Background:
We watch Finding Your Roots on PBS from time to time and this was inspired by that program. The instrumental uses a minimum of BiaB (drums only) and I’m not sure how many chords it has. I’m thinking two. There is no chorus or bridge and my goal was to invoke a sense of ants marching in a line.

Technicals:
90 BPM and mixed in Studio One

BiaB:
RealDrums in style:BluesRockFunky16ths^3-a:Snare, HiHat , b:Busy Snare, Ride

Me:
Electric Bass
Studio One Drum Sequencer (Hi Hat)
Korg Keyboard
1. Flute
2. Nylon Guitar
3. Grand Piano
4. Synth
5. Bells
6. Choir Voices

DNA

Poem:
Deoxyribonucleic acid, much better known as DNA
Affects you as a person, every year and every day

In 1869 a Swiss doctor first isolated it from surgical bandages
After deductive reasoning, much hard work and scientific practices

Then Watson, Crick, Gosling and Franklin came along in ‘51
Establishing microbiology with a Nobel Prize they had won

The double helix, so beautiful and unique
Fundamental to life, so intelligent, so sleek

Common in every cell you will ever grow
Hair and muscle and the blood that flows

Far more than just a polymer or chemistry on a shelf
It’s smart enough to replicate and even repair itself

Not entirely perfect and it can make mistakes
But it does its best on land in rivers, oceans and lakes

It wants to live and strives to survive
Yet I wonder if it knows it’s alive

Some from your parents and relatives you never knew
A family heritage and bio-chemical brew

Like a column of ants marching straight in a line
DNA moves backward and forward thru space and time

We can trace it back thousands of years from a very small sample
From people and reptiles and plants for example

Letters and words and finally your biography
Much more elegant than simple photography

Tweaking it could cure cancer or cause great harm
Let’s proceed carefully and not bet the farm

Is it thriving elsewhere in our galaxy we can’t yet say
But if it is, I’d bet it’s made of T’s, C’s, G’s and A’s

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For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.