Right click on the bar where you want the hold on the 2nd beat. Click on Chord Options. Click the Beat 2 radio button. Click the pull down box labeled Rest Type and select Rest Only. After that bar all instruments will resume.
Last edited by DC Ron; 04/28/1912:12 PM.
DC Ron BiaB Audiophile Presonus Studio One StudioCat DAW dual screen Presonus Faderport 16 Too many guitars (is that a thing?)
You can do this a couple of ways; you'll need to understand how BIAB implements what it calls Rests, Shots, and Holds.
If you want everyone in the band to just play a hit (shot) right on beat one and then not come back in until the next bar, then you would just implement a shot on the chord on beat 1 (see below).
If you want the band to just stop playing after beat one, then you can implement a rest on beats two, three, and four, and then come back in on beat one of the next bar.
For all three, (rests, shots, and holds), once you set it, it remains in effect until the next entered chord.
Rests - implemented with a single period after the chord name. So in your case, lets say the chord for the first bar is a D and the chord in the second bar is a G. What you would do is enter a D on the first beat (to play a D chord) and then a D-period (D.) on the second back to tell all the instruments to rest. Then in the next bar, enter a G chord on the first beat. What you will hear is: | Play D-rest-rest-rest | Play G ... |
Shots - implemented with a double period after the chord name. So in your case (instead of doing the above), you would enter a D-double period on beat one (D..) of the first bar and then a G chord on the first beat of the next bar. This will play a shot (hit) on the first beat and all instruments will rest until it sees the G chord on the first beat of the next bar.
Holds - this isn't what you are asking about, but you should know the capability. Holds are implemented with a triple period ofter the chord name. So if instead of the shot in the example above, you instead entered D-triple period on beat one (D...), instead of hitting a shot on that beat, all the instruments will just hold the chord until it finds the G in the next bar.
And now for more information than you even asked for, but should know:
Rests, shots, and holds can be modified even further by excluding specific instruments. You do this by putting the legacy instrument (track) names (indicated by a single letter for each instrument) after the dot(s). The legacy instruments names (in the order they appear in the radio buttons across the top are B for Bass, D for Drums, P for Piano, G for Guitar, and S for Strings. Since BIAB allows you to assign any instrument to the tracks, these may not be what you see on those tracks, but you just have to know this. So even if you have a Fiddle (indicated by an "F") on the Strings Track, you still need to use the letter "S".
So, if you implement a shot on beat one of the bar, but you want the drums to keep playing, you would enter a D after the period (D..d), which means play the "D" chord, and all instruments play a shot except the drums (which will keep on playing). If you want to also let the guitar track keep playing along with the drums, just add both letters after the dots. So, if you entered D..dg, then the instruments on the bass, piano, and strings track will play a shot, but the drums and guitar will keep playing their normal riffs.
You can only do rests, shots, and holds on the accompaniment tracks; not on the melody or soloist tracks.
You can read more about rests, shots, and holds in the PDF user manual on about page 133, or just look it up in the help file.
Hope this helps and hopefully didn't make your head explode. This is a great feature to make your songs more musical.
John
Laptop-HP Omen I7 Win11Pro 32GB 2x2TB, 1x4TB SSD Desktop-ASUS-I7 Win10Pro 32GB 2x1.5TB, 2x2TB, 1x4TB SATA
I should have said two dots (not one). One is a Rest, two is a Shot (and three is a Hold). As mentioned, and as is often the case, BIAB gives several ways to do things.
BIAB 2024 Win Audiophile. Software: Studio One 6.5 Pro, Swam horns, Acoustica-7, Notion 6; Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus Studio 192, Presonus Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors
Shots, holds and rests are my favorite features for making BiaB sound like a real band. A nice complimentary feature is "copy special..." under Edit for quickly copying the same shot/hold/rest patterns (like guitar shots on beats two and four) across as many bars as you wish. Another is "adjust shot velocity" under Options/Preferences/RealTracks for adjusting the loudness of shots/holds. These are all features worth exploring if you want to get the most out of BiaB.
DC Ron BiaB Audiophile Presonus Studio One StudioCat DAW dual screen Presonus Faderport 16 Too many guitars (is that a thing?)
I did this song some years ago. I will look around to see what remains. In the meantime here is what you need to emulate. Perhaps others can suggest how this is best done.
Going a bit further with this, is it possible to create a "triple hit", ala the bit in Van Morrison's Moondance that goes:
"... shine" /// "in your blush" ///
I don't know the piece, but assuming the hits aren't triplets, yes you can...using the methods listed above. If the lyric is one beat followed by three "hits" (in BIAB parlance, "shots") with X being the chord name:
X.. , X.. -- X.. , X.. would get you one bar with four "shots". Typing the comma will put the second command on the second or fourth beat.
If you want nothing to play on the first beat:
X. , X.. -- X.. , X.. would get you silence on the first beat followed by three "shots". Typing the comma will put the second command on the second or fourth beat.
If those shots are syncopated, that's another kettle and would require "pushes". What I outlined are four quarter beats. If they are triplets, then things are considerably more complicated.
Music Student posted while I was typing. Looks like a triplet over part of those hits, at least. Could be troublesome to copy exactly. Maybe he'll have better news for you.
How I'd approach bars 3 and 4 in the above is to use to use three bars of 3/4 followed by 1 bar of 2/4. The 3/4 bars would be used to play the triplet feel.
For the 3/4 bars, since three notes (i.e. the triplet) are being played in the time of two notes in the song, the tempo of the 3/4 bars would need to be increased to a new tempo of "original tempo" x 3/2. For example, if the song's original tempo is 100, then the 3/4 bars would need to be set to 100 x 3/2 = 150. How this would translate into Realtrack generation would depend on the Realtracks you've used. My experience is that some would be better than others. With MIDI tracks, though, it should work fine. (Note: the 2/4 bar would be at the same tempo as the original tempo in 4/4.)
User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
The Bob Doyle Media YouTube channel is known for demonstrating how you can creatively incorporate AI into your projects - from your song projects to avatar building to face swapping, and more!
His latest video, Next-Level AI Music Editing with ACE Studio and Band-in-a-Box, he explains in detail how you can use the Melodist feature in Band-in-a-Box with ACE Studio. Follow along as he goes from "nothing" to "something" with his Band-in-a-Box MIDI Melodist track, using ACE Studio to turn it into a vocal track (or tracks, you'll see) by adding lyrics for those notes that will trigger some amazing AI vocals!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Add updated printing options, enhanced tracks settings, smoother use of MGU and SGU (BB files) within PowerTracks, and more with the latest PowerTracks Pro Audio 2024 update!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.