|
Log in to post
|
Print Thread |
|
|
|
|
|
Off-Topic
|
Joined: Dec 2023
Posts: 37
Enthusiast
|
OP
Enthusiast
Joined: Dec 2023
Posts: 37 |
Ok - I'll go first. I'm working on the Cherry Lane transcription to John Denver's "Country Roads". I'm comfortable with fingerpicking - but there's so many different changes to the patterns in this song it's giving me a real challenge to memorize it and play it fluently. Now I know I don't have to play the arrangement as in that transcription - I'm not even sure John came up with that arrangement, but if he did, it's really brilliant, giving that "simple" song an understated sophistication.
Also working on "Cat's in the Cradle" transcription, and that one is also tricky.
Now I know I don't have to play the transcription as written, and most people would have no idea, for most of these fingerpicking songs - but it's the fine, subtle picking patterns and rhythms that make the overall song/arrangement sound so good (IMHO). Also on this song, the key really confuses me. The chords to the verse are:
A_________ C_________ D _________ A
My child.... Came to... usual way
What key is this ? I suppose maybe A with a borrowed chord C from A minor ? How would you solo or improvise over that when you reached the C chord ? In the chorus you have the chords
A _________ G_________ C _________ D
And the cat's... Silver spoon Little boy blue....
Again -what key ? A with some chords borrowed from A minor ? And same question ....
Also - what other songs use a similar progression as that in the Cat's in the Cradle ?
Last edited by Joe Videtto2; 11/07/24 05:07 PM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Dec 2002
Posts: 11,988
Veteran
|
|
Veteran
Joined: Dec 2002
Posts: 11,988 |
Your question about the Key for Harry Chapin's Cats in the cradle is classic and has been discussed before. "...The A, C, and D are based around fitting the A minor pentatonic melody. Basically blues let's you get away with mashing any major chord into that scale. The walk down from G is a temporary modulation to G major, which as a key isn't very far from A mixolydian, which I'd put the overall song in. Now in the G major section normally the walk down would take you from C to Em, then Am, D, G. But at this point he's strongly established A major as the home chord. If the song were in G, the A major would sound like a secondary dominant pulling to D7, but it doesn't. Your brain lets that short section in G jump right back to A." https://www.reddit.com/r/musictheory/comments/65t0ge/why_does_cats_in_the_cradle_work/
BIAB – 2025, Reaper (current), i7-12700F Processor, 32GB DDR4-3200MHz RAM, 1TB WD Black NVMe SSD, 2TB WDC Blue SSD, 1TB WD Blue, 2 TB SK NVMe, 6 TB External, Motu Audio Express 6x6
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: May 2000
Posts: 21,934
Veteran
|
|
Veteran
Joined: May 2000
Posts: 21,934 |
The Six Wives of Henry VIII (Wakeman/Yes)
Hopefully don't have to explain why
I had to buy the transcription and actually read some parts of it to learn it. Felt like I was back in school again.
Last edited by rharv; 11/08/24 04:09 PM.
I do not work here, but the benefits are still awesome
Make your sound your own!
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Dec 2003
Posts: 21,939
Veteran
|
|
Veteran
Joined: Dec 2003
Posts: 21,939 |
Circa 1962, Chuck Berry's Johnny B Goode!
I actually ruined that album trying to learn all of those licks!
Have you ever noticed there are no lines to a bathroom at a water park?
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Nov 2008
Posts: 1,890
Expert
|
|
Expert
Joined: Nov 2008
Posts: 1,890 |
In the key of A, all of these chords CAN sound right (to me), depending on context: A, B, C, D, E, F, G. I find the slippery harmonic shifts like C# to C a bit mind bending and (potentially) a lot of fun. Posted this tune a few months ago that exercised most of these ideas, just in the key of G. The "wrong" chords helped me express the disorienting effect of being lost in a big city rainstorm...
Last edited by DC Ron; 11/08/24 06:12 PM.
DC Ron
BiaB Audiophile
Presonus Studio One
StudioCat DAW dual screen
Presonus Faderport 16
Too many guitars (is that a thing?)
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2009
Posts: 9,842
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 9,842 |
Hummmm... I'd have to say.... Saddle Tramp* by Charlie Daniels (*the second part) .... and Green Grass & High Tides by The Outlaws. I was in a country rock band at the time with two guitars, bass and drums and we were playing a lot of the songs of that era. And a couple of the songs off Frampton Comes Alive. Those Frampton songs were just fun tunes to learn. One day while I was working on one of the songs on that album, I heard a knock at my door followed by "open up, Police". I won't bore you with the details since I've told it before, but the elevator version is it was a drummer and a bass player from a working band. They came in and listened and invited me to jam with them that night at a local club. I ended up being hired as a full time lead guitarist for their band.
I don't know that any of them were particularly difficult to learn. Challenging was probably a better word if you wanted to learn it note for note. I took a few days of listening and learning to pull them off. Another fun tune was Sultans of Swing because it has lots of little tasty fills throughout.
If you're not familiar with the songs I named.... go listen to them on YouTube.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jul 2000
Posts: 6,234
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 6,234 |
Harlem Nocturne, - the Viscounts version.
I was a kid. Back then, we didn't have the written music resources we do now. The only things available were at the rack in the music store. There were no fake books, except the illegal ones traded by the then older, pro, musicians. So I learned it by ear.
For the sax it's in F#, which for a not yet mature saxophonist, is a * tricky key.
I wore out and eventually damaged the vinyl record, and it took quite a few hours, picking out the notes, one at a time.
But it was a labor of love, good ear training, and the song served me well for many decades on stage.
Today, I make my own backing tracks, drums, bass, and comp parts, and Mrs. Notes and I play and sing live on top of those tracks. Having sheet music available, an ear trained with many years experience, and physical skills also developed, songs aren't that hard. They can be very time consuming, learing all the parts, and often there are problems to be worked out, but nothng as hard as an untrained ear picking the notes out, one at a time, using a record player as the source.
Notes ♫
* for the guitarist in the group. Unlike guitar, the sax fingering for the same song is quite different in every key. F# was a difficult key a the time, although, I eventually learned to love it. F# on the tenor sax is E on the guitar, the Bb sax is tuned two half steps higher.
Bob "Notes" Norton  Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Dec 2003
Posts: 21,939
Veteran
|
|
Veteran
Joined: Dec 2003
Posts: 21,939 |
.......................................
* for the guitarist in the group. Unlike guitar, the sax fingering for the same song is quite different in every key. F# was a difficult key a the time, although, I eventually learned to love it. F# on the tenor sax is E on the guitar, the Bb sax is tuned two half steps higher. I got a chuckle out of the above. I joined my first wedding band in 1970 and the leader was a saxophonist. I had to learn how to play in all of the flat keys. Eb is one of the hardest keys for a guitarist to play, that is until you really learn it. Luckily I could read music so that helped. PS - I still have one of those original "illegal" fake books! I had to buy one so I could practice in those darn flat keys!
Have you ever noticed there are no lines to a bathroom at a water park?
64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jul 2000
Posts: 6,234
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 6,234 |
Many of my sax and trumpet playing friends adore Bb, Eb and Ab. I think because a lot of standard jazz and big band tunes are written in that key.
I've known pianists who like the flat keys because they can feel the black keys on the piano without looking at it.
Since I was in Jr. High, instead of brass bands, I've played with guitarists in rock bands. I'm more comfortable in concert E (F# on tenor sax), A (B on sax), G (A on sax) than I am in Eb or Ab.
For rock/blues songs I prefer concert E, F, and G due to the characteristics of the tenor sax (F#, G, A.) and how the tone changes at the octave break. But I can play in any key, some more fluently than others, only because more songs are in those keys.
Play in any key often enough, and your muscle memory will eventually make it comfortable.
For those who don't know, when changing the key on the sax, the fingering is entirely different. So learning a song in one key, and then modulating it up a half step, is like learning the song all over again.
Fast forward >> and the seventh instrument I learned how to play is guitar. Playing a song in C that changes to C# at the end. What? I don't have to change the fingering, just move my hand up a fret? Wow!!! Wanna change it again??? And again!?!?!?!?
On the other hand, reading music is much easier on the sax. One note at a time, and no choice about which of the multiple same note positions on the fretboard to choose.
But of all the instruments I've learned, what I call the 8th is the most difficult - voice. On the sax, I press the right buttons and the right note comes out. The voice doesn't work that way. I spent more time devoping how to be an adequate singer than I did on any other instrument I've tried so far.
Notes ♫
Bob "Notes" Norton Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: May 2000
Posts: 21,934
Veteran
|
|
Veteran
Joined: May 2000
Posts: 21,934 |
For those who don't know, when changing the key on the sax, the fingering is entirely different. So learning a song in one key, and then modulating it up a half step, is like learning the song all over again. Well, yeah. Same with a lot of other instruments. Moving up a half step on any brass instrument is totally different too (and to be honest may affect my note choices at times, not because of the note, but because how that fingering would sound ..)
I do not work here, but the benefits are still awesome
Make your sound your own!
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jun 2012
Posts: 19,595
Veteran
|
|
Veteran
Joined: Jun 2012
Posts: 19,595 |
I've known pianists who like the flat keys because they can feel the black keys on the piano without looking at it. An interesting approach, that I guess might work for some. I don't know the full explanation, but I can sit at a piano, close my eyes and then play any note or chord with my left hand. Black keys don't usually matter. I was at a George Shearing concert many years ago, and he mentioned that someone had asked him how did he know where Middle C was? To the audiences amusement, he stated that it was simple: "it was the C note nearest to the key lock on the piano" 
BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jan 2013
Posts: 1,317
Expert
|
|
Expert
Joined: Jan 2013
Posts: 1,317 |
Mornin' everyone.... I'm just a rhythm guitarist/song writer. There is (2) that come to my mind right away. When I do select a cover to flesh out I adhere to the original as best as I can. So, for me: 1) Kid Charlemagne: Steely Dan Lots of changes and many different ways to play it. With the help of my collaborator-in-chief (Ken Lasaine) I finally chose my way to play it and it took me a couple months to actually get comfortable with it. 2) Rio De Janiero Blue: Randy Crawford. A very smooth, captivating song with impeccable vox by Randy. Coming up with the best way to play the chords was a challenge for me. Thanks to Kens' help again I stuck with it and became 'comfortable' with this one too. My version of both is on my YT page if remotely curious. I was quite nervous when recording both of these and almost screwed up the KC take early on but got lucky and recovered my rhythm playing composure. Happy Veterans Day and my respect to all that have served honorably. Carry on.
Last edited by chulaivet1966; 11/11/24 05:09 AM.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jul 2000
Posts: 6,234
Veteran
|
|
Veteran
Joined: Jul 2000
Posts: 6,234 |
<...snip...>
An interesting approach, that I guess might work for some. I don't know the full explanation, but I can sit at a piano, close my eyes and then play any note or chord with my left hand. Black keys don't usually matter.<...> I was in a band that hired a blind pianist, Gilbert Montagne, who went beck to France and became a major star. He could play in any key and could hear the changes without asking what the chords were on songs he played for the first time. On the other hand, I've noticed a lot of Stevie Wonder songs are in flat keys. I guess it depends on the player. I'm not a good enough pianist to play without looking at the keys when I need to move hand positions. Same with guitar. Since sax/windsynth/flute occupy most of my playing time, I just haven't put in the thousands of hours required for that skill. But I still get a little delight in changing keys on the guitar, and keeping the same fingering.
Bob "Notes" Norton Norton Music
https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove
& Fake Disks for MIDI and/or RealTracks
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Jan 2015
Posts: 2,207
Veteran
|
|
Veteran
Joined: Jan 2015
Posts: 2,207 |
I was at a George Shearing concert many years ago, and he mentioned that someone had asked him how did he know where Middle C was? To the audiences amusement, he stated that it was simple: "it was the C note nearest to the key lock on the piano" Oh, right, that's my problem then ... my MP6 doesn't have a key lock. 
Jazz relative beginner, starting at a much older age than was helpful.
AVL:MXE Linux; Windows 11
BIAB2024 Audiophile, a bunch of other software.
Kawai MP6, Ui24R, Focusrite Saffire Pro40 and Scarletts
.
|
|
|
|
|
|
|
|
|
|
|
|
|
Off-Topic
|
Joined: Apr 2009
Posts: 9,842
Veteran
|
|
Veteran
Joined: Apr 2009
Posts: 9,842 |
I've known pianists who like the flat keys because they can feel the black keys on the piano without looking at it. An interesting approach, that I guess might work for some. I don't know the full explanation, but I can sit at a piano, close my eyes and then play any note or chord with my left hand. Black keys don't usually matter. I was at a George Shearing concert many years ago, and he mentioned that someone had asked him how did he know where Middle C was? To the audiences amusement, he stated that it was simple: "it was the C note nearest to the key lock on the piano" I've told this before.... At a church I attended several years ago, I was in the orchestra. We had 3 really, really good piano players who swapped out or one was on the piano and the other on a synth/organ. The other one was the music minister and was the conductor. You could put a piece of music in front of any of them that they had never seen or heard before. Didn't matter what the key was. They could look at it, and then play it flawlessly like they'd been playing it their entire lives. BUT, tell them we're going to jam in the key of A major with a 1-4-5 progression and they had no clue what you were talking about and they were, in fact, unable to play along. Of course, I was just as clueless on the flip side when I was presented with a piece of sheet music with 5 flats and no chord charts. Practically everything we played on the stage at that church was in the keys of Bb, Eb, and Ab. It was interesting, to say the least, to play along with the orchestra. Yeah, an no capo.... I'd learned the chords and didn't use one and that blew the mind of the other guitar player.
You can find my music at: www.herbhartley.comAdd nothing that adds nothing to the music. You can make excuses or you can make progress but not both. The magic you are looking for is in the work you are avoiding.
|
|
|
|
|
|
|
|
|
|
|
|
Ask sales and support questions about Band-in-a-Box using natural language.
ChatPG's knowledge base includes the full Band-in-a-Box User Manual and sales information from the website.
|
|
|
|
|
|
|
|
|
|
|
Band-in-a-Box 2025 for Windows is Here!
Band-in-a-Box® 2025 for Windows is here, packed with major new features and an incredible collection of available new content! This includes 202 RealTracks (in Sets 449-467), plus 20 bonus Unreleased RealTracks in the 2025 49-PAK. There are new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 4, two new sets of “RealDrums Stems,” XPro Styles PAK 8, Xtra Styles PAK 19, and more!
Special Offers
Upgrade to Band-in-a-Box® 2025 with savings of up to 50% on most upgrade packages during our special—available until December 31, 2024! Visit our Band-in-a-Box® packages page for all the purchase options available.
2025 Free Bonus PAK & 49-PAK Add-ons
We've packed our Free Bonus PAK & 49-PAK with some incredible Add-ons! The Free Bonus PAK is automatically included with most Band-in-a-Box® for Windows 2025 packages, but for even more Add-ons (including 20 Unreleased RealTracks!) upgrade to the 2025 49-PAK for only $49. You can see the full lists of items in each package, and listen to demos here.
If you have any questions, feel free to connect with us directly—we’re here to help!
New! Xtra Styles PAK 19 for Band-in-a-Box 2024 and Higher for Windows!
Xtra Styles PAK 19 for Windows & Mac Band-in-a-Box version 2024 (and higher) is here with 200 brand new RealStyles!
We’ve got 200 new styles coming your way spread across the rock & pop, jazz, and country genres as well as the second iteration of our Blues volume!
In this PAK you'll find: soft singer-songwriter pop, New Orleans grooves, lilting country waltzes, tight ‘n’ groovy funk, garage punk, smooth soul, gospel jazz, up-tempo train grooves, and more variations on the blues than you’ll know what to do with! Xtra Style PAK 19 features these styles and many, many more!
All the Xtra Styles PAKs 1 - 19 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 19.
Video: Xtra Styles PAK 19 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2024 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 8 for Band-in-a-Box 2024 and higher for Windows!
We've just released XPro Styles PAK 8 for Windows & Mac Band-in-a-Box version 2024 (and higher) with 100 brand new RealStyles, plus 32 RealTracks/RealDrums!
With XPro Styles PAK 8 there are the usual 75 styles spread across the rock & pop, jazz, and country genres (25 styles each), as well as 25 styles utilizing world music instruments, bringing the total to an even 100.
Here’s a sample of what XPro Styles PAK 8 has to offer: 12-8 country-rock ballads, cool soul-jazz, easy listening Americana, hip-hop beats, Latin jazz-fusion, classic rock, electronic dance music, heavy modern-jazz, charming indie-folk, and even some experimental ‘60s rock! Order’s up and hot to go!
Special Pricing! Until December 31, 2024, all the XPro Styles PAKs 1 - 8 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 8 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2024 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 19 for Band-in-a-Box 2024 for Mac!
Xtra Styles PAK 19 for Mac & Windows Band-in-a-Box version 2024 (and higher) is here with 200 brand new RealStyles!
We’ve got 200 new styles coming your way spread across the rock & pop, jazz, and country genres as well as the second iteration of our Blues volume!
In this PAK you'll find: soft singer-songwriter pop, New Orleans grooves, lilting country waltzes, tight ‘n’ groovy funk, garage punk, smooth soul, gospel jazz, up-tempo train grooves, and more variations on the blues than you’ll know what to do with! Xtra Style PAK 19 features these styles and many, many more!
All the Xtra Styles PAKs 1 - 19 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of Xtra Styles PAK 19
Video: Xtra Styles PAK 19 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2024 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 8 for Band-in-a-Box 2024 for Mac!
We've just released XPro Styles PAK 8 for Mac & Windows Band-in-a-Box version 2024 (and higher) with 100 brand new RealStyles, plus 32 RealTracks/RealDrums!
With XPro Styles PAK 8 there are the usual 75 styles spread across the rock & pop, jazz, and country genres (25 styles each), as well as 25 styles utilizing world music instruments, bringing the total to an even 100.
Here’s a sample of what XPro Styles PAK 8 has to offer: 12-8 country-rock ballads, cool soul-jazz, easy listening Americana, hip-hop beats, Latin jazz-fusion, classic rock, electronic dance music, heavy modern-jazz, charming indie-folk, and even some experimental ‘60s rock! Order’s up and hot to go!
Special Pricing! Until December 31, 2024, all the XPro Styles PAKs 1 - 8 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 8 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2024 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Generate Lyrics for your Band-in-a-Box songs with LyricLab!
Need some lyrics to complete your Band-in-a-Box song? LyricLab is here to help!
LyricLab (by Joanne Cooper) is an AI-powered tool designed to quickly create lyrics and chords to fit your music. Just enter a rough idea of your lyrics, and let the AI bring them to life. Once you're happy with the results, simply import the LyricLab file into Band-in-a-Box® 2024 or newer. From there, you can pick your style and generate melodies to match your song’s chords!
Learn more about LyricLab here!
Watch the video.
Band-in-a-Box 2024 Italian for Mac is Here!
Ci siamo dati da fare e abbiamo aggiunto oltre 50 nuove funzionalità e una straordinaria raccolta di nuovi contenuti, tra cui 222 RealTracks, nuovi RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, Playable RealTracks Set 3, Playable RealDrums Set 2, due nuovi set di "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 e altro ancora!
Tutti Pacchetti | Nuove Caratteristiche
|
|
|
|
|
|
|
|
|
|
|
|
Forums65
Topics83,268
Posts756,072
Members39,080
| |
Most Online3,932
Nov 19th, 2024
|
|
|
|
|
|
|
|
|
|
|
|
There are no members with birthdays on this day. |
|
|
|
|
|
|
|
|
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean