+1
Sure thing.

The Jjazzlab guy “solved” the problem by using the Cm11 chord as a base for the midi and has underlying scales. That means you would not need hundreds of chords, only about 20, be it with different chord tones as specified by the way you notate the chord (Amb6 or Am9b6).
There’s only the major scales (7 chords), melodic minor (7 chords), harmonic minor (7 chords), diminished, wholetone and augmented.
With those 6 scales and their modes you can play anything from Ellington to Dewey Redman… and back.

If you listen to how Jjazzlab works, really sounds good, even with complex harmony. Lydian, phrygian and sus13b9 (II-chord from melodic minor)? No prob.

Biab should step up their game, definitely, to accomodate complex harmony.


Biab, Kontakt, Sampletank and lots of nice libraries, from Fluffy audio to Abbey Road drums.
Check out these great contemporary Jazz Styles: www.jazzstylezz.com