pghboemike:
That is a cool piece of work.
Would you mind elaborating for the benefit of the (largely) self taught an example or two of how you
(or any others on this thread) put this remarkable tool to use?
I can see how advanced composers such as
Mario or Matt Finley, David Snyder, or yourself might run into
theoretical applications quite often beyond
the scope of counting by fingers, (my method.) I have also been struck by how many Berklee grads, esp. the jazz ones, are so totally versed in chords.
Briefly, how can this tool help someone like me?

Last edited by edshaw; 11/07/18 03:55 AM.
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