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#863881 09/29/25 07:59 PM
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At any time I usually have in progress 1-3 slowly evolving chord structure experiments in BiaB and this track resulted from a marriage of one such experiment plus trying to improve the structure of the now 100% deleted "The Hectic Life of Orla Swoon", which though gaining more positive responses on this forum than I expected was always my least favourite composed-in-BiaB track. In the end only 16 bars of the latter survived, but as a result of the experiment I've come up with a very positively vibed new instrumental, "A New Day", which positive vibe-wise could be a part of a trilogy along with "Flying Free" & "Spring Forward".

This instrumental has 3 choruses of 48 bars and the 1st chorus is purely dedicated to introducing the 12 rhythm section stems in 4 bar steps. The 2nd chorus is shared by the piano and tenor sax solos; and the final chorus by the organ and guitar solos.

Cast in order of appearance:
1st Drums: Cay Island Steel Drum Soloist ~ Wes Little
2nd Drums: Seek Smooth Panpie ~ Wes Little
Bass: Bash Happy Pop Country ~ Mark Hill
3rd Drums: Dreamy Pop Quintet ~ Brian Fullen
Kalimba: World Beat 2 - South African Dan ~ uncredited
Marimba: Cay Island Steel Drum Soloist ~ Todd London
Acoustic Guitar: Dreamy Pop Quintet ~ Jason Roller
Vihuela: Draw Low Key Western ~ Ranon Stagnaro
1st Organ: Giddy Up Country Ballad w Organ ~ Blair Masters
Harps 1&2: Heaven Blissful Celtic Harps Pop ~ Sharlene Wallace
Charango: Andes Huayno Quartet w A-B Bass ~ Ranon Stagnaro
2nd Organ: Country Rock Guitar Solo Pop Ba ~ Gene Rabbai
Piano Solo: Giggle Rumba Pop Ac Piano Solo ~ John Jarvis
Tenor Sax Solo: Verdite Light Soul Pop Sax Solo ~ Mark Douthit
Organ Solo: Scroll Funky Blues Organ ~ Charles Treadway
Guitar Solo: Nashville Radio Power Bal Solo ~ Danny Rader

I did a lot of editing of the 3 drums tracks, including creating hybrid samples, but I made too many notes to paste here.

The Giggle Piano solo is a hybrid of 2 samples.

The Verdite Tenor Sax solo is a hybrid of 5 samples.

The Scroll Organ solo was mastered in Soren in order to even out low to high volume phrases, plus I fiddled with it in other ways to get what I wanted.

The Nashville Radio Guitar solo is a hybrid of 4 samples, but it took me hours to create and place each section as whenever I created new regenerations the most interesting and exciting playing was in the bars preceding the ones where the solo starts. So I had to create lots and lots of regenerations until I had enough of the most interesting sections before putting together a hybrid solo of my favourite 4 parts, but I had oodles of fun doing it!

Key A ~ 115 bpm ~ 144 bars ~ 5:10


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
WaoBand #863895 09/29/25 10:30 PM
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Chay,

A really nice song that moves right along. Even though the percussive elements were basically the same throughout the song, they didn't become boring.

The beginning of the song was rather long before a lead instrument made its appearance. Other than that, it's all good. Actually, it's a VERY good!

Alan


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WaoBand #863904 09/30/25 01:50 AM
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Chay,

That is an amazing blend of instruments / tracks. A great upbeat sound & feel and a great mix.

As always, extremely nice work.

Bob

WaoBand #863925 09/30/25 05:53 AM
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Cool, Chay. Heard this a couple days ago when YT sent me a Don't-Miss-This-Gem notification. I didn't.

Now it's special coming here to read how the song came about and how it developed over time. You are the master of creating and trading solos. I especially enjoyed that organ solo. Good feel throughout.


Enjoy whatever happens!
marty

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WaoBand #863934 09/30/25 06:55 AM
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Chay, great intro. Loved that marimba. The steel drums were icing on the cake. I really like the groove on this one. Super instrumentation. You are a master of blending various RTs and RD's into a perfect song.
Loved it


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WaoBand #863949 09/30/25 09:25 AM
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Chay,
Fun and happy fast pace tune. So many diverse instruments, but unexpectedly they work well together, especially that Nashville solo guitar. I would suggest percussion variation(s) from time to time. Good mix.
Thank you for sharing,
Misha.

WaoBand #863954 09/30/25 10:05 AM
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Another remarkable mashup of genre tracks and an amazing mix.
Complexity to the max from our humble perspective! smile

We agree with Misha on how well that guitar solo worked.

Those BiaB session guys certainly listen to their producer ... it's all very cohesive.

Nice audio and supporting vid!

J&B


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WaoBand #864027 10/01/25 12:55 PM
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Chay, super job creating a long but seamlessly cohesive song despite the production challenges. Cool how the feel of the song evolved (to my ears) from an island style dance tune to an upbeat pop rock jam. My reference points may be imprecise, but whatever you were going for, I think you got there. Nice mix and master as always.


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Al-David #864032 10/01/25 02:39 PM
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Originally Posted by Al-David
Chay,
A really nice song that moves right along. Even though the percussive elements were basically the same throughout the song, they didn't become boring.
The beginning of the song was rather long before a lead instrument made its appearance. Other than that, it's all good. Actually, it's a VERY good!
Alan

Thanks, Alan! One of the limitations with BiaB is that one can't vary the percussion as much as one would like and as I recently mentioned to Bob Dean one hardly ever hears cymbal crashes in the drums samples. In this track 2 are actually audible, 1 at 18 seconds and the other at 35, but in all of the other samples I've used I've never consciously heard one! I used 3 drum tracks in this instrumental as it was the closest I could get to a Santana-like sound.


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
rsdean #864034 10/01/25 02:52 PM
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Originally Posted by rsdean
Chay,
That is an amazing blend of instruments / tracks. A great upbeat sound & feel and a great mix.
As always, extremely nice work.
Bob

Thanks, Bob! Forever appreciated - and wishing you many new days!


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
BabuMusic #864038 10/01/25 03:46 PM
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Originally Posted by BabuMusic
Cool, Chay. Heard this a couple days ago when YT sent me a Don't-Miss-This-Gem notification. I didn't.
Now it's special coming here to read how the song came about and how it developed over time. You are the master of creating and trading solos. I especially enjoyed that organ solo. Good feel throughout.

Thanks, Marty! I've only got 2 instrumentals in my backlog, both created before "Rachael's Theme" which had to be posted this September. I don't know yet if the 1st of the 2 recent new tracks will be posted as while it works as an instrumental it's really meant to be part instrumental and part sung song, but I'm working with Lucy for vocals and that project's been delayed as she needs a demo for where to sing. But I rarely get the opportunity to record as besides having a never-goes-out neighbour on the other side of plasterboard walls we also get contractors coming in for repairs and their repairs often cause damage in the neighbouring property due to the daft build of the place! I've sung the lyrics to the song quite a few times in hushed tones and I've always been in the zone and on key, but when the only time a chance arose to record the demo I could neither get into the zone for it or even sing in the correct key as I was always waiting for hammering to begin or bangings on my wall! It's just 100% not the right environment. One option is to do a karaoke version with the lyrics in the video, but the sung version really needs to precede that. The back story of how the song came about is really interesting, then that led to my 2nd backlog instrumental, which then led to "Rachael's Theme", which is my most recent composition. Other than those I have 3 BiaB experiments in progress, but 2 of them are problematic as I keep on hearing the same chord changes I've previously used and I don't want that. IE: I listen to a new chord structure, then in the middle I hear just 1 chord change that appears in a previous track. Then X bars later on I hear another chord change I use in a different track. It's not always the same key or tempo, but the 'phrase' still sounds the same. More and more I just want to do songs, but my environment makes such virtually impossible. I'd write a blues song about it, but I'd never get to record it! laugh


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
MarioD #864039 10/01/25 03:49 PM
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Originally Posted by MarioD
Chay, great intro. Loved that marimba. The steel drums were icing on the cake. I really like the groove on this one. Super instrumentation. You are a master of blending various RTs and RD's into a perfect song.
Loved it

Thanks, Mario. Though you made the same mistake as you made re and old post of mine: there aren't any steel drums in the piece, just kalimba and then marimba. I've tried to include steel drums a few times, but they always come across as too clangy.


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
Rustyspoon# #864042 10/01/25 03:55 PM
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Originally Posted by Rustyspoon#
Chay,
Fun and happy fast pace tune. So many diverse instruments, but unexpectedly they work well together, especially that Nashville solo guitar. I would suggest percussion variation(s) from time to time. Good mix.
Thank you for sharing,
Misha.

Thanks, Misha. As I wrote to Alan (I think ) above, there's not a lot one can do with BiaB drum samples. On a couple of recent posts I increased the volume of the drum rolls as to me they never sound as loud as on albums I play, plus it's rare to even hear a cymbal crash. I've not touched a set of drums for over 4 decades now, but I miss the sound of a riveted ride cymbal.


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
Janice & Bud #864043 10/01/25 03:58 PM
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Originally Posted by Janice & Bud
Another remarkable mashup of genre tracks and an amazing mix.
Complexity to the max from our humble perspective! smile
We agree with Misha on how well that guitar solo worked.
Those BiaB session guys certainly listen to their producer ... it's all very cohesive.
Nice audio and supporting vid!
J&B

Thanks, J & B! Yes, that final guitar solo is my favourite part of the whole track, but although it's short it took hours to find the right sample segments to piece together. Though as said in the blurb, it was a lot of fun doing it!


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
DC Ron #864044 10/01/25 04:05 PM
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Originally Posted by DC Ron
Chay, super job creating a long but seamlessly cohesive song despite the production challenges. Cool how the feel of the song evolved (to my ears) from an island style dance tune to an upbeat pop rock jam. My reference points may be imprecise, but whatever you were going for, I think you got there. Nice mix and master as always.

Thanks, Ron! For me it's one of those instrumentals that demands that I get up and dance as soon as it starts.I really enjoy combining instruments you'd not usually hear in the same piece, but I really, really, really want balalaikas, preferably an ensemble, some Arabic instruments, plus also oboes and bassoons. Just last night I began working on a new experiment to produce a Romanian doina, but such really needs a balalaika ensemble.


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
WaoBand #864468 10/07/25 12:33 PM
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Chay,

Terrific rhythm section. Love the Bass.
Nice attention to detail in the solos.
Good organ sound.
Solid mix.

fj

floyd jane #864683 10/10/25 02:10 PM
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Originally Posted by floyd jane
Chay,
Terrific rhythm section. Love the Bass.
Nice attention to detail in the solos.
Good organ sound.
Solid mix.
fj

Appreciated, Floyd!


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
WaoBand #864694 10/10/25 03:18 PM
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I like that percussion opening that immerses us immediately into the groove. You bring in all the different parts in so smoothly that there is no delineation between the parts.

WaoBand #864744 10/11/25 08:21 AM
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Hi Chay,
That had a lot of nice momentum and movement. Thoroughly enjoyable!

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Originally Posted by Ezekiel's Storm
I like that percussion opening that immerses us immediately into the groove. You bring in all the different parts in so smoothly that there is no delineation between the parts.

Thanks Eze-S! Wishing you a new day and with no delineations!


Some favourite Waoist Adages:
#1: Play on the Way.
#13: Ask not for whom the flower blooms, it blooms for you.
#58: Bring consciousness to it.
#63: On the road to effortlessness, effort must be made.
#92: Be Love Now, the rest will come on its own.
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Ready to take your Band-in-a-Box® 2025 experience to the next level? Now’s the perfect time! Expand your style library with XPro and Xtra Styles PAKs—packed with a wide variety of genres to inspire your next musical creation.

What are XPro Styles and Xtra Styles PAKs?

XPro Styles PAKs are styles that work with any version (Pro, MegaPAK, UltraPAK, UltraPAK+, or Audiophile Edition) of Band-in-a-Box® 2025 (or higher). XPro Styles PAKS 1-9 includes 900 styles!

Xtra Styles PAKs are styles that work with the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box® 2025 (or higher). With over 3,500 styles (and 35 MIDI styles) included in Xtra Styles PAKs 1-20, the possibilities are endless!

Get the XPro Styles PAKs 1 - 9 for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Listen to demos and order now! For Windows or for Mac.

Note: XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.

Get Xtra Styles PAKs 1 - 20 are on special for only $29 each (reg $49), or get all 19 PAKs for $199 (reg $399)! Listen to demos and order now! For Windows or for Mac.

Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 19 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.

Don’t miss this chance to supercharge your Band-in-a-Box setup—at a great price!

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