This was originally done as a "Eagles type Country Rock" song using the melody that Kenny wrote. Kenny sang it and did the instrumentation and mixing, etc. It was called "Exception To The Rule".
When I considered doing a recording of it, I was a bit tired of doing that style of song... (I had done a bunch of them). I re-envisioned it as a moody Rock kind of thing. (A "reversal of roles" for the two of us....) I wrote a new melody and did a completely different style production (which Kenny was okay with). Since they are really different songs, I renamed it as well to keep them separate.
This has been sitting around for a couple of years. I decided to post it yesterday - to see if it might bring Kenny "out of the woodwork". He had sort of disappeared on us - and I, for one, missed hearing his cool brand of music. And, out of the blue... there he was with a new post!! I thought about putting this back on the shelf for a while, but figured...it must be a sign...
from a spark to a flame when you whispered my name but times, i've been burned by blue eyed cool smoky barroom vignettes nothing but regrets there's always an exception to the rule
been stood up, knocked down my heart's been dragged around girls like you playing me for a fool are you just in it for the fun or could you be the one could you be the exception to the rule
you've been slowly breaking my resistance with that sweet intoxicating southern drawl pretty soon there'll be no safe distance should i walk away before i have to crawl
so what's it gonna be settle in or set me free are you playing for keeps or playing dirty pool one last kiss; one last dance or should we take the bigger chance there's always an exception to the rule
you've been slowly breaking my resistance with that sweet intoxicating southern drawl pretty soon there'll be no safe distance should i walk away before i have to crawl
slowly breaking my resistance that sweet intoxicating southern drawl soon there'll be no safe distance should i walk away before i have to crawl
The BAND: Style is _POPBRIT.STY (PopBrit 2 Guitars (120 RS)) RealTracks in style: ~388:Bass, Electric, Metal Ev 120 RealTracks in style: 645:Guitar, Electric, Rhythm PopRockBritEdgy Ev 120 RealTracks in style: 648:Guitar, Electric, Rhythm PopRockBritHeavy Ev 120 RealTracks in song: 698:Guitar, Electric, Rhythm ElecRockDirty Ev 120 (A:muted) RealTracks in song: 633:Guitar, Electric, Rhythm PopAmericanMuted Ev 120 (A:sync) RealTracks in song: 1722:Guitar, Electric, Soloist TexasBluesRockStraightSol Ev 120 RealDrums in style: RockHardModernEv8^1-a:Snare, HiHat , b:4 beat Snare, HiHat Loop - BIAB Cowbell
Well, I know I've said it before, but I DO like your heavier side. And I know you're a Country Boy at heart, but you do full-on rock like this SO well. Hats off to Kenny as well though, for writing a nice dark chord sequence for you to mess around with.
Sounds good LOUD, sounds good on the speakers, sounds good in the 'phones, so must be good. I'm not even gonna ask for the solo to be louder - hey, just pleased to hear a solo like that in one of your productions.
Great write, well sung, excellent rocking mix. In my phones, everything is sitting in it's own space nicely - especially the "heavy" drums.
I particularly liked the "intoxicating Southern drawl" line. I was betting on you rhyming it with "...gonna fall". So much for my powers of prediction!
What a nice back story Floyd. Glad you resurrected this one. Welcome back Kenny.
LyricLab A.I assisted chords and lyric app. Export lyrics and import directly into Band-in-a-Box 2024. https://lyriclab.net Play-along with songs you know and love, download SGU files https://playiit.com/
nice you gave it a new breath of air! A little dark rock with some attitude. I don't normally listen to much of this but this was pretty danged cool. Loved it1 I like Floyd's harder side . a new look at our our friend! Nice!
We've said it before, apart from being a good country singer, you really are a very good rocker! Please go on making this kind of songs. The mix is excellent. This is a great rock song, which is very catchy too! Really good job from both of you!
Rob and Anne-Marie
We are Rob Meulman and Anne-Marie Bovenkamp from The Netherlands.
Hi floyd, I enjoyed this! I really enjoyed the overall tone of this. Fantastic choice of instrumentation, and great work on the guitars they sound very crunchy! Great use of EFX. Thanks for sharing!
As mentioned a couple of years ago, you and Kenny have done a really great job in writing this song. "Burned by blue-eyed cool" is still a standout line!
The current version, though, takes the previous version in a whole new direction.
What stood out to me most was how you've taken what was an AABA format and while you've kept the AABA presentation, you've modified the format so that it finishes with repeated B-sections. That really intrigued me. Normally to end an AABA song using the B section does not work effectively. But that was not the case here. Moreover, these days, the only way that a song usually ends with a B-section is if that B-section is a chorus. In this song of yours and Kenny's, though, the B-section did not sound like a chorus at all to me.
The more I thought about it, the more I came to see that your approach to format reminded me of a jazz technique I've come across a few times recently. There are a number of songs from the 40s/50s that use ABAB where B is definitely neither a chorus nor a bridge but just another musical section. One that springs to mind is Loesser's "If I Were A Bell" from 'Guys and Dolls'.
The first appearance of the B-section starts with Jean Simmons singing "From the moment we kissed tonight..." and ends with "If I were a banner I'd wave." In the following repetition of the A- and B-sections, the B-section ends the the sequence at that point with a slight variation of the original B-section.
In all honesty, I found it very refreshing to hear "The Rule". You and Kenny have given me a great deal to ponder!
Impressive work!
All the best, Noel
P.S. Also, as always, I was left thinking... "How does floyd manage to produce such a spectacular sound!"
Minus the electric solo, I could totally here R.E.M. doing this. (Not that I mind the solo, mind you.)
There is some really sweet jangle rock going on here.
Floyd, I have decided you are really a rocker just pretending to be the sensitive guy.
Great collab guys.
Yeah, I decided to ditch the "sensitive guy" label... shopping for a leather vest and Harley... arrrrgh...
Originally Posted By: BlueAttitude
Yeah, I love this!
I like it when you let your inner rock star out, Floyd! You have a good voice for this type of material IMHO.
Lots of good things happening in the production, the holds in the chorus for example. Lead guitar sounds "right" to me, fits the song perfectly.
Nice collaboration you two!
Thanks, Dave!! BTW - those holds in the chorus are the Medium Rock Brent soloist 120 RT doing holds - that RT does great holds - big, explosive and smooth, hitting just the way they need to for that sound...
Really great rocker with catchy 'big drum' chorus - I like the minor chord approach. Nice lyrics. Vocals, arrangement and mix are excellent. The solo guitar fits like a glove.
Well, I know I've said it before, but I DO like your heavier side. And I know you're a Country Boy at heart, but you do full-on rock like this SO well. Hats off to Kenny as well though, for writing a nice dark chord sequence for you to mess around with.
Sounds good LOUD, sounds good on the speakers, sounds good in the 'phones, so must be good. I'm not even gonna ask for the solo to be louder - hey, just pleased to hear a solo like that in one of your productions.
Can we have so more of this stuff, please?
ROG.
Thanks, ROG - you are giving me more confidence about doing Rock numbers - I sometimes think "they aren't my thing"...
Two of my favorite writers (on or off the forum)!!! I knew it would be great, and IT IS!! I can hear both of you in the song. Clever, interesting lyric with some great lines, including
pretty soon there'll be no safe distance should i walk away before i have to crawl
Just right! The melody is perfect at blending the excitement mixed with apprehension of the relationship. The production/vocals are tops, and the guitar solo is perfect for the song. Certainly one of the forum A-teams! Great, great stuff guys!! Take care. Greg
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.