My first impression of the composition after listening to it once caused me to loosely describe it as a kind of 'stream-of-consciousness' jazz performance, akin to many jazz songs composed using the modal approach, which gives those works and yours a flowing, never-ending, timeless feel. Sustains a cozy, quiet, cheek-to-cheek mood, too.

I would say that the path to a melody for this song is waiting for you right there amongst the chord tones of your progressions. It was easy for me to hear a rather free-form vocal in the style of great rhythmically-gifted singers such as Jon Hendricks or King Pleasure.

Last edited by Ardent; 10/18/20 07:06 PM.