Floyd, your such a great song writer! You did a beautiful job on this tune. You conveyed raw emotion in the vocal (to my ears anyway) which many folks will be able to relate to. I like the sans drums approach to this one. It's exactly what it needed. Take care, Torrey
Great one. I love the melody, the chord choices. Your vocal sounds so natural and good, this song is a good example of why I'm a big fan of your music.
When I was in college and immersed in blues and psychedelic rock I would occasionally frequent a small county line bar...cinder block building with a jukebox. There I first really "listened" to country songs particularly of the tears in your beer variety. It was the mid 60's and the patrons played certain sad songs over and over - not to dance to but as I thought at the time to help purge mountains of hurt.
This song immediately took me to that place and people who "can't stop thinking that forgetting can't be far."
The interplay of the backing tracks and your vocal with the melody and lyric build a powerful tension between hope and despair that never lets go.
The vocal is rich and nuanced and for Janice it brought up images of a Sinatra song - one of those with him sitting at a table...shot glass in hand. If a song can conjure up images ranging from my bar to Janice's then I think you've well covered the bases.
Oh, and then there's the signature big studio production sound that is becoming easy to take for granted.
Simply lovely! The piano and acoustic sound great and are very effective. I liked the sound of the bass. Did you use any plug ins on it. The volume is perfect. This is songwriting at it's best and delivered with just the right of amount of emotion to get that longing, lonely, passing time, getting over it feeling. The production is again stellar. Merry Christmas to you brother. Tom
Simply one of your best. Stellar at every level. I think that PGMusic creating piano supermidis opened a whole new generation of great Floyd Jane writes.
Your talent is multi grammy worthy and it's the world's loss that you aren't a household name.
My late brother always tried to encourage me to keep writing because, as he said, "you only have to get it right once!"
At the risk of rubber stamping all the same things I always want to say about the high quality of your mixes, the unique signature sound of your voice, and your certified word-smithing abilities... all of which are certainly applicable here... the thing that stands out to me about this song is how well the instruments handle the interesting chords. Not just individually, but how well the opening guitar and piano accent the right notes without getting in one another's way.
You really USE the power that BIAB provides, and the end result is so seamless, its impossible to tell what part of the excellence comes from the technology and what part comes from your long list of good selection decisions and editing skills.
But one thing's for sure: your 100% success rate proves that you aren't throwing spaghetti against the wall like most of us... you know what works, and you have an uncanny ability to rearrange that knowledge over and over again into songs that would certainly be hits if you had the sponsorship required to make it happen.
Beautiful acoustic song and yea well done on the vocals.
To be honest I'm still trying and working to get good acoustic sounds like this for a song I wrote.
Onwards and upwards
+1
Thanks
Thanks, Colly. It is not hard to get good clean acoustic guitar sounds out of BIAB. I generally treat them all the same - in this case, a Brent RT that starts the song, then the standard fingerpick takes over after a couple of measure and the strum gets added in to provide the texture I wanted. They are all exported out of BIAB dry, centered and at full volume. Then in my DAW (Studio One) I add just an EQ. Using that, everything below 100 is dropped. That helps keep the low end from getting muddy. Then I add a small bump around 500 - maybe 2 dB - and a shelf on the high side above 2kHz - a couple of dB... That makes the acoustics crisper and they cut through the mix nicely. If you solo them, they might seem a little thin - but in the mix, they do what they need to do...
A really fine vocal performance - one of your best. Like Greg I enjoy getting drawn into the emotional depths on a song like this and you`ve carried it through from the first line. Fantastic guitar accompaniment and production.
Robert
Robert - thanks for having a listen. Glad you liked it...
Originally Posted By: RnAM
Floyd,
Beautiful song, like only you can do ;-) You always manage to make such a very professional use of the realtracks. Top-notch vocals. I do detect a very small glitch in the first two seconds of the intro, something in the guitar realtrack rendering?
Rob
Thanks, Rob. Appreciate that. The small click at the start is Brent's fault - it is string noise - soloing it, it actually sounds like a nail striking a string. I like leaving those kind of subtle sounds in the recording... makes it "real", I think...
Fantastic production and the vocals...wow, Floyd... just fantastic. It's a showcase to me for proper use of reverb on vocals... and you are so tender... great turn-arounds and moving into maj7s.... really sweet...
Thanks, Andy... Realy appreciate that...
Originally Posted By: Joe -PG Music
Hi Jane Floyd, Nice guitars in this! Very melancholy and introspective. Keep up the great work
Joe - appreciate you stopping by for a listen..
Originally Posted By: animarorecords
Hello, floyed
Very beautiful melody accompanied with a quiet band. Melancholic feelings reached my heart deeply. I also love this genre of your music as well as your uplifting music. I will drink Bourbon tonight instead of Scotch. Enjoyed my listen a lot.
Best Regards.
Shigeki Adachi
Shigeki Adachi - Thanks for your continued support...
Absolutely beautiful, Floyd. "I'll stop trying to whiskey myself blind" is a great line -- delivered with the perfect amount of wry humour to make it really shine. You've outdone yourself with this vocal. Great job!
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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and thought at the time the words that you so eloquently write in this song. 
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