a number of above-and-beyond CAD stories.
I sold my M-177 mics to a friend when I got my first pair of M-179 mics. I wanted a good home for them and good mics for him. I can't think of any reason to ever get rid of the 179s. An amazing value, even at the recently spiked price. I have a GXL3000 but I haven't used it much. I've heard some really impressive recordings made with their inexpensive c217 mics. I think that their TM411 tom/snare mic is an unsung gem and a great SM57 alternative for drum/percussion/instrument miking---especially when it goes on sale for $30! FrontEnd Audio usually sells their pop shields for $2-3 during their holiday sales and you wish you bought more. I want an E100---just an absolutely world-class mic.
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
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