Lenovo YOGA 900 Window s 10 Home 64bit 16GB RAM\2018 13” MacBook Air casio wk7500 presonus audiobox i2 usb interface casio wk-7500 biab & realband 2023 everything pk both with Current builds
Rule #1 when playing out and a string breaks - Do not stop playing!
+1 on Rule #`
When anything happens, if you can continue playing, continue.
If I break a string, I put the guitar down and quickly pick up the wind synthesizer. I have a half dozen good guitar patches on my VL70m synth, and since it uses Physical Modeling synthesis, the parts are very guitar-like in both tone and expression. Since I mostly play lead, this works just fine.
If I'm playing rhythm, I turn the volume off and continue playing until the song is done. (Thanks to the vibrato bar the guitar goes out of tune when one string breaks)
But unless the string is defective, they don't break. Why? I change them often. I might break one guitar string every 4-5 years. Usually the winding on the ball end is the culprit, unwinding because it hasn't been manufactured properly.
I make my living playing music, and when on the gig, I have the responsibility to minimize anything that will stop the show. Changing strings, bringing spare synth modules and an extra wind synth (since it can cover any of the other instruments), spare cables for everything, spare mic, and anything else that is likely to go wrong, as long as it can be carried with me.
So the best way to handle broken strings IMO is to change them often enough so that broken strings are rare.
And that was really hard with my Gibson SG due to it having a whammy bar tremelo that was notorious for throwing all the other strings out of tune since my perfectly tuned SG was essentially a balancing act of the tension of all the strings. As long as they were all intact, that guitar could hold tune through the entire show under normal situations. Of course, we always topped off the tuning before each set.... and I kept the Conn connected to the amp output for spot checking in the middle of the song or the set. Handy.
My fix, was to change the strings on a regular basis when I was playing professionally so that breakages were at a minimum. I knew that with the Ernie Ball strings, I could easily get 2 weeks on a set. Beyond that, I was pushing my luck. My Paul, on the other hand, no one ever knew a string had broken except me. It didn't have a whammy bar on it. I could finish the song and the rest of the set with a bit of improvisation for the lack of that given string. Usually the high (.009) string.
I was buying string sets by the case full.
Last edited by Guitarhacker; 11/20/1904:22 AM.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
I read a story once about Larry Carlton breaking his high 'E' string during a solo. He then proceeded to take out a pair of nail clippers and cut the 'B' and 'G' strings, and played the rest of the solo on just the bottom three strings.
Breaking a string is not a big deal, easy enough to continue until the end of the song, unless you have a floating tremolo system as Herb mentioned, then you are pretty much screwed. I haven't used a guitar with a whammy bar for probably 20 years, but when I did I had the springs tightened up so that it could only bend down, that way the guitar would stay in tune if I broke a string.
My band was playing the Altoona Holiday Inn one night and we had a new lead guitarist who was a bit of a heavy metal musician who hadn’t totally bought into the mostly top 40 format that we performed. A group of his band mates from an old group were sitting at a front table heckling him most of the night but he perked up when we announced an Aerosmith song that he could show his stuff on.
He got pretty aggressive and broke a string on a bend and the next thing we knew he had launched his Les Paul at his hecklers and stomped off the stage leaving the rest of the band to finish the song without him.
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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