Quote:
For the record, what I have an aversion to is not amp modeling but presets. Particularly ones that allege to make you sound like a particular record because it's nothing but BS marketing hype.
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Byron Dickens



So... those presets are based on someone else's opinion and gear that is connected to that particular amp/modeler. If they used a guitar with dual humbuckers and I use a different guitar with perhaps single coils, or even humbuckers of a different kind.... nope... it's not going to sound exactly the same. Close, but still not exact.

However, what I have learned is that to get a certain sound, whether it's a guitar model preset or a preset in Ozone or some other FX processor, the preset is often a very good starting point. I take that preset, tweek it and then save it with an overwrite and it's now MY preset and even then, when I go to use it in a project.... it's almost always nothing but a starting point for the sound I seek.


NOTE: Here's something else I have learned.... Even when I played professionally, I would have nights where I just couldn't seem to get the tone dialed in while using the same gear nightly on the same stage I had played before. Then there were other nights where it was sweet from the sound check and throughout the show. Mesa Boogie and Gibson tended to give me the tone more consistently once I got the Mesa. Point being.... tone varied for me even using the same gear from night to night. Not by much, and others in the band didn't notice or say anything.... other than "it sounds good to me" .......

You can find my music at:
www.herbhartley.com
Add nothing that adds nothing to the music.
You can make excuses or you can make progress but not both.

The magic you are looking for is in the work you are avoiding.