Matt, thanks so much for listening and also for the comments and recommendations. I’ve listen to your Brazilian recording and love it so I know you are well-versed in the style. I’m recovering from shoulder surgery so mostly replying via Siri, otherwise I would go into more detail about how much I enjoyed your recording. But I do look forward to listening again.

And thanks so much for the suggestions – you are correct that the tempo is 240 , And the soprano sax is at 190. So a middle ground. When I get a chance to sit back at the computer I will experiment a bit more with some tempos and other settings. I have used the halftime and double time settings on other tunes and it’s giving some good results in some cases. I’m still like a kid in a candy store with Band in a box, having all of these virtual side man at my beckoning . So still working out my own best practices and checklist for the whole workflow. I’m having a blast with it.!

A question you or someone else might be able to help with. If I do want to work with the tempo change, I had frozen the tracks in the BiaB file because I like the sax and how it would integrate with the vocal. If I change the track tempo I assume I would have to unfreeze everything and then I would get completely different playing. Is there some notion where unfreezing a track would still give the same patterns that were played previously? I hope that makes sense. I would think BiaB internally has to have some "road map" they calculate for each instrument each time the tracks are regenerated. Would be nice to freeze that.

Last edited by cwiggins999; 08/15/20 05:59 AM.
Chuck Wiggins

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