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#841117 01/30/25 07:07 PM
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I've always thought that everyone should have a song written about their name. I'm realizing that, in our current society's choice of naming kids, that could become nearly impossible! Anyway, I ran into a friend who mentioned his wife, Marguerite. I immediately thought "what a great name for a song--lots of good rhymes there!"
---------------------------
Oh, Marguerite!

Here I stand, holding my hat in hand,
Down on my knees, I ask with this song:
You are still my bride..Can you excuse my pride?--
I was wrong.

I can't say what made me turn away
Just when you needed me here by your side;
Now I've come to know that I failed you so
When I left you so hurting inside.

Chorus
And, angel you, your heart stayed true
Trusting that our love would still have life;
And, foolish me, I was brought to see,
There in the mist--I had an angel for a wife.

I renew all of my vows to you
And from my knees, I want to repeat:
I pledge this day that I'll never stray--
Take me back!, Marguerite!
That would be so sweet!
Oh, Marguerite.
------------------------------------------
Style: _VACATE.STY. Vacate 12-8 Mms n MultiDrums Bal
RD: Pop 128
RT2938: Bass, Fretless Electric Slow12-8Rene Sw 065 , Rene Worst
RT526: Guitar, Acoustic, Fingerpicking Hank Sw 065 , Jason Roller
RT3319: Vocal Mmms, Background RockNRollGospel12-8
RT529: Guitar, Acoustic, Strumming Hank Sw 065 , Jason Roller
RT3016: Vocal Ahhs
MIDI: Honky Tonk Piano


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Nice song Tano!
Mike B.


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This is just personal taste (mostly I just skip posts I'm not keen on taste-wise) : I think both the chord structure and vocal melody of this song have great potential, but I wasn't keen on this production, mainly because I didn't like the oo-aahs, particularly at the beginning, as they reminded me of the kind used in early 50s US Western TV series such as "The Legend of Jim Bowie". IE: I feel it's a very dated sound, whereas the song's theme deserved something brighter and celebratory. Restructured I think it could be excellent.


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Cool idea, Tom, and a great place to get it. You're right, it's a great name for a song. And I'm right, this is such a good write. Good lyrics, and a passionate build. Can your friend sing? Your vocal is so good, but I wonder if Marguerite would like a special version with him singin. Good use of the ooz and oz, and I dig that fretless.


Enjoy whatever happens!
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Thanks Mike, Wao, and Marty. When my friend told his wife (Marguerite) that I had "written a song for her", she was quite embarrassed and obviously got the wrong idea!! Hard to explain to someone you don't really know that all you did was riff off their name! Thanks for listening!


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Originally Posted by Tano Music
Thanks Mike, Wao, and Marty. When my friend told his wife (Marguerite) that I had "written a song for her", she was quite embarrassed and obviously got the wrong idea!! Hard to explain to someone you don't really know that all you did was riff off their name! Thanks for listening!

Well, that answers the questions. As Paul Harvey used to say, "Now you know the rest of the story."


Enjoy whatever happens!
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WaoBand...I've been thinking about your feedback and how to respond. I think you nailed it--it is supposed to sound EXACTLY like the 1950's! My intent was to try to write in the style of "street-corner" vocal groups, so popular in the late '50's. It may not be a style that rings for you, but maybe some others on the forum can suggest artists/songs from that era in this style. I always think of the "The Persuasions", but they were Acappella.


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Tom, I like this as it is now.
Personally I wouldn't change a thing.
Great song.


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Thanks, Mario!


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