Originally Posted By: Tangmo
I've used them a lot, including many times before I knew that's what I was doing. Primarily, I move from one to another to differentiate sections (A, B, C) so that a verse, say, may be in C, but the chorus in Am. But just to borrow a chord from the relative major/minor key works musically even without changing the tonal center. It depends on how long you hang there.


Thats strategic! I would imagine that makes for fairly smooth transitions between sections.


Cheers,
Joe