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Joined: Jul 2000
Posts: 6,104
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Joined: Jul 2000
Posts: 6,104 |
Quote:
I agree that the delay between songs can empty the dance floor. Have you had any luck with playback songs using ptw and the jukebox feature? Ive been getting into that lately and it seems to do well to reduce dead time.
First of all, I don't use the jukebox feature, because I call the songs as the crowd needs them (or at least how I think the crowd needs them). I am not clairvoyant enough to know when they have had enough fast songs or when they might need a waltz, but I can usually tell by analyzing the faces and body language of the people on the dance floor.
I do not use BiaB on stage for 2 reasons (1) even without RTs, it takes too long to load the song, and it is nearly impossible to sync the beats of one song to the next and (2) personally, as good as BiaB's output is, I don't think it is good enough for stage play.
I can actually go from song to song without missing a beat (depending on the songs I select) with absolutely zero time between songs - much like a DJ mixes songs.
I want to sound better than all of my competition and that means adding song specific parts, and extensively editing the BiaB output - something that can only be done with MIDI styles.
Using BiaB" straight out of the box I can sound like a good band. After editing the tracks, adding some parts, subtracting some parts, and moving others around, changing instruments, adjusting volumes, putting in real intros/endings, adding crescendos, diminuendos, accelerandos, ritardandos, etc.and I can sound like an excellent band. I know it does take time to convert a good BiaB product to an excellent one, but I'm going to play those songs hundreds if not thousands of times and I want them to sound good for me to play sax/guitar/flute/synth/or/vocals on top of, and I want to sound better than my competition so I can ask for more money and get more work. It's the main reason why like most pros, I prefer MIDI to loops.
I have a page devoted to how I create and use my backing tracks here: http://www.nortonmusic.com/backing_tracks.html
I also use mp3 files, and bring 2 computers on stage. That way my backing tracks are pretty much fail-safe. If one computer goes, I can get by with another. (We actually have 3 computers, and the spare computer had everything needed in case either Leilani's or my computer crashes.)
My philosophy is that if I want to survive as a musician, I should do everything to the absolute best of my ability and simply offer a better sounding and more professional product than my competition. I'm approaching senior-citizendom and for most of my life I've made my living doing music and nothing but music. So it's obviously working.
There are those who will settle for less; Using BiaB straight out of the box, buying sequences, taking long breaks, missing the downbeat, using set lists instead of having a dialog with the audience, playing at inappropriate volume levels for the gig, not having the best stage presence, etc., etc., etc., and personally, I'm glad there are so many that do --- because I can come off with a better product, charge more per gig, and get more work than they do.
The way I figure it is: I am not an employer of the place were I gig. Instead I am a sub-contractor, a purveyor of entertainment. The restaurant/yacht club/country club/etc. chooses the food purveyor that does a better job than the competition, a private party chooses the best caterer, and they make other choices for getting the best they can for the budget they have.
I want to be much better than the competition so that it's worth it to pay a little bit more and I do my best to be just that. Of course, I'm limited by by personal talents, but I work on making the best of what either God or Darwin gave me.
Insights and incites by Notes ♫
Bob "Notes" Norton Norton Music https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove & Fake Disks for MIDI and/or RealTracks
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Ask sales and support questions about Band-in-a-Box using natural language.
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User Video: Next-Level AI Music Editing with ACE Studio and Band-in-a-Box®
Band-in-a-Box® 2024 German for Windows is Here!
Band-in-a-Box® 2024 für Windows Deutsch ist verfügbar!
Wir waren fleißig und haben über 50 neue Funktionen und eine erstaunliche Sammlung neuer Inhalte hinzugefügt, darunter 222 RealTracks, neue RealStyles, MIDI SuperTracks, Instrumental Studies, "Songs with Vocals" Artist Performance Sets, abspielbare RealTracks Set 3, abspielbare RealDrums Set 2, zwei neue Sets von "RealDrums Stems", XPro Styles PAK 6, Xtra Styles PAK 17 und mehr!
Paket | Was ist Neu
Update Your PowerTracks Pro Audio 2024 Today!
The Newest RealBand 2024 Update is Here!
The newest RealBand 2024 Build 5 update is now available!
Download and install this to your RealBand 2024 for updated print options, streamlined loading and saving of .SGU & MGU (BB) files, and to add a number of program adjustments that address user-reported bugs and concerns.
This free update is available to all RealBand 2024 users. To learn more about this update and download it, head to www.pgmusic.com/support.realband.htm#20245
The Band-in-a-Box® Flash Drive Backup Option
Today (April 5) is National Flash Drive Day!
Did you know... not only can you download your Band-in-a-Box® Pro, MegaPAK, or PlusPAK purchase - you can also choose to add a flash drive backup copy with the installation files for only $15? It even comes with a Band-in-a-Box® keychain!
For the larger Band-in-a-Box® packages (UltraPAK, UltraPAK+, Audiophile Edition), the hard drive backup copy is available for only $25. This will include a preinstalled and ready to use program, along with your installation files.
Backup copies are offered during the checkout process on our website.
Already purchased your e-delivery version, and now you wish you had a backup copy? It's not too late! If your purchase was for the current version of Band-in-a-Box®, you can still reach out to our team directly to place your backup copy order!
Note: the Band-in-a-Box® keychain is only included with flash drive backup copies, and cannot be purchased separately.
Handy flash drive tip: Always try plugging in a USB device the wrong way first? If your flash drive (or other USB plug) doesn't have a symbol to indicate which way is up, look for the side with a seam on the metal connector (it only has a line across one side) - that's the side that either faces down or to the left, depending on your port placement.
Update your Band-in-a-Box® 2024 for Windows® Today!
Update your Band-in-a-Box® 2024 for Windows for free with build 1111!
With this update, there's more control when saving images from the Print Preview window, we've added defaults to the MultiPicker for sorting and font size, updated printing options, updated RealTracks and other content, and addressed user-reported issues with the StylePicker, MIDI Soloists, key signature changes, and more!
Learn more about this free update for Band-in-a-Box® 2024 for Windows at www.pgmusic.com/support_windowsupdates.htm#1111
Band-in-a-Box® 2024 Review: 4.75 out of 5 Stars!
If you're looking for a in-depth review of the newest Band-in-a-Box® 2024 for Windows version, you'll definitely find it with Sound-Guy's latest review, Band-in-a-Box® 2024 for Windows Review: Incredible new capabilities to experiment, compose, arrange and mix songs.
A few excerpts:
"The Tracks view is possibly the single most powerful addition in 2024 and opens up a new way to edit and generate accompaniments. Combined with the new MultiPicker Library Window, it makes BIAB nearly perfect as an 'intelligent' composer/arranger program."
"MIDI SuperTracks partial generation showing six variations – each time the section is generated it can be instantly auditioned, re-generated or backed out to a previous generation – and you can do this with any track type. This is MAJOR! This takes musical experimentation and honing an arrangement to a new level, and faster than ever."
"Band in a Box continues to be an expansive musical tool-set for both novice and experienced musicians to experiment, compose, arrange and mix songs, as well as an extensive educational resource. It is huge, with hundreds of functions, more than any one person is likely to ever use. Yet, so is any DAW that I have used. BIAB can do some things that no DAW does, and this year BIAB has more DAW-like functions than ever."
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