Joanne, I have not tried Chordify. Up until Song Master Pro, my go-to program for chord transcription (besides me) has been Chord AI, an iOS app. If you are familiar with that excellent app, perhaps it will help to know that Song master Pro is far better.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
I just ran a song (Naufragio as sung by Ibrahim Ferrer) through the demo version. It did a very nice, if overly complex version of the chords. Often it would change chords entirely on a bass line change (passing tones). Mostly enharmonics, but something you notice. Nice work, but I would simplify before before bringing to rehearsal.
Nevertheless, Good stuff overall. If I could import the xml into biab and get decent charts that would save a lot of work. I guess you really won't know the cleanup effort till you buy the stuff.
I think I'll give them the $$$
biab2024(Mac) Latest Build Mac OS (Latest) Apple Mac Mini M2 pro 32GB Ram Logic Pro 11 Irwin Vice Grip Fencing Pliers
If I could import the xml into biab and get decent charts that would save a lot of work.
I export music xml from Song Master Pro > Musescore all the time and it works flawlessly. It's an incredible time saver.
Unfortunately, I've made a few testes importing those same music xml files into BIAB and the result hasn't been good. In fact, I've never been able to use Biab music xml import / export feature successfully.
Unfortunately, I've made a few tests importing those same music xml files into BIAB and the result hasn't been good. In fact, I've never been able to use Biab music xml import / export feature successfully.
Yes, that's the same experience that I have had.
BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
I did some more tests looking into the MusicXML files. Both BIAB and Songmaster PRO are using MusicXML 3.0 But they seem to handle the chord ”qualifier/extenstion specification" differently!
Looking in the MusicXML files for some sample chords as an example.
(strange that it should differ if they using the same the standard).
MuseScore uses MusicXML 4.0 and seems to import both versions correctly as far as I can see. as well as GuitarPro 8 uses MusicXML 2.0 and seems to import both versions correctly as far as I can see.
But BIAB misses the chord ”qualifier/extension specification” when importing MusicXML from SongMaster Pro ie an E7 or E9 chord comes in as E and similar for others. But the basic chord structure for the song seems to be imported ok (ie chords without qualifiers/extensions). Also BIAB seems to be able to import its own created MusicXML correctly.
Maybe there is a configuration issue somewhere (or some simple change one can modify in the MusicXML file to get it working?)
I don't know if there is one correct way to implement the standard or if both ways are equally correct. But interestingly other software companies seem to be able to handle it so it works for both cases.
(strange that it should differ if they using the same the standard).
On of the many complications of MusicXML in particular and XMLs in general is that so many tokens have options/attributes that one may or may not choose to use. Looking at MusicXNL 3.1, of which I happen to have a copy, I'm fairly confident that the that the text="7" attribute is optional, as are various other attributes of kind (use-symbols, stack-degrees, parentheses-degrees, bracket-degrees, print-style, haligh, valign). And that's just one token of many.
Also of course, the specification says what tokens and attributes are/mean, and in what context, but how that's interpreted by the software may be imperfect.
Jazz relative beginner, starting at a much older age than was helpful. AVL:MXE Linux; Windows 11 BIAB2025 Audiophile, a bunch of other software. Kawai MP6, Ui24R, Focusrite Saffire Pro40 and Scarletts .
pretty cool program. i have demoed the thing and it does do a lot of fun things.
HP Win 11 12 gig ram, Mac mini Sonoma with 16 gig of ram, BiaB 2025, Realband, Reaper 7, Harrison Mixbus 9 32c , Melodyne 5 editor, Presonus Audiobox 1818VSL, Presonus control app.
Unfortunately, I've made a few tests importing those same music xml files into BIAB and the result hasn't been good. In fact, I've never been able to use Biab music xml import / export feature successfully.
Yes, that's the same experience that I have had.
Too bad. I was hoping for a shortcut to manual labor.
As mentioned elsewhere, support of a current version (4.0?)of music xml by PG music would be helpful.
biab2024(Mac) Latest Build Mac OS (Latest) Apple Mac Mini M2 pro 32GB Ram Logic Pro 11 Irwin Vice Grip Fencing Pliers
Maybe it does not help with v4.0 for this specific problem with importing chords.
If v3.0 allows for using an optional textstring as a chord specifier rather than the detailed <kind> chord specifier as it seems to be at the moment (see above). Then maybe this problem will remain in 4.0 unless BIAB changes the way to interpret the chord specifier (only a speculation).
I just ran a test with a Brazilian song (lots of complex chords). While Song Master Pro (updated) read the chords well, the Music XML loaded into BIAB showed only the chord root. I had to type over every chord to include 7, m7, Maj7, 9, 13, etc. It did get the roots in the correct positions in measures and surprisingly did read slash roots.
I need to read the code to find out where the error is.
BIAB 2025 Win Audiophile. Software: Studio One 7 Pro, Swam horns, Acoustica-7, Notion 6, Song Master Pro, Win 11 Home. Hardware: Intel i9, 32 Gb; Roland Integra-7, Presonus 192 & Faderport 8, Royer 121, Adam Sub8 & Neumann 120 monitors.
it can interact with YouTube for it’s source material
Is available on iPad
Lenovo YOGA 900 Window s 10 Home 64bit M4 pro Mac mini 1tb HD 24GB mem casio wk7500 presonus audiobox i2 usb interface casio wk-7500 biab & realband 2025 everything pk both with Current builds
I have done some more testing on importing MusicXML generated by SongMaster Pro into BIAB. As mentioned in posts above when importing a MusicXML file that has been generated by SongMaster Pro directly into BIAB it only loads root chords no extensions. But maybe there is a workaround.
If I import the MusicXML file into MuseScore it loads all chords correctly. If I then export the same score (the MusicXML just loaded) out again as MusicXML from MuseScore and then load it into BIAB it may work. But it did NOT!
If I copy the same score (the MusicXML file I just loaded into MuseScore) into a fresh new empty score in MuseScore and from there export it out as MusicXML from MuseScore and then load it into BIAB….
… It seems to Work FINE.. (all chord extensions are there).
It seems that MuseScore4: 1) exports scores that have been created from scratch in MuseScore correctly in a format that BIAB can read (ie it includes both the ”text string chord extension names” as well as the <kind> chord extension definition parameter). 2) but when exporting a score that has been loaded from MusicXML it seems just to just export exactly the same MusicXML file that was originally loaded.
I don’t know what the standard states or which of the software that need change or maybe both (but MuseScore seems to import MusicXML files correctly both from SongMaster Pro and BIAB)
So there might be a workaround a bit heavy but it seems to work.
EDIT ------------ To me it looks like that the chord extention is specified by: 1) the <kind> chord extension parameter in MusicXML but also 2) an optional ”name text string” parameter (it is only my guess that it is optional I don’t know if it is mandatory)
SongMaster Pro only adds the 1) the <kind> chord extension parameter and not the 2) ”name text string” parameter.
But this seems to work fine with MuseScore (as well as GuitarPro8 and Notion 6) and it loads correctly with the correct chord extensions These programs do not seem to need the 2) ”name text string” parameter, they work fine with only the 1) the <kind> chord extension parameter.
But this is not the case with BIAB it seems not work without the the 2) ”name text string” parameter. it seems that BIAB requires the 2) ”name text string” parameter in order to interpret the chord extension and BIAB seems to ignore the 1) the <kind> chord extension parameter if it is given alone without the 2) ”name text string” parameter. (but as said this is only my guesses I don't know what the standard states).
EDIT2------------ I had to experiment with the BIAB load special settings: ”BB song bar offset” and ”Number of bars in XML to skip” in order for the chords to align correctly in BIAB. It seems to depend on if there is a non complete bar at the beginning of the song. The setting that worked for me was ”BB song bar offset=2”, ”Number of bars in XML to skip=1” and the first bar was only 1 beat (in the original song from SongMaster Pro via MuseScore). The file that I tested had chords spread over various beats 1,2,3,4 and they seemed to align correctly. Only thing it will miss the first bar with only one beat.
EDIT3 --- It seems to work fine with the default settings as well ie ”BB song bar offset=2”, ”Number of bars in XML to skip=0”. Only thing is that the 3 first beats will get an C chord since my song only begin with one beat in the first bar.
Below attached are screen shots: 1) SongMaster Pro first 20 bars 2) Imported MusicXML from SongMaster Pro into MuseScore after copied over to new empty score 3 New MusicXML exported from MuseScore and imported into BIAB with default settings ie XML bars to skip=0.
Thanks for the update shlind. I would have expected that Music XML 4 would have been backwards compatible, but perhaps there are other features in there that don't quite match up.
Your experimentation and feedback have provided valuable information.
BIAB & RB2025 Win.(Audiophile), Sonar Platinum, Cakewalk by Bandlab, Izotope Prod.Bundle, Roland RD-1000, Synthogy Ivory, Kontakt, Focusrite 18i20, KetronSD2, NS40M Monitors, Pioneer Active Monitors, AKG K271 Studio H'phones
Back to SongMaster Pro for a bit, which program I've just started exploring.
I'm guessing I know the answer to this and it's "yeah, sometimes it just does that".
I've been trying to analyse the Dave Brubeck band's "Take Five" and it seems to fail fairly spectacularly to do what it should. It thinks it's in 4/4 (OK, easily enough fixed) and unsurprisingly I have to correct the timing at the beginning. It looks like it probably gets the chords right. But it fails to get most of the stems anything like right. Drums are OK, bass may be OK, most other instruments are in "The Rest" apart from some occasional witterings and the odd section where it decides the Sax is a guitar.
I can't say I'm surprised, really, as this always seemed a major "wow, that's incredible" and the instruments all have rich spectral content. It does transpose and adjust tempo OK, which was a large part of what I wanted, and I imagine it will work better for other pieces. I haven't seen anything yet that suggests there's a way to better tune it for generating the stems of other sounds.
Jazz relative beginner, starting at a much older age than was helpful. AVL:MXE Linux; Windows 11 BIAB2025 Audiophile, a bunch of other software. Kawai MP6, Ui24R, Focusrite Saffire Pro40 and Scarletts .
Back to SongMaster Pro for a bit, which program I've just started exploring.
I've been trying to analyse the Dave Brubeck band's "Take Five" and it seems to fail fairly spectacularly to do what it should. It thinks it's in 4/4 (OK, easily enough fixed) and unsurprisingly I have to correct the timing at the beginning. It looks like it probably gets the chords right. But it fails to get most of the stems anything like right. Drums are OK, bass may be OK, most other instruments are in "The Rest" apart from some occasional witterings and the odd section where it decides the Sax is a guitar.
I can't say I'm surprised, really, as this always seemed a major "wow, that's incredible" and the instruments all have rich spectral content. It does transpose and adjust tempo OK, which was a large part of what I wanted, and I imagine it will work better for other pieces. I haven't seen anything yet that suggests there's a way to better tune it for generating the stems of other sounds.
Hey Gordon, I'm fascinated by what's going on under the hood with stem separation. I suspect that if the program wasn't trained on songs similar to Take Five, then it probably won't do a good job because of the sonic overlap of the various instruments.
One thing you might try is to make it easier to for the program by slowing down the tempo of the file you feed it . . . just a thought. Another thought is to email the file to the developer and see if they can do any better. At a minimum you'll makke them aware of the kind of music you're trying to decompose. --Steve
https://soundcloud.com/user-646279677 BiaB 2025 Windows For me there’s no better place in the band than to have one leg in the harmony world and the other in the percussive. Thank you Paul Tutmarc and Leo Fender.
I've been trying to analyse the Dave Brubeck band's "Take Five" and it seems to fail fairly spectacularly to do what it should. It thinks it's in 4/4 (OK, easily enough fixed) and unsurprisingly I have to correct the timing at the beginning. It looks like it probably gets the chords right. But it fails to get most of the stems anything like right. Drums are OK, bass may be OK, most other instruments are in "The Rest" apart from some occasional witterings and the odd section where it decides the Sax is a guitar
I've been using the program intensively during the last months, and it's by far, the best buy I've made in many years, I'm saving sooooooo much time when transcribing songs / entire repertoires.
The program, however, is not perfect, and still have its limitations. I'm not sure which stem separation algorhtym is used by the program, but in any case, the algorhtym has been trained to meet the demands of most musicians and music aficionados, which means that works REALLY well with mainstream music (essentially modern pop and rock tunes), and not so well with jazz, and other not so popular styles.
It also works pretty well with modern mixes (from 1970s onwards), but not so well with older songs where, for example, the bass may be panned all the way to the right, while the drums are panned all the way to the right.
Regarding chord recognition, the program, again, does a great job with simple harmonic material (pop, rock, blues, soul, funk tunes) but may have some problems with more advanced, jazz based, compositions.
I've also found that the quality of the source has a great impact on the results: just avoid 192khz and below MP3s.
Knowing these limitations is essential to get the most out of the program, and avoid getting frustrated.
Steve ... I'll let AurallySound know, though I'm a bit sceptical how much they can improve things. I'll be interesting to find out.
Originally Posted by Cerio
Regarding chord recognition, the program, again, does a great job with simple harmonic material (pop, rock, blues, soul, funk tunes) but may have some problems with more advanced, jazz based, compositions.
I've also found that the quality of the source has a great impact on the results: just avoid 192khz and below MP3s.
Knowing these limitations is essential to get the most out of the program, and avoid getting frustrated.
Chord recognition on jazz is very exuberant. Not surprisingly it picks up on all sorts of stuff that jazz players put in. I knew I'd have to rationalise.
The observation about bit-rate is helpful ... I hadn't considered it, though now I'm informed it's obvious.
What I'm asking of it is quite a lot and I'm far from surprised it didn't make it. It will still be useful for things like transcription, though sometimes harder work. That's life; and it'll likely get better with tech advances.
Last edited by Gordon Scott; 04/15/2411:20 AM. Reason: just a typo
Jazz relative beginner, starting at a much older age than was helpful. AVL:MXE Linux; Windows 11 BIAB2025 Audiophile, a bunch of other software. Kawai MP6, Ui24R, Focusrite Saffire Pro40 and Scarletts .
We’ve expanded the Band-in-a-Box® RealTracks library with 202 incredible new RealTracks (in sets 449-467) across Jazz, Blues, Funk, World, Pop, Rock, Country, Americana, and Praise & Worship—featuring your most requested styles!
Jazz, Blues & World (Sets 449–455):
These RealTracks includes “Soul Jazz” with Neil Swainson (bass), Mike Clark (drums), Charles Treadway (organ), Miles Black (piano), and Brent Mason (guitar). Enjoy “Requested ’60s” jazz, classic acoustic blues with Colin Linden, and more of our popular 2-handed piano soloing. Plus, a RealTracks first—Tango with bandoneon, recorded in Argentina!
Rock & Pop (Sets 456–461):
This collection includes Disco, slap bass ‘70s/‘80s pop, modern and ‘80s metal with Andy Wood, and a unique “Songwriter Potpourri” featuring Chinese folk instruments, piano, banjo, and more. You’ll also find a muted electric guitar style (a RealTracks first!) and “Producer Layered Guitar” styles for slick "produced" sound.
Country, Americana & Praise (Sets 462–467):
We’ve added new RealTracks across bro country, Americana, praise & worship, vintage country, and songwriter piano. Highlights include Brent Mason (electric guitar), Eddie Bayers (drums), Doug Jernigan (pedal steel), John Jarvis (piano), Glen Duncan (banjo, mandolin & fiddle), Mike Harrison (electric bass) and more—offering everything from modern sounds to heartfelt Americana styles
And, if you are looking for more, the 2025 49-PAK (for $49) includes an additional 20 RealTracks with exciting new sounds and genre-spanning styles. Enjoy RealTracks firsts like Chinese instruments (guzheng & dizi), the bandoneon in an authentic Argentine tango trio, and the classic “tic-tac” baritone guitar for vintage country.
You’ll also get slick ’80s metal guitar from Andy Wood, modern metal with guitarist Nico Santora, bass player Nick Schendzielos, and drummer Aaron Stechauner, more praise & worship, indie-folk, modern/bro country with Brent Mason, and “Songwriter Americana” with Johnny Hiland.
Plus, enjoy user-requested styles like Soul Jazz RealDrums, fast Celtic Strathspey guitar, and Chill Hop piano & drums!
With your version 2025 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Or upgrade to the 2025 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2025 RealCombos Booster PAK:
-For Pro customers, this includes 33 new RealTracks and 65+ new RealStyles.
-For MegaPAK customers, this includes 29 new RealTracks and 45+ new RealStyles.
-For UltraPAK customers, this includes 20 new RealStyles.
Look Ma! More MIDI 13: Country & Americana
Instrumental Studies Set 22: 2-Hand Piano Soloing - Rhythm Changes
MIDI SuperTracks Set 44: Jazz Piano
Artist Performance Set 17: Songs with Vocals 7
Playable RealTracks Set 4
RealDrums Stems Set 7: Jazz with Mike Clark
SynthMaster Sounds and Styles (with audio demos)
128 GM MIDI Patch Audio Demos.
Looking for more great add-ons, then upgrade to the 2025 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyles,
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
Look Ma! More MIDI 14: SynthMaster,
Instrumental Studies Set 23: More '80s Hard Rock Soloing,
MIDI SuperTracks Set 45: More SynthMaster
Artist Performance Set 18: Songs with Vocals 8
RealDrums Stems Set 8: Pop, Funk & More with Jerry Roe
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Mac!
Xtra Styles PAK 20 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Mac!
We've just released XPro Styles PAK 9 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
New! Xtra Styles PAK 20 for Band-in-a-Box 2025 and Higher for Windows!
Xtra Styles PAK 20 for Windows & Mac Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest and greatest in the all new Xtra Styles PAK 20 for Band-in-a-Box! This fresh installment is packed with 200 all-new styles spanning the rock & pop, jazz, and country genres you've come to expect, as well as the exciting inclusion of electronic styles!
In this PAK you’ll discover: Minimalist Modern Funk, New Wave Synth Pop, Hard Bop Latin Groove, Gospel Country Shuffle, Cinematic Synthwave, '60s Motown, Funky Lo-Fi Bossa, Heavy 1980s Metal, Soft Muted 12-8 Folk, J-Pop Jazz Fusion, and many more!
All the Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 209 PAKs for $199 (reg $399)! Order now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 20 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
New! XPro Styles PAK 9 for Band-in-a-Box 2025 and higher for Windows!
We've just released XPro Styles PAK 9 for Windows & Mac Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 29 RealTracks/RealDrums!
We've been hard at it to bring you the latest and greatest in this 9th installment of our popular XPro Styles PAK series! Included are 75 styles spanning the rock & pop, jazz, and country genres (25 styles each) that fans have come to expect, as well as 25 styles in this volume's wildcard genre: funk & R&B!
If you're itching to get a sneak peek at what's included in XPro Styles PAK 9, here is a small helping of what you can look forward to: Funky R&B Horns, Upbeat Celtic Rock, Jazz Fusion Salsa, Gentle Indie Folk, Cool '60s Soul, Funky '70s R&B, Smooth Jazz Hip Hop, Acoustic Rockabilly Swing, Funky Reggae Dub, Dreamy Retro Latin Jazz, Retro Soul-Rock Fusion, and much more!
Special Pricing! Until July 31, 2024, all the XPro Styles PAKs 1 - 9 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Video: Band-in-a-Box® 2025 for Mac®: VST3 Plugin Support
Band-in-a-Box® 2025 for Mac® now includes support for VST3 plugins, alongside VST and AU. Use them with MIDI or audio tracks for even more creative possibilities in your music production.
Band-in-a-Box® 2025 for Macs®: VST3 Plugin Support
Video: Band-in-a-Box® 2025 for Mac®: Using VST3 Plugins
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean