There are no rules set in stone when it relates to music!

There are a number of things I would do to enhance the sus to major chord transition. For example I might play a D note for the first three measures then a C# to A in the fourth measure. Or an A for the first two measures, a D for the third and a C# in the fourth. Or A for the first two measures, an A to D in the third and again a C# to A in the fourth. It also depends on what the other musicians and the lead(s) are playing. It also depends if you want or need to enhance the transition. You are not limited to playing the tonic on the bass for every chord.

Just play around and see what is best for you. YMMV


I want my last spoken words to be "I hid a million dollars under the........................"

64 bit Win 10 Pro, the latest BiaB/RB, Roland Octa-Capture audio interface, a ton of software/hardware