An acoustic waltz festooned with electropop arpeggios.
This is a small instrumental I wrote a very long time ago, at the time of my graduation from the religious school I attended for 6th, 7th, and 8th grades. It had words, but due to their teenage quality I am suppressing them in favor of this executive summary:
“Well, here we are, you and I. For years we were taught there was a god to protect us, but we know all we’ve really got is one another and now we can stop pretending. We are all that there is. I’ll believe in you if you believe in me.”
Laid out in Band-in-a-Box and finished up in Logic Pro. In the end we wind up with:
~364:Guitar, Acoustic, Fingerpicking Ev 065 ~368:Guitar, Acoustic, Strumming Ev 065
electric piano horn section recorder trumpet organ violin
EXCELLENT song Its nice to hear more instrumentals Super mix Great dynamics Two thumbs up
Thanks, Mario. And a hearty yo ho ho for more instrumentals.
Sometimes I feel like I'm at a starting disadvantage, being (with rare exceptions) a maker of instrumental music.
But then I think: "Hey, a singer is stuck with the voice they have, all the time, on everything they do, which places a huge burden on the lyrical and emotional content of their music. Plus they have to carve out a space in the mix and make sure their voice stands out against everything else, no matter how interesting the other stuff is. With an instrumental, however, you can go nutz and play with the whole range of tone colors available and 'sing' with a different voice in every verse."
So, again, yo ho ho for instrumentals and thanks for hear + speak. =8^)
You sure know how to surprise me with your creations! It's a wonderful melody, with a climbing harshness towards the end. Don't know if it was the electric piano and the guitar together, but that gave the song a nice twist.
You sure know how to surprise me with your creations! It's a wonderful melody, with a climbing harshness towards the end. Don't know if it was the electric piano and the guitar together, but that gave the song a nice twist. Enjoyed it!
Thanks, Hans, very glad you liked. I'm an old dog learning new tricks, working with ancient sheet music I carefully wrote out in 197* (the corner of the page is missing, I think it was 1974 but it could have been even earlier). I see that even back then I was intrigued by diminished chords, which are very audible here with all the arpeggiated hokey-pokey. Again, thank you.
Very cool! It starts out sounding like something from medieval times and then with the arpeggios moves into a a time far, far into the future. For me (Janice) this is a very visual song and I imagined I was on a merry-go-round inside of a kaleidoscope. We don't have a clue as to how you produced all those tracks other than the RT's but let a big ole "well done" suffice. We enjoyed this!
Thanks, folks.
By no coincidence the lead virtual instrument here is actually called "Medieval Recorder" in Logic, which is odd since recorders are still around today in the exact same form. I guess they want to distinguish the musical instrument from the kind of recorder that records.
Janice, your description of the merry-go-round / kaledioscope sounds like a fairy trap out of a Thomas Disch novel (he wrote about a world in which fairies fly around making nuisances of themselves, so people build fancy visual machines as defenses; the fairies stop to look and can never look away.) I'm happy to conjure an image like that! =8^)
PS – Attached is a picture of my arpegiattor (his name is "Arpegiattor"). Put two of these together and that's all that there is to it!
Really well done and a very creative arrangement . . . had me listening to the end, wondering where it might go next . . . it didn’t disappoint. Good stuff!
I love waltzes and I love waltzes that travel along with the feel of 6/8. So from bar 1, you had me (with two boxes of likeability ticked). This is a greatly inventive arrangement. It's mesmerizing how you move from and older sound into the world of distorted guitars. My right foot didn't stop tapping from start to end. A terrific listen.
So glad you dug it, thank you for listening!
Believe it or not, a version I recorded in 1986 sounds almost identical, except here I'm playing actual guitars and recorders, the arpeggio being supplied by an MC-202 MicroComposer:
Beautiful folk melody and very nice chord progression. I like the doubled recorder. Those arpeggios work really well, somehow reminds me of music in the computer games I used to play in the 80's with my Commodore 64 or those songs I made with it You should work on the lyrics, the summary is very promising
it's a very melodic and soft instrumental composition. I appreciated.
Originally Posted By: Scott C
Very pretty tune. Loved the melody. Got a Celtic vibe.
Originally Posted By: jannesan
Beautiful folk melody and very nice chord progression. I like the doubled recorder. Those arpeggios work really well, somehow reminds me of music in the computer games I used to play in the 80's with my Commodore 64 or those songs I made with it You should work on the lyrics, the summary is very promising
Thanks, all. It's really nice to see people liking this old thing after all this time.
FYI, here's the MicroComposer that did those arps back in the day.
Back in the day I desperately wanted an arpeggiator, as I was - and still am - a fairly mediocre keyboard player, and they seemed like a whole lot of fun.
Which is exactly the sort of sound it lends here.
Plus, waltzes are fun to listen to.
I can commiserate with you about instrumentals. I always feel a bit guilty when I write one, thinking I really should be working on lyrics. But I don't really feel that way when I listen to other people's instrumentals, oddly enough.
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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