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I've downloaded the manual for Celemony Melodyne Editor and have been reading it.
I'm about to bite the bullet and fork over a few hard earned hundred dollar bills.
But I want to know one thing first.
The manual says it will work as an ASIO plugin and will work with most DAWs that have ASIO capability. Power Tracks Pro 12 supports ASIO so it should work.
Has anybody tried than and if so does it work?
This is entirely new territory for me, as I'm steeped very deeply into MIDI and live performance and really don't do that much audio editing. So it's about time I learn. But I want to know if this tool will work with PTPro12 before I spend a few hundred bucks.
Thanks, Notes
Bob "Notes" Norton Norton Music https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove & Fake Disks for MIDI and/or RealTracks
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In case you don't get the answer you want, remember that melodyne can work in standalone mode. Import the wav file in, fix it and then export it back out. It is another way to go.
I have melodyne essential and it comes with a standalone editor. I haven't used it too much, but I need to get on the stick with it.
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I will try it tonight when I get away from the day job.
BIAB – 2026, Reaper (current), i7-12700F Processor, 32GB DDR4-3200MHz RAM, Motu Audio Express 6x6 - My SoundCloud.
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well, its a definite no no for gigging as there is far too much latency. Its only for use AFTER a performance
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Notes,
Why do you think you need this? Melodyne is almost exclusively used for pitch correction/manipulation. If you just need audio editing, there are MANY cheaper audio editors, some of which have pedestrian pitch correction. So, was there a reason you are going for one of the most expensive products?
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Quote:
I will try it tonight when I get away from the day job.
Sorry, can't help since I can't seem to find my old version of PTPro 12. It must have not made the cut during the last computer build. 
BIAB – 2026, Reaper (current), i7-12700F Processor, 32GB DDR4-3200MHz RAM, Motu Audio Express 6x6 - My SoundCloud.
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Scott, There are lots of pitch correction options out there but the 'audio to midi' capabilities is what knocked my socks off. I do not play keyboards...at all, but I do play guitar. I can take a recorded guitar track and convert it to a midi file and then add any VSTi to it. Perhaps there are other programs that can do that but since I use Presonus Studio One v2 and it comes with Melodyne Essentials and over the summer Melodyne made an offer to Presonus S1 users to upgrade to their top program Melodyne Editor (which can do the audio to MIDI conversion) for $150...I jumped at it! Here an example: Audio to MIDI example Since Notes is a midi power user, perhaps this is what he is excited about  Then again...maybe not.
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Quote:
Scott,
There are lots of pitch correction options out there but the 'audio to midi' capabilities is what knocked my socks off. I do not play keyboards...at all, but I do play guitar. I can take a recorded guitar track and convert it to a midi file and then add any VSTi to it.
Perhaps there are other programs that can do that but since I use Presonus Studio One v2 and it comes with Melodyne Essentials and over the summer Melodyne made an offer to Presonus S1 users to upgrade to their top program Melodyne Editor (which can do the audio to MIDI conversion) for $150...I jumped at it!
Here an example:
Audio to MIDI example
Since Notes is a midi power user, perhaps this is what he is excited about Then again...maybe not.
You must have paid for an upgrade to get access to your VSTi. That's the single reason I refuse to ever even consider Studio One - one has to pay for the privilege to use VST/VSTi that one has already purchased in the past. I think that's highway robbery, to be honest! I know of no other DAW on the market that forces you to 'pay up' in order to use your pre-purchased software. But, they are obviously getting away with it - S1 has become pretty popular over the past couple years.
Anyways, perhaps that is the function in Melodyne that Notes is interested in, but until he checks in we'll never know.
Notes?
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Quote:
Notes,
Why do you think you need this? Melodyne is almost exclusively used for pitch correction/manipulation. If you just need audio editing, there are MANY cheaper audio editors, some of which have pedestrian pitch correction. So, was there a reason you are going for one of the most expensive products?
1) Recommended in a different thread by a few people, including Peter Gannon. I was discussing some things I could edit in MIDI files that I could not edit with audio files, changing notes and a few other things. I've always been able to do extensive editing of BiaB output when it is in MIDI. I don't mess with the Real Tracks because I find editing them very limited and time intensive. Having a note based editor instead of simply waveform display seems like a good idea to me.
2) Pitch to MIDI seems like it could be useful. I could record a live track into PTPro with my sax or guitar and render it to MIDI for use in making styles (if that works). I can do a very good job recording MIDI with my wind controller, keyboard controller and percussion controller, but there are some limitations inherent in those controllers and sometimes it's just easier to pick up the sax or guitar.
Actual pitch correction I do not need. I know there is a tc correction in PTPro but I've never even investigated it. I manipulate pitch intentionally. If I want to hit the note flat and scoop up to it, I'll do that. If I want to "press on" a melody note to make it a tiny bit flat for effect, I'll do that. If I want the top voice of a horn section a bit sharp and the bottom a bit flat, I'll do that too.
I love MIDI and I don't think it is going anywhere, especially for pro musicians. But a lot of BiaB is leaning towards audio, so I figure I need to jump on board.
Notes
Bob "Notes" Norton Norton Music https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove & Fake Disks for MIDI and/or RealTracks
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Quote:
Quote:
Notes,
Why do you think you need this? Melodyne is almost exclusively used for pitch correction/manipulation. If you just need audio editing, there are MANY cheaper audio editors, some of which have pedestrian pitch correction. So, was there a reason you are going for one of the most expensive products?
1) Recommended in a different thread by a few people, including Peter Gannon. I was discussing some things I could edit in MIDI files that I could not edit with audio files, changing notes and a few other things. I've always been able to do extensive editing of BiaB output when it is in MIDI. I don't mess with the Real Tracks because I find editing them very limited and time intensive. Having a note based editor instead of simply waveform display seems like a good idea to me.
2) Pitch to MIDI seems like it could be useful. I could record a live track into PTPro with my sax or guitar and render it to MIDI for use in making styles (if that works). I can do a very good job recording MIDI with my wind controller, keyboard controller and percussion controller, but there are some limitations inherent in those controllers and sometimes it's just easier to pick up the sax or guitar.
Actual pitch correction I do not need. I know there is a tc correction in PTPro but I've never even investigated it. I manipulate pitch intentionally. If I want to hit the note flat and scoop up to it, I'll do that. If I want to "press on" a melody note to make it a tiny bit flat for effect, I'll do that. If I want the top voice of a horn section a bit sharp and the bottom a bit flat, I'll do that too.
I love MIDI and I don't think it is going anywhere, especially for pro musicians. But a lot of BiaB is leaning towards audio, so I figure I need to jump on board.
Notes
Then that is the product. Have you checked out the Chet Baker example from Melodyne? Pretty convincing. I'm not sure it would work with a dense orchestration, but for trio type of orchestration, seems to work pretty well in their demos.
-Scott
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Quote:
Quote:
Scott,
There are lots of pitch correction options out there but the 'audio to midi' capabilities is what knocked my socks off. I do not play keyboards...at all, but I do play guitar. I can take a recorded guitar track and convert it to a midi file and then add any VSTi to it.
Perhaps there are other programs that can do that but since I use Presonus Studio One v2 and it comes with Melodyne Essentials and over the summer Melodyne made an offer to Presonus S1 users to upgrade to their top program Melodyne Editor (which can do the audio to MIDI conversion) for $150...I jumped at it!
Here an example:
Audio to MIDI example
Since Notes is a midi power user, perhaps this is what he is excited about Then again...maybe not.
You must have paid for an upgrade to get access to your VSTi. That's the single reason I refuse to ever even consider Studio One - one has to pay for the privilege to use VST/VSTi that one has already purchased in the past. I think that's highway robbery, to be honest! I know of no other DAW on the market that forces you to 'pay up' in order to use your pre-purchased software. But, they are obviously getting away with it - S1 has become pretty popular over the past couple years.
Anyways, perhaps that is the function in Melodyne that Notes is interested in, but until he checks in we'll never know.
Notes?
A few years ago I purchased Cubase 5 and the learning curve was daunting...3 months after the Cubase purchase Studio 1 version 1 came out and it looked much easier to use. I already had purchased some Presonus hardware (StudioLive 16.4.2, 8 channel preamp, etc) and was happy with the gear and company, so I decided to cut my losses with Cubase and purchase S1 Pro version. 5 minutes after loading the program, I was making music (I think it took a day and 1/2 before I could get any sound out of Cubase (could be I'm little dense ) but I understand your frustration with their policy. I think that it turns off many people.
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try a little thing, save a realtrack that has a chart & save it as midi. There you will discover the extent of audio to midi stuff, melodyne is a little better than biab charts BUt not a lot better, if the real chart saved to midi will do you then melodyne is for you BUT otherwise I wouldn't go for it. I have it & there are some things it does well & some things that it doesn't do well
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I downloaded the Melodyne Editor (30 day free trial), watched many of the videos, read much of the manual, and decided it isn't worth the money. I've recorded some nice bass and piano, but by the time pitch bends of guitar and sax or extreme vibrato like a rock organ go in, the program makes too many wrong guesses. There are controls for this, but it seems to either make too many wrong guesses or misses too many wanted notes - no matter how gently you nudge the slider. The right notes disappear before the wrong ones do. That means in order to fix the file, way too many hours on a note-by-note basis (both wanted and wrong guesses). And it will not do drums (verified by a response from Celemony this morning). It cannot tell the difference between a kick drum, snare, or crash cymbal. I spent a lot of time on it, and I learned a lot. MIDI is better technology. There are just so many things you can edit with MIDI that you cannot do with audio. I'm going to stay predominantly MIDI. People may accuse me of being a Luddite, but nothing can be farther from the truth. I've been involved in audio since my first Wollensak tape recorder. I even had one of those giant Teac 4 track machines, splicing blocks, razor blades, splicing tape, tape head cleaner, demagnetizers , and all the other tools that go with that technology. I've recorded on magnetic tape and computers, and I've done a lot of editing in both analog and digital formats. Until the recording tools get better, real audio is a dinosaur from the past, and MIDI is the best technology (with some exceptions like human voice). MIDI gets a bad name however because it is easy. And because it is easy, a lot of people "program" MIDI instead of playing MIDI. Drum grids, step-entering and ignoring the 128 continuous controllers that can be used to play the MIDI instead of click it in. The result is that it is very easy to make bad to mediocre MIDI and that means there is a lot of it out there programmed by people who didn't take the time to learn how to play the instrument. If I want to listen to somebody else's music, I'll listen to audio (CD, DVD, Vinyl, Tape), but if I want to create music, I will be using MIDI for all things that can be done with MIDI and audio only for those few things that can not be done with MIDI. And I'll wait for better audio editing tools before I switch back to audio. Insights and incites by Notes ♫
Bob "Notes" Norton Norton Music https://www.nortonmusic.com
100% MIDI Super-Styles recorded by live, pro, studio musicians for a live groove & Fake Disks for MIDI and/or RealTracks
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Band-in-a-Box 2026 Video: AI Stems & Notes - split polyphonic audio into instruments and transcribe
This video demonstrates how to use the new AI-Notes feature together with the AI-Stems splitter, allowing you to select an audio file and have it separated into individual stems while transcribing each one to its own MIDI track. AI-Notes converts polyphonic audio—either full mixes or individual instruments—into MIDI that you can view in notation or play back instantly.
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Join Tobin as he takes you on a tour of the new user interface in Band-in-a-Box® 2026 for Windows®! This modern GUI redesign offers a sleek new look with updated toolbars, refreshed windows, and a smoother workflow. The brand-new side toolbar puts track selection, the MultiPicker Library, and other essential tools right at your fingertips. Plus, our upgraded Multi-View lets you layer multiple windows without overlap, giving you a highly flexible workspace. Many windows—including Tracks, Piano Roll, and more—have been redesigned for improved usability and a cleaner, more intuitive interface, and more!
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We've just released XPro Styles PAK 10 for Mac & Windows Band-in-a-Box version 2025 (and higher) with 100 brand new RealStyles, plus 28 RealTracks and RealDrums!
Few things are certain in life: death, taxes, and a brand spankin’ new XPro Styles PAK! In this, the 10th edition of our XPro Styles PAK series, we’ve got 100 styles coming your way! We have the classic 25 styles each from the rock & pop, jazz, and country genres, and rounding out this volume's wildcard slot is 25 styles in the Praise & Worship genre! A wide spanning genre, you can find everything from rock, folk, country, and more underneath its umbrella. The included 28 RealTracks and RealDrums can be used with any Band-in-a-Box® 2026 (and higher) package.
Here’s just a small sampling of what you can look forward to in XPro Styles PAK 10: Soft indie folk worship songs, bumpin’ country boogies, gospel praise breaks, hard rockin’ pop, funky disco grooves, smooth Latin jazz pop, bossa nova fusion, western swing, alternative hip-hop, cool country funk, and much more!
Special offers until December 31st, 2025!
All the XPro Styles PAKs 1 - 10 are on sale for only $29 ea (Reg. $49 ea), or get them all in the XPro Styles PAK Bundle for only $149 (reg. $299)! Order now!
Learn more and listen to demos of XPro Styles PAKs.
Video: XPro Styles PAK 10 Overview & Styles Demos: Watch now!
XPro Styles PAKs require Band-in-a-Box® 2025 or higher and are compatible with ANY package, including the Pro, MegaPAK, UltraPAK, UltraPAK+, and Audiophile Edition.
Introducing Xtra Styles PAK 21 – Now Available for Mac Band-in-a-Box 2025 and Higher!
Xtra Styles PAK 21 for Mac & Windows Band-in-a-Box version 2025 (and higher) is here with 200 brand new RealStyles!
We're excited to bring you our latest Xtra Styles PAK installment—the all new Xtra Styles PAK 21 for Band-in-a-Box version 2025 (and higher)!
Rejoice, one and all, for Xtra Styles PAK 21 for Band-in-a-Box® is here! We’re serving up 200 brand spankin’ new styles to delight your musical taste buds! The first three courses are the classics you’ve come to know and love, including offerings from the rock & pop, jazz, and country genres, but, not to be outdone, this year’s fourth course is bro country! A wide ranging genre, you can find everything from hip-hop, uptempo outlaw country, hard hitting rock, funk, and even electronica, all with that familiar bro country flair. The dinner bell has been rung, pickup up Xtra Styles PAK 21 today!
In this PAK you’ll discover: Energetic folk rock, raucous train beats, fast country boogies, acid jazz grooves, laid-back funky jams, a bevy of breezy jazz waltzes, calm electro funk, indie synth pop, industrial synth metal, and more bro country than could possibly fit in the back of a pickup truck!
Special offers until December 31st, 2025!
All the Xtra Styles PAKs 1 - 21 are on special for only $29 each (reg $49), or get all 21 PAKs for $199 (reg $399)! Order now!
Learn more and listen to demos of the Xtra Styles PAK 21.
Video: Xtra Styles PAK 21 Overview & Styles Demos: Watch now!
Note: The Xtra Styles require the UltraPAK, UltraPAK+, or Audiophile Edition of Band-in-a-Box®. (Xtra Styles PAK 21 requires the 2025 or higher UltraPAK, UltraPAK+, or Audiophile Edition. They will not work with the Pro or MegaPAK version because they need the RealTracks from the UltraPAK, UltraPAK+, or Audiophile Edition.
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