Unfortunately, I can't find the software anywhere, and the examples that were auto-generated have been removed from the site.
I'm really tempted to try implementing this. Constraining Markov chains by removing states from transitions, and then working backwards to ensure arc consistency sounds complex, but the implementation is actually pretty straight forward.
these generated lyrics actually sound as abstract or 'deep' as some of my favorite bands' of all time - YES - and they did it without the generator...now therein lies the talent. Computers are making me (I don't know about anyone else) less and less special in my 'limited to human' talents - hek even BB has made my music generation feel less special.
I know that's not a healthy attitude, but there was a time I felt special to be able to do things a computer could not - now I'm often aspiring to do musical things that it seems a computer can do much, much better than I.
This program has only the shallowest of "understanding" of the lyrics it generates. Any continuity of thought or building of an idea is purely coincidental.
On the other hand, tools like this can "mash up" lyrics and help serve as springboards of ideas.
And that's really where the human skill comes in - being able to recognize a potentially interesting idea, and craft it into something great.
Dave, there is a tool that is used by some of the folks that participate in the February Album Writing Month challenge that has some aspects of this. It's written by Burr Settles - the guy who started the FAWM challenge:
Pretty soon we'll have programs that can write songs for us in our sleep!
Isn't it interesting how musicians respond with glee when yet another computer program eliminates one more step in the music making process that human beings used to occupy?
If we're really lucky, the human element will be totally removed from the music making process and it will take yet another burden from humanity.
Who needs ideas when a computer can supply them for us?
Isn't it interesting how musicians respond with glee when yet another computer program eliminates one more step in the music making process that human beings used to occupy?
Actually, it's the computer programmer in me that's fascinated.
The musician in me knows my time is better spent on other things.
“We have BIAB because we can’t rely on our musician friends to show up, and even if they do, we can’t rely on them being sober enough to play.”
There goes that old broad brush again, Bob. Personally, my primary reason for buying BIAB was to produce song demos without having to pay exorbitant studio costs. It's ability to produce great backing tracks for live performance is an added bonus. Very few people have a drummer, piano player, bass player, and a string quartet at their beck and call, and BIAB has allowed them to produce music that never would have been heard otherwise.
“We have AutoTune because we can’t sing in key.”
Do you sing? Can you deliver a note-perfect performance of a difficult piece, without an off note? I often can't, and I sing every day. Ever hear of “punching-in” vocals in the studio? Some of the best singers have used that technique for years. Is it “cheating”? Of course. But that doesn't make it musically “sinful”, or some kind of esoteric abomination, any more than fixing an errant note in AT does.
While 90db and I often disagree on many topics, he's preaching to the choir on this one.
I too bought BB/RB to save on demo session costs. Specifically, the steel guitar player. The cost of the everything pack is less than a decent session will cost using some of the hottest pickers in music city. Of course, I haven't checked on Nashville studio rates recently, but I think you'd still be hard pressed to get a good quality demo done with all the instruments available in BB and have it done to your satisfaction at that cost or below. And that would be for one or two songs at most.
Melodyne/autotune (pitch correction) same deal.... yeah, everyone that's recording music now days uses pitch correction because even the best of the best flub notes in a soulful performance. The Beatles didn't have ME or AT so they often spent several days just working on the vocal tracks to a 2 minute 30 second song.
OK... now, to the topic.... lyric generation software. I've not seen nor heard of this but it's a matter of time before it's on the market.
As I see it, it would not be the golden ticket to writing hit songs because the lyrics that tend to touch the human heart, come from the human heart to start with.
It may however be a useful tool to get the ideas flowing, much in the same way I use a software package called MasterWriter2. MW2 has a rhyming dictionary that is nothing short of amazing.
Ask the average person or songwriter to name as many rhymes as they can for a given word and the result will be perhaps a dozen or so words....With MW2, type in a word and it will give you anywhere from one to 40 or more PAGES of words that rhyme in one of multiple ways. If that doesn't help, after reviewing all the different words on the 40 or so pages of rhymes, you can switch to the PHRASES mode and now, it's giving you page after page of one line phrases designed to help kick start your creative process. Some work, most don't but, the way I use this process is to come up with something else that more closely fits my song.
I run into a number of folks in other forums who are down on folks like me (and you) who use BB/RB because they deem us to be "cheating" since there are not real people playing the parts. But that's not my problem. I have a well recorded and well played song that suits my purposes nicely and to me, that's what matters the most. If I had to rely on other musicians to lay down tracks for me, or attempt to learn to play the other instruments I want in my music, and play them at the professional level I seek, I'd be doing nothing all day but practicing one instrument after another after another.....
To those "purists", I like to ask them if they use softsynths and drum programs.....
Last edited by Guitarhacker; 10/20/1404:52 AM.
You can find my music at: www.herbhartley.com Add nothing that adds nothing to the music. You can make excuses or you can make progress but not both.
The magic you are looking for is in the work you are avoiding.
We have BIAB because we can’t rely on our musician friends to show up, and even if they do, we can’t rely on them being sober enough to play.
We have AutoTune because we can’t sing in key.
Now we have “Automatic Lyric Generation” because we can’t come up with our own ideas for lyrics to a song.
I’ve already predicted that we’ll soon have Auto Solo because we’re not capable of playing a decent instrumental solo on our own.
What’s left? As soon as we figure that out, we can relieve ourselves from the burden of creating music!
All we’ll need to do is sit back and listen to what the computer programs have created for us.
Who needs musicians, singers and songwriters anyway?
There is an old song from 1986 by Reinhard Mey, a German singer-songwriter, who laments about this in his song "Musik wie von Hand gemacht". I've run the lyrics through Google translate and enhanced the English a little bit:
A piece of music made by hand
(Song of Reinhard Mey)
Text taken from the "official Reinhard Mey website".
In the heyday of fast food civilization, The standard opinion, the taste automation, The plastic feelings and the high-tech lust, The disposable one-way relationship with the frustration, At the time of dreams to go from the Dream Factory, The Mickey Mouse culture and music out of the socket.
Since I praise me a piece of music made by hand, Yet devised by a real man with his head, A guitar that just sounds like a guitar, And a voice that sounds as if someone is singing. Hold a piece of music of flesh and blood, All right, sometimes with a small error, which is good, It gets going and works always and everywhere, Also at the end of the world at night and power failure!
When the big, wild rock and rollers rock and roll, With amazing laser show on the stage romps, If the speakers are booming and the hall roof swings, That takes me out of the break and the glasses jumps, Then think I mind that, if now someone turns on the fuse, The Rockstar quiet as a mouse, meek and in the darkl.
Chorus
When I use the bus and the ticket validator I Can not operate and must dodge the fair again, If the waterworks turn off the source, Because I did not learn to understand you computer account, If I have to accept that I can't activate the HiFi Tower, Because I now even can not turn on the automatic switch.
Chorus
Until the day when they downsized me Or simply rejected as non-programmable, If the great computer monitors all My preferences and quirks are powerfully grasped, Even though I am already completely machine-readable With a bar code on the willy and a checksum digit on the chin.
The only time I listen to the radio nowadays is when I'm in a vehicle. When a new song comes on that I like, it's usually because it has either a "catchy" tune or "catchy" lyrics.
I've never wondered, has the tune been autogenerated? or was the singer's voice auto-tuned? Is that a musician playing the drums or a "Real Track"? etc.
...and personally, from some of the "stuff" you hear on the radio lately, I would have been glad if they would have let a lyric generator write the words, rather than listen to the same 5-word phrase they sing 27 times and call it a "song" <grin>.
A cheat I use to jump start or 'auto-generate' song lyrics is to study lists, guides, bulletins, or anything that can be considered an outline. Rearranging and modifying phrases can become the outline to develop a song's lyrical theme or message.
I posted a song in the User Forum some time back called "Trucks" where the lyrics all came from a Facebook video's comment section of viewers thoughts and reaction to a video about country Rednecks.
The only brush I was using was humor. I thought it was funny that we were debating auto tune on the other thread and then the Automatic Lyric Generation thread shows up.
So I’ll quote your comment to me on the other thread:
Quote:
Please get a clue. It was a joke!....... Notice the Grin? Sheesh!
The Lyric Cloud link I pointed to is just a tool in the toolbox. Not unlike a rhyming dictionary.
Writing lyrics is an entirely different process than learning to play an instrument - excepting that both take lots of practice, and both involve some type of pattern based tools in the woodshed.
The only brush I was using was humor. I thought it was funny that we were debating auto tune on the other thread and then the Automatic Lyric Generation thread shows up.
So I’ll quote your comment to me on the other thread:
Quote:
Please get a clue. It was a joke!....... Notice the Grin? Sheesh!
Hehe
Sorry Bob. I should have recognized your legendary sense of humor. Hehe.
After tinkering with this for a couple of days, I got a version of it running.
It's interesting, and a bit frustrating. The biggest problem is that it's much too easy to over-constrain the sentence, so nothing can be generated.
Another problem is that my version of the program does a really bad job of figuring out what the correct part of speech the template is, and too many words in the dictionary have alternate functions. For example 'A' can be an noun (referring to the letter) or an indefinite article (more common).
Since computers generally follow Murphy's Law, this means that it'll tend to pick the word that fits the constraint, but makes the least amount of sense. This also leads to a lot of repeated words, for reasons that are simply irritating.
Finally, I didn't get around to implementing a "topic" constraint, so my program can't force the noun to be associate with "love" or "anger". So the output is even more random.
I picked the opening of Hotel California as my template:
On a dark desert highway cool wind in my hair Warm smell of colitas, rising up through the air Up ahead in the distance, I saw a shimmering light My head grew heavy and my sight grew dim I had to stop for the night
The first problem is that colitas isn't in the dictionary, so substitution was called for. Then came the more subtle stuff, like dark desert highway, which is wonderfully alliterative, but has two adjectives in a row - something that wasn't very common in the source material, so there was no possible solution.
To get past this, I finally put the verse itself into the database, which got past that problem. Using a database built with the poems of Edger Allen Poe, I got:
By a dark desert highway cool wind in all there passed as but then he dances by from the air up ahead in her angel so fair a passionate light how deep rest looking like strains still is light we loved so come up the knight
Yep - it fit the constraints, but is still complete gibberish.
From thy dark desert highway cool wind in my hair warm smell of so all beauty by from the air so above in her sovereign he where a tremulous light on air near sober but she said art sure thou art not be to her flight
Not really any better. This is what Eric Woolfson produced:
From a dark desert highway cool wind in my hair warm smell of blue all standing on to the air up ahead in the river i seem a different light now he is flying so free rain fall on you can light is through the light
Yep. More gibberish. Fiddling with constraint can bring better results:
Feel a on golden threshold stone shall the sun where dwell when with many it utters is light in air
Or:
Than the dark desert highway cool wind in an air have left by our high mountain of blue the air
Constraining it not to reuse rhymes is possible, but I'm not particularly encouraged to keep the project up. The main problem is that the program simply has no understanding. So while you could eventually guide it into generating something useful, you'll never get it to write anything remotely compelling.
It was interesting, but I've got better things to do with my time.
A computer may be able to generate words and phrases that sound good together or that present an interesting dialogue, but until a computer can understand and interpret human emotions it will never truly write a good song. It may produce a catchy hook or a mediocre pop ditty, but it take human understanding and experience to write a masterful song lyric.
Last Chance! The Band-in-a-Box® 2026 for Mac® Special Ends Today (May 31, 2026) at 11:59pm PDT!
Time really is running out! Save up to 50% on Band-in-a-Box® 2026 for Mac® upgrades and receive a FREE Bonus PAK—only when you order by 11:59 PM PDT today!
We've added many major new features and new content in a redesigned Band-in-a-Box® 2026 for Mac®!
Version 2026 introduces a modernized GUI redesign across the program, with updated toolbars, refreshed windows, smoother workflows, and a new Dark Mode option. There’s also a new side toolbar for quicker access to commonly used windows, and the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, making it easier to customize your workspace.
Another exciting new addition is the amazing new AI-Notes feature, which can transcribe polyphonic audio into MIDI. View the results in notation or play them back as MIDI, and choose whether to transcribe an entire track or transcribe specific parts like drums, bass, guitars/piano, or vocals. There's over 100 new features in Band-in-a-Box® 2026 for Mac®.
There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
Upgrade your Band-in-a-Box for Mac® to save up to 50% on most Band-in-a-Box® 2026 upgrade packages!
Plus, when you order your Band-in-a-Box® 2026 Mac upgrade during our special, you'll receive a Free Bonus PAK of exciting new add-ons.
If you need any help deciding which package is the best option for you, just let us know. We are here to help!
Band-in-a-Box® 2026 Mac Special Offers Extended Until May 31st!
Good news- we've extended our Band-in-a-Box® 2026 for Mac® special offers until May 31, 2026!
Band-in-a-Box® 2026 is packed with major new features, enhancements, and an incredible lineup of new content! The program now sports a sleek, modern GUI redesign across the entire interface, including updated toolbars, refreshed windows, smoother workflows, a new dark mode option, and more. The brand-new side toolbar provides quicker access to key windows, while the new Multi-View feature lets you arrange multiple windows as layered panels without overlap, creating a flexible, clutter-free workspace. We have an amazing new “AI-Notes” feature. This transcribes polyphonic audio into MIDI so you can view it in notation or play it back as MIDI. You can transcribe an entire track (all pitched instruments and drums) or focus on individual parts like drums, bass, guitars/piano, or vocals. There's an amazing collection of new content too, including 202 RealTracks, new RealStyles, MIDI SuperTracks, Instrumental Studies, “Songs with Vocals” Artist Performance Sets, Playable RealTracks Set 5, two RealDrums Stems sets, and much more!
There are over 100 new features in Band-in-a-Box® 2026 for Mac®.
When you order purchase Band-in-a-Box® 2026 before 11:59 PM PDT on May 31st, you'll also receive a Free Bonus PAK packed with exciting new add-ons.
Check out the Band-in-a-Box® for Mac packages page to find the best package for you.
Today's the Last Day of the Band-in-a-Box 2026® for Mac Special!
Order before 11:59pm PDT today (May 15, 2026) to save up to 50% off your Band-in-a-Box® 2026 for Mac® upgrade and receive a FREE Bonus PAK loaded with great new Add-ons to use with this new version!
Band-in-a-Box® 2026 for Mac - Special Offers End at 11:59pm PDT on Friday, May 15th, 2026!
Order before 11:59pm PDT on Friday, May 15th and SAVE up to 50% on most Band-in-a-Box® version 2026 for Mac Upgrade packages... and that's not all! With your version 2026 for Mac purchase, we'll include a Bonus PAK full of great new Add-ons FREE! Upgrade to the 2026 49-PAK to receive even more NEW Add-ons including 20 additional RealTracks... that's 222 NEW RealTracks available with version Band-in-a-Box® 2026 for Mac!
Upgrade to Band-in-a-Box® 2026 for Mac® today for as little as $49! Check out the Band-in-a-Box® packages page for all available purchase options.
Learn more about the Free Bonus PAK and 49-PAK here.
If you have any questions about which package is the best option for you, just let us know. We're here to help!
202 New RealTracks Released with Band-in-a-Box 2026!
With Band-in-a-Box® 2026, we've released 202 incredible new RealTracks (in sets 468-488) in a variety of genres—featuring your most requested styles!
Jazz, Funk & World (Sets 468-475):
Our new jazz, funk & blues RealTracks include a groovin’ collection of RealTracks and RealDrums! These include more requested “soul jazz” RealTracks featuring artists Neil Swainson (bass), Charles Treadway (organ), Brent Mason (guitar), and Wes Little (drums). There are new “smooth jazz” styles (4), which include a RealTracks first: muted trumpet, as well as slick new smooth jazz brushes options for drums. Blues lovers will be thrilled—there are more “classic acoustic blues” styles, including guitar (5), bass (4), and drums (10) with blues master Colin Linden, featuring understated and tasty background acoustic soloing, plus brushes drums and acoustic bass. There are also new electric blues RealTracks, including electric blues with PG favorite Johnny Hiland (3) and soulful electric slide guitar from Colin Linden (4). If you love funk & gospel, there are great new options this year, including gospel organ (3) from Charles Treadway, as well as new funk, tango, and rock ’n’ roll drums (3) and bass (1). And for big, bold arrangements, we have uptempo soul horns (4) featuring a three-part hip horn section with options for a full mix or stems of each individual horn — plus an accompanying rhythm section (4) of drums, bass, guitar, and electric piano!
Rock & Pop (Sets 476–482):
Our new rock & pop RealTracks bring a powerful mix of requested favorites, fresh genres, and modern chart-inspired styles! We have more of our popular “Producer Layered Acoustic Guitars (15)” featuring Band-in-a-Box favorite Brent Mason. We’ve continued our much-requested disco styles (10), and added new Celtic guitar (5) with a more basic, accessible approach than our previous Drop-D or DADGAD offerings. There are also highly requested yacht rock styles (17), inspired by the smooth, polished soft-rock sound of the late ’70s and early ’80s — laid-back grooves, silky electric pianos, warm textures, elegant harmonic movement, and pristine production aesthetics. Fans of heavier styles will love our new glam metal (13), capturing the flashy, high-energy sound of ’80s arena-ready guitar rock. We also have a set of rootsy modern-folk rock (18), with a warm, organic sound combining contemporary folk textures and driving acoustic strumming. And we’ve added lots of new modern pop styles (16) — the kinds of sounds you’re hearing on the radio today, featuring exciting new drums, synths, and cutting-edge RealTracks arrangements.
Country, & Americana (Sets 483–488):
Our new country & Americana RealTracks deliver a rich collection of acoustic, electric, and roots-inspired styles! We have new country pop (9) with legendary guitarist Brent Mason. There is also a potpourri (14) of bouzouki, guitars, banjo, and more, perfect for adding texture and character to contemporary acoustic arrangements. We’ve added funky country guitar (5) with PG favorite Brent Mason, along with classic pedal steel styles (5) featuring steel great Doug Jernigan. There are more country songwriter styles (8) that provide intimate, rootsy foundations for storytelling and modern Americana writing. Finally, we have “background soloing” acoustic guitar (12) with Brent Mason — simpler, but still very tasty acoustic lines designed to sit beautifully behind vocals or act as a subtle standalone solo part.
And, if you are looking for more, the 2026 49-PAK (for $49) includes an impressive collection of 20 bonus RealTracks, featuring exciting and inspiring additions to add to your RealTracks library. You'll get new country-rhythm guitar styles from PG Music favorites Johnny Hiland and Brent Mason, along with modern-pop grooves that capture today’s radio-ready sound! There are also new indie-folk styles with guitar, bass, 6-string bass used as a high-chording instrument, acoustic guitar, and banjo. Plus, dedicated "cymbal fills" RealDrums provide an added layer that work very well with low-key folky styles with other percussion.
The 2026 49-PAK is loaded with other great new add-ons as well. Learn more about the 2026 49-PAK!
2026 Free Bonus PAK & 49-PAK for Band-in-a-Box® 2026 for Mac®!
With your version 2026 for Mac Pro, MegaPAK, UltraPAK, UltraPAK+, Audiophile Edition or PlusPAK purchase, we'll include a Bonus PAK full of great new Add-ons for FREE! Or upgrade to the 2026 49-PAK for only $49 to receive even more NEW Add-ons including 20 additional RealTracks!
These PAKs are loaded with additional add-ons to supercharge your Band-in-a-Box®!
This Free Bonus PAK includes:
The 2026 RealCombos Booster PAK:
-For Pro customers, this includes 27 new RealTracks and 23 new RealStyles.
-For MegaPAK customers, this includes 25 new RealTracks and 23 new RealStyles.
-For UltraPAK customers, this includes 12 new RealStyles.
MIDI Styles Set 92: Look Ma! More MIDI 15: Latin Jazz
MIDI SuperTracks Set 46: Piano & Organ
Instrumental Studies Set 24: Groovin' Blues Soloing
Artist Performance Set 19: Songs with Vocals 9
Playable RealTracks Set 5
RealDrums Stems Set 9: Cool Brushes
SynthMaster Sounds Set 1 (with audio demos)
iOS Android Band-in-a-Box® App
Looking for more great add-ons, then upgrade to the 2026 49-PAK for just $49 and you'll get:
20 Bonus Unreleased RealTracks and RealDrums with 20 RealStyle.
FLAC Files (lossless audio files) for the 20 Bonus Unreleased RealTracks and RealDrums
MIDI Styles Set 93: Look Ma! More MIDI 16: SynthMaster
MIDI SuperTracks Set 47: More SynthMaster
Instrumental Studies 25 - Soul Jazz Guitar Soloing
Artist Performance Set 20: Songs with Vocals 10
RealDrums Stems Set 10: Groovin' Sticks
SynthMaster Sounds & Styles Set 2 (sounds & styles with audio demos)
One of our representatives will be happy to help you over the phone. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday, and 8:00AM to 4:00PM PST Saturday. We are closed Sunday. You can also send us your questions via email.
One of our representatives will be happy to help you on our Live Chat or by email. Our hours of operation are from
6:00AM to 6:00PM PST (GMT -8) Monday thru Friday; 8:00AM to 4:00PM PST (GMT -8) Saturday; Closed Sunday.
Dansk
Deutsch - Windows
Español
Français - Windows
Italiano - Windows
Nederlands
Polski
Português
Svenskt
русский
Japanese
Simplified Chinese
Traditional Chinese
Korean