The thing that really caught my attention was how the melody didn't align with the beat. So there's an interplay between where the lyric is expected to start - on the downbeat - and actual start, which is quite unpredictable.

Very cool.

I had my son listen to it, and his comment was that he thought it had some odd rhyme scheme that he couldn't work out, which was also my impression. But that's not the case at all. A sort of "aural" illusion.

And if I were Noel, I could mention how this is reflective of the singer's emotional turmoil and confusion, and how this prosody aligns with the teaching of Pat Pattison. wink

Everything else has pretty much been said. Excellent work, as usual. Fun (and educational) listen.


-- David Cuny
My virtual singer development blog

Vocal control, you say. Never heard of it. Is that some kind of ProTools thing?