No, not me, I'm not old enough (or rich enough). It's a piece of equipment that has served me faithfully for over 40 years.
Back in 1975, I was young, and had little money. I'd moved out of home and badly needed something to play music on. I scrimped & saved and finally got enough money together to buy myself a "sound system." I opted for a Sanyo system, that included an AM/FM radio (FM virtually unheard of in those days,) a turntable, and two (count 'em) TWO speakers. And a microphone input AND headphone jack. It was a piece of furniture- imitation wood grain and imitation brushed stainless steel. (these days it would be called a gramophone.) The following year I saved up & bought the tape (cassette) deck that was part of the "system."
Over the next years I used it at every opportunity, playing vinyls, cassettes, recording, and listening to the radio.
Over the years, the tape deck died, as did the turntable, and I replaced the speakers with better ones. But the tuner still worked fine.
Years later when I got back into music and got into Band In A Box, I used the tape deck input as an amplifier. When I finally bought a "real amp" I only used the Sanyo to listen to the radio, or to listen to TV (a stone age "theatre system.")
However, today I decided to put it out to pasture. I had a spare sound system that I installed into my music room, hooked it up to the TV, and can now listen to the radio without any static or hum.
But I couldn't bring myself to toss it into the rubbish (just yet?) I put it into my rack where it can sit & enjoy its retirement. Sentimental... yes Hoarder yes. But every time I look at it I can remember the many hours that it has served me so well.
Enjoy your retirement, Mr Sanyo.
Has anyone else got any old equipment that they use regularly? (pre 1970 Fenders or Gibson's don't count )
Keith, I haven't got anything to put to pasture, but I sure can understand your feelings. That little system cost you a lot of hard earned savings, you loved it - and still do, and it gave you pride that you worked hard to purchase it and own it.
Sadly, we live in a 'chuck-it-out' world now. Too expensive to repair of maintain anything, and there's a better design right on the shelf.
Eventually, you might need the space. In the meantime, it's absolutely fine to leave it in the rack and when you look at it, reflect on all those great years of enjoyment it gave you. One day, but doesn't have to be today.
The other interesting thing is that if you can keep it long enough, one day it will be a collectors item.
I've got a few 1930's fully restored valve mantle radios and a fully restored valve radiogram (pre-war). All are in perfect working order. I don't ever use them, but I love what they do, and how their inventors shaped the technology we enjoy today. They were "inventing the future".
Trev
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
I have two in storage that still play that I don't discard because they play 8 track cassettes too. There's two boxes of 8 track cassettes to explore one day.
No, not me, I'm not old enough (or rich enough). It's a piece of equipment that has served me faithfully for over 40 years.
Back in 1975, I was young, and had little money. I'd moved out of home and badly needed something to play music on. I scrimped & saved and finally got enough money together to buy myself a "sound system." I opted for a Sanyo system, that included an AM/FM radio (FM virtually unheard of in those days,) a turntable, and two (count 'em) TWO speakers. And a microphone input AND headphone jack. It was a piece of furniture- imitation wood grain and imitation brushed stainless steel. (these days it would be called a gramophone.) The following year I saved up & bought the tape (cassette) deck that was part of the "system."
Over the next years I used it at every opportunity, playing vinyls, cassettes, recording, and listening to the radio.
Over the years, the tape deck died, as did the turntable, and I replaced the speakers with better ones. But the tuner still worked fine.
Years later when I got back into music and got into Band In A Box, I used the tape deck input as an amplifier. When I finally bought a "real amp" I only used the Sanyo to listen to the radio, or to listen to TV (a stone age "theatre system.")
However, today I decided to put it out to pasture. I had a spare sound system that I installed into my music room, hooked it up to the TV, and can now listen to the radio without any static or hum.
But I couldn't bring myself to toss it into the rubbish (just yet?) I put it into my rack where it can sit & enjoy its retirement. Sentimental... yes Hoarder yes. But every time I look at it I can remember the many hours that it has served me so well.
Enjoy your retirement, Mr Sanyo.
Has anyone else got any old equipment that they use regularly? (pre 1970 Fenders or Gibson's don't count )
That Sanyo gear from the 70's was excellent, as were their speakers. If it were me, I'd look for a pair of matching Sanyo speakers and a used good condition turntable. They can be had cheap at garage (boot) sales, and your vinyl will never sound better. I have tons of 70's gear, and it still sounds fantastic.
Know what you mean about that older equipment. Had a tape deck, tuner, equalizer, turntable all with wooden sides...actual real wood! Used to rub 'em down with teak oil every week! Nothing like electronics encased in wood. Those were the days.
As you can see from my sig below, I've still got a Yammie DX7II. Have to admit, I lust after the Motifs and that new Montage that was just announced, but in my heart just can't see myself ever giving up the DX...kinda display it like a badge of honor...I was there back then...but...we're just both antiques now.
I actively use a much greater percentage of my older equipment than my recent equipment.
The older stuff, like my stereo system that hasn't changed since I set it up in 1976 in the dining room, sounds and works perfectly. A lot of stuff I bought for computer production of music is now in the storage room for lack of drivers.
BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
I have the tuner I bought back in 1970. And the speakers on it I bought from a buddy in the Marine corps when he was headed home and didn't have the room in his car for them. They are working out in the shed.
FM virtually unheard of in 75? Where were you living?
At that time, FM was in it's heady days of "album cut" rock stations here in the USA. I can remember finding WMMR FM in Philly on my transistor radio as a pre teen guitar player somewhere around the late 60's and realizing that they were playing the album long version of the songs as well as album cuts not heard in the top 40. I was hooked.
I kinda wish I still had many of the old amps I went through.... some were turds, but some are classics. Even the turds were cool in some way or another.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
The Kenwood tuner I bought in 1974 is still fantastic. I chose it for extreme selectivity specs. I live two hours north of New York City (got no snow!) and, with an FM antenna and booster on the roof, could pull listenable FM from Boston and Philadelphia on that Kenwood.
BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
This is not a slam against "The Outback" but Tommy Emanuel said in an interview that he had to be prepared for either AC or DC mains when he was gigging in Oz. Is that still the case over there?
Worse, the outlets were seldom marked resulting in his "letting the smoke out" of several amplifier.
Hi Don, No, I've never heard that. Of course they use generators for some open air gigs, but to the best of my knowledge they would be AC. Having said that, with the amount of time that Tommy has spent on the road over the last 50 odd years (he started on the road at age 6)he played at some pretty remote places in the outback.
This is not a slam against "The Outback" but Tommy Emanuel said in an interview that he had to be prepared for either AC or DC mains when he was gigging in Oz. Is that still the case over there?
Worse, the outlets were seldom marked resulting in his "letting the smoke out" of several amplifier.
Don
Don, it ain't as bad as people might lead you to believe.
There sure isn't any DC Mains and never has been. That was an Edison thing - Tommy's pulling your leg. (Well, I confess that there was some DC distribution way back when for a few building with elevators that had DC motors, but that was a special dedicated supply into some high-rise buildings).
All domestic outlets here are 240V 50Hz single phase. No exceptions. Yep, some lower-voltage gear might have smoked, but somebody would've had to cut the plug off and fitted another, because every domestic 240V outlet in Australia is exactly the same.
And there's nothing worse than letting the smoke out... I hate that.
BIAB & RB2024 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
Sadly, we live in a 'chuck-it-out' world now. Too expensive to repair of maintain anything, and there's a better design right on the shelf.
The shop near me, unfortunately also one of the best in the area and they are always loaded with work because of it, wants a $65 DEPOSIT just for the intake. It was $25 at first, then $40, now $65. As people bring stuff in, and they repair it, far too often the repair costs are close to what a new unit costs, and the customer just abandons it.
From the customer side, why pay $185 for a repair when a new item with a year warranty is $225? If I pay the $185 I have my 12 year old thing back or I pay $40 more and have a new one.
From the shop's side, we just put in $58 worth of parts and 6 man hours into this thing and now he doesn't want it? On to the resale shelf it goes.
That's good for us because that makes for some affordable used gear. But your premise is exactly right. The microwave mentality has really taken over.
I am using the new 1040XTRAEZ form this year. It has just 2 lines.
1. How much did you make in 2023? 2. Send it to us.
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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